EditorialDesign by Mesdammes Emma and Marie Weille. An afternoon toilette. Made in the princesse form it is lightly draped across the waist and fastens on the left side with buttons of turquoise. The skirt is cut out in a waved edge bordered with the sable over...
EditorialChair leg, Walnut covered with gesso, painted and gilded, Front leg of a chair, left side; cabriole, leaf foot, gilded, and gilded flower and tattered frill above knee., France, ca. 1735, woodwork, Decorative Arts, Chair leg.
EditorialDesign for the Embroidery of the Lower Front Part of an Overskirt of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache, oxidized white on paper, A frill is shown along the left hem. Ovoidal rings form a chain i...
EditorialDesign for Embroidery of a Lower Front Part of an Overskirt of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Festoons of a fringed ribbon connect fantastical plants of which two are shown colored....
EditorialP. Monamy, Print made by James Bretherton, ca. 17301806, British, after Thomas Stubly, active 17331738, British, undated, Etching on medium, moderately textured, beige laid paper, Sheet: 8 3/4 x 6 15/16 inches (22.3 x 17.7 cm), Plate: 6 13/16 x 5 1/16 ...
EditorialSir Joshua Reynolds, P. R. A., Edward Edwards, 17381806, British, after Sir Joshua Reynolds RA, 17231792, British, Published by William Smith, active 1835, British, undated, Etching on medium, slightly textured, cream wove paper, laid on mount, Sheet: ...
EditorialSir Joshua Reynolds, Knt. L. L. D., President of the Royal Academy, Print made by John Cond?, 17651794, French, active in Britain, after unknown artist, Published by John Sewell, active 17351802, British, 1793, Etching and stipple engraving on moderate...
EditorialJohn Bacon Esqr., F. A. S., Print made by T. Blood, active 18121814, after John Russell, 17451806, British, Published by James Asperne, 17571820, British, 1815, Stipple engraving on moderately thick, slightly textured, cream wove paper, laid in mount, ...
EditorialNicholas Revett, William Camden Edwards, 17771855, British, after Allan Ramsay, 17131784, British, Published by Priestley & Weale, active 17981830, British, 1827, Line engraving and etching on moderately thick, moderately textured, cream laid paper, Sh...
EditorialI Will Pay No More Debts of Her Contracting, Print made by James Bretherton, ca. 17301806, British, after Henry William Bunbury, 17501811, British, Published by James Bretherton, ca. 17301806, British, 1772, Etching on moderately thick, rough, blued wh...
EditorialJulia, Lady Peel, Print made by Samuel Cousins, 18011887, British, after Sir Thomas Lawrence, 17691830, British, Published by Moon, Boys & Graves, ca. 18121892, British, 1832, Mezzotint, line engraving, and stipple engraving on moderately thick, slight...
EditorialThe Full Blown Macaroni, Print made by James Bretherton, ca. 17301806, British, after Henry William Bunbury, 17501811, British, Published by James Bretherton, ca. 17301806, British, 1772, Etching on moderately thick, moderately textured, blued white la...
EditorialWilliam Blake, William Camden Edwards, 17771855, British, after Thomas Phillips, 17701845, British, Published by John Murray, 18021892, British, 1830, Line engraving and etching on moderately thick, slightly textured, cream wove paper, laid in mount, S...
EditorialP. Monamy, Print made by James Bretherton, ca. 17301806, British, after Thomas Stubly, active 17331738, British, undated, Etching on moderately thick, slightly textured, cream wove paper, Sheet: 11 15/16 x 9 1/4 inches (30.3 x 23.5 cm), Plate: 6 3/4 x ...
EditorialSir Robert Chambers, Print made by Frederick Bromley, active 18561860, after Sir Joshua Reynolds RA, 17231792, British, Published by Henry Graves & Co., ca. 18121892, British, 1862, Mezzotint and etching on moderately thick, moderately textured, cream ...
EditorialSilk Wedding Dress, 1891 Made by Liberty & Co. Ivory pongee silk wedding dress. High neck trimmed with a wide ruffle. A drape of fabric from the right hand side of the waist to the left hand shoulder conceals the front fastening. Long, tightly fitted s...
EditorialIssued by American Tobacco Company, Frill, New York, American League, from the White Border series (T206) for the American Tobacco Company, 190911, Commercial lithograph, Sheet: 2 5/8 x 1 7/16 in. (6.7 x 3.7 cm).
EditorialDesign by Paquin. A gown created for Mlle. Delcaze. This is of pale blue muslin embroidered in white, the foot of the skirt trimmed with an interlaced insertion of Valenciennes. The blouse is cut down over a guimpe of line pleated lawn, and turned over...
EditorialDesign by Paquin. A tea-gown. Soft satin in turquoise blue is the material, embroidered with incrustations of mousseline bouillonneé edged with white chenille in an Empire style. ... The gown is cut up on the left side to show a petticoat of gauged mo...
EditorialPortrait of a bearded old man with a frill, oil on canvas, 79 x 61.5 cm, unsigned, Andreas II. Bodan II, Mulhouse 1656?1696 Zerbst, Schoss Dornburg oder Bernburg/Anhalt.
EditorialSeamstress, wearing a Bavolet headdress, reign of Louis XIII, 1610-1643. The Bavolet was a lace cap with a frill at the back, also known as the curtain bonnet. She wears a red dress with corset, flat lace collar and cuffs, and lace apron. After a portr...
EditorialDesign by Mesdammes Emma and Marie Weille. An afternoon toilette. Made in the princesse form it is lightly draped across the waist and fastens on the left side with buttons of turquoise. The skirt is cut out in a waved edge bordered with the sable over...
EditorialDesign by Paquin. A gown created for Mlle. Delcaze. This is of pale blue muslin embroidered in white, the foot of the skirt trimmed with an interlaced insertion of Valenciennes. The blouse is cut down over a guimpe of line pleated lawn, and turned over...
EditorialPsalm 34; dog stalking a goose. Luttrell Psalter. England [East Anglia]; circa 1325-1335. Whole folio. Psalm 34. Border decoration with three animal grotesques, including a fish with a frill. In the lower margin, a man in a wide-brimmed hat, a hunting ...
EditorialDesign by Paquin. A tea-gown. Soft satin in turquoise blue is the material, embroidered with incrustations of mousseline bouillonneé edged with white chenille in an Empire style. ... The gown is cut up on the left side to show a petticoat of gauged mo...
EditorialSeamstress, wearing a Bavolet headdress, reign of Louis XIII, 1610-1643. The Bavolet was a lace cap with a frill at the back, also known as the curtain bonnet. She wears a red dress with corset, flat lace collar and cuffs, and lace apron. After a portr...
EditorialEnglish woman in the fashion of September 1796. She wears a bonnet decorated with ribbon, white dress with ribbon under the bust, long shawl with frill, gloves, fan and parasol. Handcoloured etching by Auguste Etienne Guillaumot Jr. from "English Costu...
EditorialFrench woman wearing the fashion of January 1791. She wears a bonnet with feathers, full wig, fitted redingote with ribbon waist over petticoats with frill. Handcoloured etching by Auguste Etienne Guillaumot Jr. from "Costumes of the French Revolution,...
EditorialFrench woman wearing the fashion of January 1792. She wears a bonnet with feathers, full wig tied with a ribbon, large fichu (neckerchief), fitted dress and full skirts trimmed with frill. She holds a cane. Handcoloured etching by Auguste Etienne Guill...
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