EditorialAnthony Tommasini, the departing classical music critic for The New York Times, plays one of 88 pianos placed around New York by the nonprofit group Sing for Hope, June 4, 2013. (Philip Greenberg/The New York Times)
EditorialInstruments await setup as members of the New York Philharmonic unpack to perform at the Rose Theater in New York, Sept. 21, 2021. (Hilary Swift/The New York Times)
EditorialGrand Piano, 1792, London, England, United Kingdom, British, Mahogany, oak, curly maple, ivory, ebony, brass and various materials, Case length (perpendicular to keyboard): 226.5 cm (89 3/16 in.), Chordophone-Zither-struck-piano, John Broadwood (1732?1...
EditorialGrand Piano, 1792, London, England, United Kingdom, British, Mahogany, oak, curly maple, ivory, ebony, brass and various materials, Case length (perpendicular to keyboard): 226.5 cm (89 3/16 in.), Chordophone-Zither-struck-piano, John Broadwood (1732?1...
EditorialGrand Piano, 1792, London, England, United Kingdom, British, Mahogany, oak, curly maple, ivory, ebony, brass and various materials, Case length (perpendicular to keyboard): 226.5 cm (89 3/16 in.), Chordophone-Zither-struck-piano, John Broadwood (1732?1...