EditorialDeath Mask of Napoleon. Dr. C. Francesco Antommarchi (From a mold by); Italian, 1780--1838; Cast by: Louis Richard and E. Quesnel, Paris. Date: 1833. Dimensions: 34.9 x 35.6 x 15.2 cm (13 3/4 x 14 x 6 in.). Bronze. Origin: Paris.
EditorialThomas Wentworth, 1st Earl of Stafford, English statesman. Comte de Stafford. In lace collar over a suit of armour. With death mask, axe and baton below. Copperplate engraving by Charles Simonneau after Adriaen van der Werff from Isaac de Larreys Histo...
EditorialDeath Mask of Napoleon. Dr. C. Francesco Antommarchi (From a mold by); Italian, 1780--1838; Cast by: Louis Richard and E. Quesnel, Paris. Date: 1833. Dimensions: 34.9 x 35.6 x 15.2 cm (13 3/4 x 14 x 6 in.). Bronze. Origin: Paris.
EditorialThomas Wentworth, 1st Earl of Stafford, English statesman. Comte de Stafford. In lace collar over a suit of armour. With death mask, axe and baton below. Copperplate engraving by Charles Simonneau after Adriaen van der Werff from Isaac de Larreys Histo...
EditorialDeath Mask of Napoleon. Dr. C. Francesco Antommarchi (From a mold by); Italian, 1780--1838; Cast by: Louis Richard and E. Quesnel, Paris. Date: 1833. Dimensions: 34.9 x 35.6 x 15.2 cm (13 3/4 x 14 x 6 in.). Bronze. Origin: Paris.
EditorialDeath Mask of a Woman. Circle of Lavinia Fontana; Italian, 1552-1614. Date: 1603-1607. Dimensions: 129 x 127 mm (max.). Black and red chalk, on ivory laid paper, laid down on ivory wove paper. Origin: Italy.
EditorialDeath Mask of Napoleon. Dr. C. Francesco Antommarchi (From a mold by); Italian, 1780--1838; Cast by: Louis Richard and E. Quesnel, Paris. Date: 1833. Dimensions: 34.9 x 35.6 x 15.2 cm (13 3/4 x 14 x 6 in.). Bronze. Origin: Paris.
EditorialDeath Mask of a Woman. Circle of Lavinia Fontana; Italian, 1552-1614. Date: 1603-1607. Dimensions: 129 x 127 mm (max.). Black and red chalk, on ivory laid paper, laid down on ivory wove paper. Origin: Italy.
EditorialGolden death mask from a royal tomb (16th BCE) at Mycenae, Peloponnesus, Greece. Masks were shaped directly on the face of the dead. Faces were stylized, with closed eyes and a round beard leaving the chin free.
EditorialDeath Mask of a Woman. Circle of Lavinia Fontana; Italian, 1552-1614. Date: 1603-1607. Dimensions: 129 x 127 mm (max.). Black and red chalk, on ivory laid paper, laid down on ivory wove paper. Origin: Italy.
EditorialDeath Mask of Napoleon. Dr. C. Francesco Antommarchi (From a mold by); Italian, 1780--1838; Cast by: Louis Richard and E. Quesnel, Paris. Date: 1833. Dimensions: 34.9 x 35.6 x 15.2 cm (13 3/4 x 14 x 6 in.). Bronze. Origin: Paris.
EditorialDeath Mask. Georg Christoph Eimmart, the Younger; Germany, 1638-1705. Date: 1658-1705. Dimensions: 390 x 275 mm. Black and white chalk on paper. Origin: Germany.
EditorialGolden death mask from a royal tomb (16th BCE) at Mycenae, Peloponnesus, Greece. Masks were shaped directly on the face of the dead. Faces were stylized, with closed eyes and a round beard leaving the chin free.
EditorialRitratti di criminali tedeschi Italaini. Portraits of German and Italian criminals. A death mask in the centre. [L'uomo delinquente studiato in rapporto alla antropologia, alla medicina legale, ed alle discipline carcerarie ... con incisioni.]. Torino,...
EditorialFrederic Chopin's death mask and a plaster cast of his hand, on a table in the apartment where he died of tuberculosis in 1849. The Vendome column outside the window is reflected in the mirror.
EditorialGolden death mask from a royal tomb (16th BCE) at Mycenae, Peloponnesus, Greece. Masks were shaped directly on the face of the dead. Faces were stylized, with closed eyes and a round beard leaving the chin free.