EditorialMichael Arenella, a bandleader, attends the Jazz Age Lawn Party on Governors Island in New York, June 11, 2023. (Desiree Rios/The New York Times)
EditorialMichael Arenella, a bandleader, attends the Jazz Age Lawn Party on Governors Island in New York, June 11, 2023. (Desiree Rios/The New York Times)
EditorialMichael Arenella, a bandleader, attends the Jazz Age Lawn Party on Governors Island in New York, June 11, 2023. (Desiree Rios/The New York Times)
EditorialA Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734, 1732?69, Engraving, etching, woodcut, Book: 20 11/16 x...
EditorialAfter an etching by Salvator Rosa, Plate, French, Sinceny, After an etching by Salvator Rosa (Italian, Arenella (Naples) 16151673 Rome), ca. 173337, French, Sinceny, Faience (tin-glazed earthenware), Diameter: 8 7/8 in. (22.5 cm), Ceramics-Pottery.
EditorialLeaf from Aedes Walpolianae mounted with a print and a drawing (a): Head in Profile of Prodigal Son; (b): The Wagonner (after Peter Paul Rubens) in Jean-Paul Mariette mount.
EditorialA Large Tree, 1615?73, Pen and brown ink, on brown paper, 24 3/16 x 16 7/16in. (61.5 x 41.8cm), Drawings, Salvator Rosa (Italian, Arenella (Naples) 1615?1673 Rome), Of his myriad achievements as an artist and man of letters, the brilliant and moody Sal...
EditorialOld Man with a Long Beard Holding a Stick or Sword-hilt, 1763, Etching and drypoint; first state before letters, Plate: 8 7/16 ? 6 3/16 in. (21.5 ? 15.7 cm), Prints, Captain William E. Baillie (Irish, County Kilbride 1723?1810 London), After Salvator R...
EditorialA Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734, 1732?69, Engraving, etching, woodcut, Book: 20 11/16 x...
EditorialDream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand.
EditorialDream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand.
EditorialLeaf from Aedes Walpolianae mounted with a print and a drawing (a): Head in Profile of Prodigal Son; (b): The Wagonner (after Peter Paul Rubens) in Jean-Paul Mariette mount.
EditorialDream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand.
EditorialDream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand.
EditorialDream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand.
EditorialThe Fall of the Giants, 1663, Etching with drypoint, Plate: 28 3/8 ? 18 9/16 in. (72 ? 47.1 cm), Prints, Salvator Rosa (Italian, Arenella (Naples) 1615?1673 Rome), According to classical mythology, after the Golden Age came the Silver Age and then decl...
EditorialLeaf from Aedes Walpolianae mounted with a print and a drawing (a): Head in Profile of Prodigal Son; (b): The Wagonner (after Peter Paul Rubens) in Jean-Paul Mariette mount.
EditorialDream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand.