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Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial INDRE : Caterpillar.
Editorial Bedcover (Crazy Quilt). United States. Date: 1880-1885. Dimensions: 214.6 x 184.8 cm (84 1/2 x 72 3/4 in.). Silk, cotton, and wool, pieced plain, twill, and satin weaves; some with velvet, some with patterning and brocading wefts, and some self-pattern...
Editorial Bedcover (Crazy Quilt). United States. Date: 1885. Dimensions: 175.4 x 159.7 cm (69 x 62 7/8 in.). Silk and cotton, pieced plain, twill, satin and satin damask weaves; some with supplementary patterning warps or wefts; some self-patterned; some with su...
Editorial Skirt. France. Date: 1775-1795. Dimensions: 122.2 ? 138.1 cm (48 ? 34 3/4 in.). Silk, warp-float faced twill weave; appliqu?d with silk, machine-made hexagonal lace mesh; and embroidered with silk floss, silk chenille yarns, cotton and silk chenille ya...
Editorial Panel. France. Date: 1770-1780. Dimensions: 84.2 ? 54.7 cm (33 1/2 ? 21 1/2 in.). Silk and silk chenille, plain weave with supplementary patterning warps tied in plain and satin interlacings, supplementary pattening wefts, and supplementary brocading w...
Editorial Panel. France. Date: 1760-1765. Dimensions: 61.5 ? 47.2 cm (24 1/4 ? 18 5/8 in.) Repeat: 13.3 ? 11.6 cm (5 1/4 ? 4 1/2 in.). Silk, linen, silk chenille, and gilt-and-silvered-metal-strip-wrapped silk, plain weave derived float weave with supplementary...
Editorial Panel. Italy for the Portuguese market or Portugal or Portugal for export to Macao. Date: 1690-1710. Dimensions: 89.9 x 57.5 cm (35 3/8 x 22 5/8 in.) Weft repeat: 27.2 cm 27.3 cm (10 3/4 in.). Silk and silk chenille yarns, warp-float faced 7:1 satin w...
Editorial Fragment, Spanish, 18th century, Spanish, Chenille on silk, L. 18 x W. 9 inches (45.7 x 22.9 cm), Textiles-Embroidered.
Editorial Chasuble, 18th century, Central Europe, Central Europe, Silk, weft-rib plain weave, embroidered in silk threads, gilt strip wound around a silk core, silk chenille threads, creped silk and metal coils in French knots, satin, outline and cross stitches,...
Editorial Bag, 18th century, France, plain weave linen, embroidered in metal strip wrapped on silk core, silk chenille, silk floss, in tent, cross, thread counted and free, running chain, oblique "gobelin" stitches, fancy knitted bottom.
Editorial Fragments of a dress, Medium: silk Technique: brocaded with silk and chenille thread, Parts of a dress. Pannier skirt with fronts of bodice; also a piece of the train. Compound fancy cloth ground of white taffeta with extra warp of apple green which ap...
Editorial Panel, Medium: silk; metallic thread; flat strips of metal; linen Technique: embroidery of colored silks, chenille and metallic threads; applique of taffeta and flat metal strips on taffeta lined with linen., Panel of white silk taffeta, backed with li...
Editorial Cap, Medium: silk Technique: knitted, passementerie, Cap of coral silk with a chenille tassel in the same color. Knit with altnernating bands in a simple goemetric patterns., Spain, 18th century, knotted, knitted and crocheted textiles, Cap.
Editorial Fragment, Medium: silk, metallic yarns Technique: satin weave with supplementary weft patterning (brocade), chenille, Fragment of white satin brocaded in gold metallic thread, pink and terra-cotta silks and blue chenille has a large-scale scrolling lea...
Editorial Fragment, Medium: silk Technique: plain weave with discontinuous supplementary weft petterning (brocade), Fragment with large scale symmetrical floral pattern in cream and blue with details brocaded in yellow and brown, on a bone colored ribbed ground....
Editorial Textile, Medium: silk and chenille Technique: plain compound cloth, brocaded, Large-scale serpentine branches brocaded in green silk with flowers in polychrome chenille threads. Secondary design of ribbon-like serpentines and small branches in floats o...
Editorial Gown created for Jane Hading by Laferrière for her European tour. A costume of shot corn-coloured taffetas glacé boacaded with a design in white velvet. Down the front of the skirt is a tablier of course string-coloured guipure underneath which flows...
Editorial 'Paquin has designed this most lovely manteau du soir for the Baronne Merlin. It is in velvet of the new shade called "Ibis", embroidered in black chenille and silver, and edged with a great flounce of cerise-coloured mousseline de soie. The yoke is of...
Editorial Table Cover (Chenille). Dated: c. 1936. Dimensions: overall: 55.3 x 54.4 cm (21 3/4 x 21 7/16 in.) Original IAD Object: 40" square. Medium: watercolor, graphite, and gouache on paper.
Editorial mantle.
Editorial Dressing gown, Medium: silk Technique: compound weave with supplementary weft patterning (brocade), chenille, Long, double-breasted man's dressing gown with contrast front edgings, lapels and cuffs. The robe is of heavy white silk brocaded in the bizar...
Editorial Ribbon ornament, Medium: silk, Flat ornament representing a bouquet of flowers made of multicolored ribbons and chenille thread., France, 19th century, woven textiles, Ribbon ornament.
Editorial Textile, Medium: silk, metallic threads Technique: plain weave with discontinuous supplementary weft patterning (brocade) and supplementary warp pile (velvet), Rose ribbed silk ground, brocaded in colored silks, chenille and gold and silver metal threa...
Editorial Panel, Medium: silk embroidery on silk foundation Technique: embroidered on satin weave, White satin with embroidery in colored silk and chenille in a design of flowers tied with ribbons., Europe, ca. 1770, embroidery & stitching, Panel.
Editorial Sampler, Mary Muro, Medium: silk embroidery on wool foundation Technique: counted and uncounted stitches; cross, satin, back, stem, and couching on plain weave foundation, Curving floral border enclosing letters, parts of an alphabet, floral bands, ini...
Editorial Fringe, Medium: silk, metal, glass beads, Strands of white chenille are intermixed with strands gold-colored glass beads punctuated with knots of gold and silver metal cord., France, late 19th century, trimmings, Fringe.
Editorial Purse, Medium: silk, sequins, painted design Technique: embroidered, painted, White silk purse trimmed with white silk cord and tassels, and silver sequins; one side embroidered in pink, brown, and green chenille in floral design; reverse has painted t...
Editorial Textile, Medium: silk Technique: embroidered in chain stitch on plain weave, White ribbed silk embroidered in colored silks and chenille (in chain stitch) in design of interlacing stems and floral sprays., Europe, ca. 1760, embroidery & stitching, Textile.
Editorial Fragments, Medium: silk Technique: 8-harness satin with floats of continuous and discontinuous wefts, Fragments of a pattern which included within one repeat a ship at sea, flowering trees, man kneeling aiming gun at feline animal, seated man smoking p...
Editorial Fragments of a dress, Medium: silk Technique: brocaded with silk and chenille thread, Parts of a dress. Pannier skirt with fronts of bodice; also a piece of the train. Compound fancy cloth ground of white taffeta with extra warp of apple green which ap...
Editorial Waistcoat fronts, Medium: silk, metal-wrapped silk core thread, flat metal strip and wire coil embroidery on silk foundation Technique: embroidered in satin stitch on 7&1 satin foundation, Two waistcoat fronts with a dense, large-scale floral border or...
Editorial Pin cushion, Medium: silk, glass beads Technique: chenille and bead embroidery on satin, Pin cushion in the shape of a triangle and made to hang. Embroidery shows a design of a vase and flowers with a worn inscription., France, late 18th century, embro...
Editorial Waistcoat, Medium: silk Technique: embroidery in satin, stem and knot stitches; couched silk cord; appliqu? of silk ribbon on plain weave Label: Satin, stem and knot stitches in silk, couched silk cord, and appliqu?d silk ribbon on silk plain weave, Ge...
Editorial Panel, Medium: silk; metallic thread; flat strips of metal; linen Technique: embroidery of colored silks, chenille and metallic threads; applique of taffeta and flat metal strips on taffeta lined with linen., Panel of white silk taffeta, backed with li...
Editorial Textile, Medium: silk Technique: embroidered in chain stitch on satin weave, Shaped fragment of white satin is embroidered in colored silks and chenille yarns with a design of floral sprays enclosed by flowering vines., France, ca. 1781, embroidery & s...
Editorial Cap, Medium: silk Technique: knitted, passementerie, Cap of coral silk with a chenille tassel in the same color. Knit with altnernating bands in a simple goemetric patterns., Spain, 18th century, knotted, knitted and crocheted textiles, Cap.
Editorial Sample, Medium: silk, metallic thread Technique: twill weave with supplementary weft, Sample of material woven for the Russian church. Gold ground with symmetrical design of central group of roses surrounded by serpentines of horns of plenty, wheat, ro...
Editorial Salesman's sample, Medium: silk, glass beads Technique: embroidered, Sample of dress trimming of chenille embroidery of leaves and applied ornament made up of knotted white silk and glass beads on satin forming long ovals and pendants representing flor...
Editorial Textile, Medium: silk Technique: satin weave with supplementary weft, Figured cream-colored silk brocaded in colored silks and chenille. In component 'a' the design shows a hunter, ship, bird on flowers, and a lion. For component 'b' the design in inco...
Editorial Waistcoat panel, Medium: silk embroidery on silk foundation Technique: embroidered in satin, stem and knot stitches in 14 colors of silk, appliqu? of dark pink silk plain weave, silk chenille (4 shades) and silk cord couched onto warp-faced plain weave...
Editorial Trimming, Medium: cotton Technique: plain weave with secondary warp of blue chenille, Cream coloured cotton plain cloth ground with design of ovals formed by secondary warp of blue cotton chenille., 185099, Trimming.
Editorial Waistcoat, Medium: silk, metallic thread Technique: embroidered, plain and twill weave, Waistcoat of silver cloth brocaded in a small flower pattern with a two and half inch border, woven in one with the cloth. Metal is bound in twill weave. Border is ...
Editorial Textile, Medium: silk Technique: chain stitch embroidery in colored silk and chenille on ribbed (fancy compound satin) weave, Panel made of fifteen fragments of embroidery, floral pattern in colored silks and chenille (chain stitch) on ribbed silk with...
Editorial Fragment, Medium: silk Technique: 7&1 satin with discontinuous supplementary wefts (brocade), Very large flowers with small birds and animals. both selvages present. Some wefts are chenille., 17th century, woven textiles, Fragment.
Editorial Dress panel, Medium: silk, silk chenille, silk-wrapped corrugated strips of flat metal, silk-wrapped wire coils, feathers, brilliants, paper Technique: embroidery on 8-harness satin using satin, stem and couching stitches, 5-harness satin appliqu?, Lon...
Editorial Textile, Medium: silk Technique: compound weave with discontinuous supplementary weft patterning (brocade), Length of woven silk with a pattern of intertwining flowering branches, with roses and other flowers. In black, blue, green, yellow, peach, pink...
Editorial Dress panel fragment, Medium: silk on silk Technique: tambour work on satin foundation, Part of the front panel from a dress. White satin embroidered with tambour work in multicolored pastel silks and chartreuse green chenille. Design of sprays of rose...
Editorial Fragment, Medium: silk, metallic yarns Technique: satin weave with supplementary weft patterning (brocade), chenille, Fragment of white satin brocaded in gold metallic thread, pink and terra-cotta silks and blue chenille has a large-scale scrolling lea...
Editorial Fragments, Medium: silk, silver thread Technique: plain compound twill with supplementary weft, White silk foundation fabric entirely covered in ground with secondary silver weft thread and silver fris? brocading forming elaborate decorative foliate mo...
Editorial Textile, Medium: silk Technique: embroidered in couching stitch on satin weave, White satin with embroidery in three shades of blue chenille in a design of leaves and bowknots., France, Europe, 1750, embroidery & stitching, Textile.
Editorial Textile, Medium: silk and metal-wrapped silk-core threads Technique: plain weave with supplementary warp patterning and discontinuous supplementary weft (brocading) Label: silk plain weave with supplementary warp patterning and silk and metal thread di...
Editorial Fragment, Medium: silk Technique: plain weave with discontinuous supplementary weft petterning (brocade), Fragment with large scale symmetrical floral pattern in cream and blue with details brocaded in yellow and brown, on a bone colored ribbed ground....
Editorial Waistcoat, Medium: silk embroidery on silk foundation, linen back Technique: embroidered on satin weave, White satin with polychrome silk embroidery and green and brown chenille. Small floral sprays scattered over the ground. Down the center, a series ...
Editorial Dress panel, Medium: silk, silk chenille, silk-wrapped corrugated strips of flat metal, silk-wrapped wire coils, feathers, brilliants, paper Technique: embroidery on 8-harness satin using satin, stem and couching stitches, 5-harness satin appliqu?, Pal...
Editorial Textile, Medium: silk Technique: embroidered in chain and satin stitch with appliqued needlemade net on satin weave, White satin ornamented with embroidery in colored silks and chenille threads in a design of scrolling lines, flowers, and flowering vin...
Editorial Textile, Medium: silk and chenille Technique: plain compound cloth, brocaded, Large-scale serpentine branches brocaded in green silk with flowers in polychrome chenille threads. Secondary design of ribbon-like serpentines and small branches in floats o...
Editorial Embroidered picture. Date/Period: Ca. 1805. Embroidered picture. Medium: silk, metallic and chenille embroidery on silk foundation, with metal sequins . Technique: embroidered in satin stitch on plain weave; details added in watercolor.
Editorial Anne Fazackerley, Embroidered Sampler, British, Anne Fazackerley (born 1811), 1824, Made in England, British, Embroidered silk and chenille on wool, 17 3/4 x 14 3/4 in. (45.1 x 37.5 cm), Textiles.
Editorial Fragment, Spanish, 18th century, Spanish, Chenille on silk, L. 18 x W. 9 inches (45.7 x 22.9 cm), Textiles-Embroidered.
Editorial mantle.
Editorial Design by Paquin. A tea-gown. Soft satin in turquoise blue is the material, embroidered with incrustations of mousseline bouillonneé edged with white chenille in an Empire style. ... The gown is cut up on the left side to show a petticoat of gauged mo...
Editorial Colorful Murex, Nerinaea, Cerithium, Turbinella, Cancellaria and Fusus shells.
Editorial Mother and daughter in fashionable dresses. Woman in dress of crepe embroidered with chenille and silver, girl in dress of black velvet and crepe. Portrait de Mme. V. R. et de sa fille. Deux robes de Jeanne Lanvin: l'une en crepe brode chenille et arge...
Editorial Woman in cape of old taffeta decorated with caterpillar green and muff embroidered with pearls. Parrot chained to a stand. Mantelet de taffetas a la vielle garni dune chenille verte, manchon brode de perles. Handcoloured pochoir (stencil) etching after...
Editorial dress, Attributed to Girolamo Giuseffi, Designer (American, 1864-1934), Attributed to G. Giuseffi Ladies' Tailoring Company, Design House (American), about 1906, silk satin, silk lace, silk netting, silk chenille, silk taffeta, silk velvet, metallic th...
Editorial afternoon dress, Girolamo Giuseffi, Designer (American, 1864-1934), G. Giuseffi Ladies' Tailoring Company, Design House (American), 1910-1914, silk satin, silk chiffon, silk netting, metallic threads, pearls, glass beads, silk chenille, mink, center ba...
Editorial dress (bodice, skirt), Mme. De Latour, Dressmaker (American, born French, 1841-after 1901), about 1892, silk taffeta, silk velvet, chenille silk, pearl, metal sequins, glass beads, A) bodice: center back 17-3/4 in., center front 16 in., bust 30 in., wa...
Editorial Skirt with trail of salmon-colored satin, decorated with a sliver and candelabrum ornament of silver wire and with medallions with landscapes and bouquets painted in grisaille, Skirt of salmon-colored satin, decorated with sliver and candelabrum orname...
Editorial Cardigan, uncut, of cream-colored satin embroidered with a floral fantasy pattern in multicolored silk and chenille, trimmed with a border of purple crepe between chenille and silk embroidery, Uncut cardigan of cream-colored satin embroidered with a fl...
Editorial Dolman, made out of a shawl Sortie, mantille or dolman, made from a European imitation of a cashmere scarf, lined with brightly colored checkered silk, Mantille, sortie or Dolman, made from a European imitation of a cashmere scarf. Brightly colored che...