EditorialThe New York-based artist Sanford Biggers, who saw the Chazen Museum’s discomfort over showing Thomas Ball’s “The Emancipation Group”as an opportunity “to open things up”, in his studio in the Bronx on April 13, 2023. (Mary Inhea Kang/The New York Times)
EditorialThe New York-based artist Sanford Biggers, who saw the Chazen Museum’s discomfort over showing Thomas Ball’s “The Emancipation Group”as an opportunity “to open things up”, in his studio in the Bronx on April 13, 2023. (Mary Inhea Kang/The New York Times)
EditorialThe Wall of Heaven Where the Bad But Not Very Bad are in Temporary Discomfort. Date/Period: 1475. Folio. Tempera colors, gold leaf, gold paint, and ink on parchment. Height: 363 mm (14.29 in); Width: 262 mm (10.31 in).
EditorialThe Wall of Heaven Where the Bad But Not Very Bad are in Temporary Discomfort. Date/Period: 1475. Folio. Tempera colors, gold leaf, gold paint, and ink on parchment. Height: 363 mm (14.29 in); Width: 262 mm (10.31 in).