filter
 filter
Editorial
Editorial
Editorial
Editorial Pope Francis leads a prayer for peace, St. Peter's Basilica, Vatican City, Vatican - 27 Oct 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Daily Life in Guadalest, Spain - 14 Jan 2023
Editorial Reliquary Monstrance with a Tooth of Saint John the Baptist. Weddeghe Velstede (German, active 1432-73); container: Egyptian. Date: 1433. Dimensions: 45.1 cm (17 3/4 in.). Silver gilt and rock crystal. Origin: Germany.
Editorial Giovanni Battista Foggini (Italian, 1652 - 1725), A Monstrance with Two Angels Supporting a Chalice, black chalk and pen and brown ink, partially squared in black chalk, on laid paper.
Editorial Fantastically decorated monstrance or ostensorium with crouching men (A,B), Saint Afra and Sain Benno (C,D) and angels with coat of arms (E,F) from a cabinet of curiosities in Sigmaringen, 15th century. Chromolithograph from Hefner-Alteneck's "Costumes...
Editorial Church Mass at MeeChaungYe Village during Covid-19
Editorial Monstrance. Joseph Moser; Austrian, active 1762. Date: 1762. Dimensions: H. 70.5 cm (27 3/4 in.). Silver gilt, beveled glass surrounded by seimprecious red, green, blue stones and clear paste. Origin: Vienna.
Editorial Reliquary Monstrance with a Tooth of Saint John the Baptist. Weddeghe Velstede (German, active 1432-73); container: Egyptian. Date: 1433. Dimensions: 45.1 cm (17 3/4 in.). Silver gilt and rock crystal. Origin: Germany.
Editorial Monstrance. Dated: c. 1937. Dimensions: overall: 35.6 x 27.9 cm (14 x 11 in.) Original IAD Object: 6 1/2"square; 13"high. Medium: watercolor, colored pencil, graphite, and heightening on paper.
Editorial Jewel Cock, 17th century. Processional monstrance of the Barcelona Cathedral.
Editorial Processional monstrance made ??of silver and gold. It is a work of the late 14th century, in Gothic style with some Renaissance elements. It rests on the chair of King Martin of Aragon. Barcelona Cathedral.
Editorial Monstrance of the Cathedral of La Seu d'Urgell.
Editorial Crowns of the processional monstrance of the Barcelona Cathedral.
Editorial Turkish Monstrance, commemorating the battle of Lepanto in 1571 and Don Juan d'Austria's victory over the Turkish fleet. Silver pyx, 1708.
Editorial " Turkish" Monstrance, 1708, celebrates Don Juan d'Austria's victory over a Turkish fleet near Lepanto in 1571. Detail. Silver.
Editorial Pendant, Medium: silk, metallic thread Technique: embroidered on satin weave, Flat, shield-shaped pendant of white satin embroidered in gold and sequins. The pattern, identical on both sides, represents a monstrance with sprays of wheat at the sides, a...
Editorial Monstrance (detail), silver work by Pere Moragues. 1384, Corporales de Daroca.
Editorial Monstrance. Spain. Date: 1631. Dimensions: 61.9 x 28.6 x 17.2 cm (24 3/8 x 11 1/4 x 6 3/4 in.). Silver and gilt bronze. Origin: Spain.
Editorial Reliquary Monstrance with Relics of Saints Anianus and Lawrence. German, probably Brunswick (Braunschweig). Date: 1375-1400. Dimensions: 19.1 ? 6.4 cm (7 1/2 ? 2 1/2 in.). Silver and rock crystal. Origin: Brunswick.
Editorial Reliquary Monstrance in the form of a Church. German, Brunswick (Braunschweig). Date: 1401-1500. Dimensions: 27.8 ? 10.2 cm (11 ? 4 in.). Gilt copper and horn. Origin: Brunswick.
Editorial Reliquary Monstrance with a Relic of Saint Christina. German; probably Brunswick ( Braunschweig). Date: 1450-1500. Dimensions: 22.2 ? 8.9 cm (8 3/4 ? 3 1/2 in.). Silver, rock crystal, and enamel. Origin: Brunswick.
Editorial Monstrance. 16th century. Silver gilt. Gothic style. Parish Church of Saint John the Baptist. Horta de Sant Joan. Catalonia. Spain.
Editorial MONSTRANCE UNTITLED (RED 16) - REFLEJO DE HANNAE IN A BURKA - 2010 - CRISTAL DE COLOR ESPEJO Y MARCO DE PAN DE ORO - 43,2 x 43,2 x 4,4. ROBERT LONGO 1953/.
Editorial A Gothic Monstrance. Dated: c. 1480. Medium: engraving.
Editorial A Monstrance. Dated: c. 1860. Dimensions: overall: 24.3 x 17.2 cm (9 9/16 x 6 3/4 in.). Medium: watercolor over graphite on wove paper.
Editorial A Monstrance Held by Two Angels. Dated: 1495/1500. Medium: woodcut, hand-colored in green, brown, rose, and olive.
Editorial Elevation of a Monstrance, Pen and sepia ink, brush and sepia wash, graphite on paper, Vertical rectangle. A round pedestal stands upon an oblong base. It is decorated with a disc above a festoon. Upon it stands the figure of an angel upon clouds and s...
Editorial Design for a Monstrance, Pen and ink, brush and wash on paper, Angel standing on one foot, holding four candlestick arms in each hand. Scrolling shells on either side., Italy, mid- 18th century, metalwork, Drawing, Drawing.
Editorial Design for a Monstrance with Alternative Suggestions, Pen and ink, brush and sepia on paper, The upper base is supported by volute feet; the right one with a cherub upon a lower base. In front of it is the pascal lamb upon the book and clouds with a ch...
Editorial Sketches for a Monstrance, Pen and brown ink, graphite on off-white laid paper, At left, two full elevations of a monstrance. Below, a view of the base. At right, the glory., Italy, 18101825, metalwork, Drawing, Drawing.
Editorial Pendant, Medium: silk, metallic thread Technique: embroidered on satin weave, Flat, shield-shaped pendant of white satin embroidered in gold and sequins. The pattern, identical on both sides, represents a monstrance with sprays of wheat at the sides, a...
Editorial Angel Carrying a Monstrance, Black chalk on paper, Figure of an angel or cherubim, standing upright and possibly in flight, turned toward the left, holding a monstrance., Naples, Italy, early 18th century, figures, Drawing, Drawing.
Editorial Design for a Setting of the Exhibition of the Host, Black chalk, brush and gray and black watercolor on laid paper, Vertical rectangle. The left half of an architectural interior with baldachin is shown. Three flights of eight step, each lead to a plat...
Editorial Project for a Holy Sepulcher, Red crayon, pen and ink, brush and sepia on paper, Below in the center is the sarcophagus, surrounded at the back by foliage. At the corners of the front are soldiers upon the soil. In the foreground are three angels kneel...
Editorial Monstrance, Eustach Hayd, d. 1674, Silver gilt, glass, Embossed acanthus boughs form four panels in heart forms with the point on top; buds stand there, on the lower part of the shaf. Cherubim appliques are in the panels. A baluster forms the upper par...
Editorial Design for a Chalice, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, yellow watercolor on paper; verso: pen and ink, Vertical rectangle. Design for a gold chalice, at the base of which is an oval medallion between garlands. Th...
Editorial Sketches for Altars, Black chalk, pen, ink on paper, Obverse: a mensa stand before the central section of a convex dado upon which steps (ledges) rise to a pavillion in which two angles raise a monstrance on a pedestal to which candle brackets are fast...
Editorial Silver monstrance executed in 1727, Juste-Aur?le Meissonnier, French, b. Italy, 16951750, Black ink on white paper, A monstrance, shown frontally, in the rocaille style. Decorated with seraphs' heads and grapes., At top: '78' (right corner); lower righ...
Editorial Monstrance, Jean-Robert Ango, French, active in Rome 1759 1770, d. 1773, Red chalk on paper, Monstrance with an irreguarly-shaped window., France, ca. 175970, ornament, Drawing, Drawing.
Editorial Elevation of a Monstrance, Pen and brown ink, brown wash, black chalk, Different details in the left and right halves. Two angels kneeling on clouds over a pedestal support an aedicula. There are many angels and garlands throughout the composition., It...
Editorial Project for a tabernacle for the exposition of the monstrance with alternative suggestions, Pencil, pen, ink, brush and gray water color on paper, Vertical composition of a tabernacle shaped like a circular tower, standing on the mensa above and betwee...
Editorial Monstrance, Pietro Belli, Italian, 17801828, Pen and brown ink, gray wash, graphite Support: light green wove paper, Rome, Italy, Italy, 182028, metalwork, Drawing, Drawing.
Editorial Design for a Church Festival Setting, Brush and gray watercolor, black chalk on laid paper; verso: graphite, Vertical rectangle, design partially incomplete at upper left. Two stairs lead up to an apse of complicated plan and elevation. Further stairs ...
Editorial Project for the elevation of the frame of a receptacle for a monstrance, Vincenzo Belli, Italian, 1710 - 1787, Pencil, pen, ink, black watercolor wash, paper, Two angels, standing on clouds, raise with their hands a palm and a vine bow, respectively. T...
Editorial Design for a Monstrance, Pen and ink, brush and wash on paper, Central column of clouds with cherubs and pair of angels holding aloft candelabra. Scrolling base., Italy, mid- 18th century, metalwork, Drawing, Drawing.
Editorial Design for Monstrance, Graphite on cream paper, The foot consists of a pedestal showing the animals of the Evangelists, and a cherub over an inscription 'EVANGELUS.' A capital stands on the pedestal, beside the foot of which two angels sit, holding thr...
Editorial Design for a Monstrance, Red chalk on paper, Loose sketch of a monstrance at center through which a concecrated host would be exhibited for veneration. Two angels kneeling upon the cornices of broken pediments raise a crown above the transparent vessel...
Editorial Design for a Setting of the Exhibition of the Host, Black chalk, brush and gray and black watercolor on laid paper, Vertical rectangle. Eleven steps lead to the apse. It is alternatively suggested to divide them with three separate flights. A large bal...
Editorial Fragments, Medium: silk Technique: woven, Crowned lions on either side of a monstrance with birds,, late 16thearly 17th century, woven textiles, Fragments.
Editorial Project for the Machine for the Exposition of the Monstrance, Pencil, pen, ink, paper, Vertical rectangle. The stage has the general form of a chapel, with twisted columns and curtain drawn aside. Inside a baldachino with two angels on top, support a s...
Editorial Design for a Reliquary Monstrance, Red, black chalk, brush and watercolors, white gouache on paper, Vertical format design for a reliquary monstrance intended to be executed in white and gilded silver. The shaft is to be gilded. The upper part is drawn...
Editorial Design for a Monstrance, Pen and brown ink on off-white laid paper, Vase shape on a plinth. Cross at top., Italy, 18151830, metalwork, Drawing, Drawing.
Editorial Monstrance, Jean-Robert Ango, French, active in Rome 1759 1770, d. 1773, Red chalk on paper, Monstrance with an oval window and a wide base., France, ca. 175970, ornament, Drawing, Drawing.
Editorial Josef Wlha, 3294 Capo d'Istria, goth. Ostensorium and chalice in the cathedral, collodion paper, black and white positive process, image size: height: 25,20 cm; width: 19,60 cm, inscribed: recto u.: exposed: 3294 Capo d'Istria, goth. Ostensorium and ch...
Editorial V. Neubert Smichov, Jan Preisler, M?nes, XXI. V?st. Sp. V?tv. Um. M?nes, paper, lithography, total: height: 125,5 cm; width: 95,5 cm, exhibition posters, candle, candleholder, candelabra, altar, art genres, ostensorium, monstrance, symbolic representat...
Editorial Carlo Brogi, Firenze - S. Croce: Sagrestia, Reliquario del secolo XIV, albumin paper, black and white positive process, sheet size: height: 25,50 cm; width: 20,00 cm, inscribed: recto: image no. 9627, title; Edizioni Brogi, photography, legends, cults,...
Editorial Artist: Daniel Hopfer the Elder, German, 14701536, Design for a?Monstrance, ca.?1520, Etching, Made in Germany, German, 16th?century, Works on Paper -?Prints.