EditorialAllegory on the Second Centenary of the Reformation Title page for: J. Mann?, Accurate as theologian as historical remarks on the work of the Reformation, 1719, Allegory on the Second Centenary of the Reformation in an architectural setting, decorated ...
EditorialPhilipp Schwarzerd, llamado Melanchton (1497-1560). Reformador religioso alem?n, disc?pulo de Lutero. Historia de las persecuciones pol?ticas y religiosas en Europa. Editada en Barcelona,1864.
EditorialPhilip Melanchton, Half-Length to the Left, Standing Behind a Breastwork. Dimensions: image: 13.8 x 10.5 cm (5 7/16 x 4 1/8 in.). Medium: woodcut.
EditorialPhilipp Schwarzerd, llamado Melanchton (1497-1560). Reformador religioso alem?n, disc?pulo de Lutero. Historia de las persecuciones pol?ticas y religiosas en Europa. Editada en Barcelona,1864.
EditorialAllegory on the Second Centenary of the Reformation Title page for: J. Mann?, Accurate as theologian as historical remarks on the work of the Reformation, 1719, Allegory on the Second Centenary of the Reformation in an architectural setting, decorated ...
EditorialPhilip Melanchton, German theologian (1497-1560). Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.
EditorialPhilip Melanchton, Half-Length to the Left, Standing Behind a Breastwork. Dimensions: image: 13.8 x 10.5 cm (5 7/16 x 4 1/8 in.). Medium: woodcut.
EditorialPhilip Melanchton, German theologian (1497-1560). Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.
EditorialPhilip Melanchton, Half-Length to the Left, Standing Behind a Breastwork. Dimensions: image: 13.8 x 10.5 cm (5 7/16 x 4 1/8 in.). Medium: woodcut.
EditorialPhilip Melanchton, German theologian (1497-1560). Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.