EditorialLombardy, Italy, Europe. The Charterhouse of Pavia, in italian Certosa di Pavia (Gratiarum Carthusia - Monastery of Santa Maria delle Grazie) is a historic monumental complex that includes a monastery and a sanctuary. It is located in the homonymous mu...
EditorialMan Tugging on Sheet: Study for the Entombment [Sacristy of the Certosa di San Martino, Naples, 1596]. Giuseppe Cesari, called Il Cavalier d'Arpino; Italian, 1568-1640. Date: 1595-1596. Dimensions: 248 x 167 mm (max.). Red chalk on tan laid paper, laid...
EditorialPanels from Two Caskets, ca. 1400?1409, Made in Florence, Italy, Italian, Bone and Certosina (inlays of stained woods, bone and horn) with traces of gilding, Ht. 78 3/4 in. (200 cm), Ivories-Bone, Baldassare degli Embriachi (Italian, active 1390?1409) ...
EditorialGiacomo Brogi, Edizioni Brogi, Firenze (Certosa) - Pulpito di G. Fancelli, albumin paper, black and white positive process, sheet size: height: 25.5 cm; width: 20 cm, stamp: bottom left: Blind stamp Brogi, inscribed: recto below: no. 4363, title, photo...
EditorialGiacomo Brogi, Edizioni Brogi, Firenze (Certosa) - Leggio di M. da Fiesole, albumin paper, black and white positive process, sheet size: height: 25.50 cm; width: 20.00 cm, stamp: lower left: Blind stamp Brogi, inscribed: recto below: no. 4349, title, p...
EditorialPanels from Two Caskets, ca. 1400?1409, Made in Florence, Italy, Italian, Bone and Certosina (inlays of stained woods, bone and horn) with traces of gilding, Ht. 78 3/4 in. (200 cm), Ivories-Bone, Baldassare degli Embriachi (Italian, active 1390?1409) ...
EditorialTHE CERTOSA OF PAVIA, ITALY, 1883: 1. Third. Window of Fa?ade. 2. The Smaller Cloister. 3. Fourth Window of Fa?ade. 4. Door of the Smaller Cloister. 5. Principal Entrance to the Certosa. 6. The "Lavabo" (Washing Basin) in the Sacristy. 7. Second Window...
EditorialWindow of Certosa at Pavia, Window of the monastery Certosa in Pavia, Fig. 130, p. 233, 1867, Jacob Burckhardt; Wilhelm L?bke: Geschichte der neueren Baukunst. Stuttgart: Verlag von Ebner & Seubert, 1867.
EditorialFrom the court of the Certosa at Pavia, Certosa di Pavia Monastery, Fig. 16, p. 65, 1867, Jacob Burckhardt; Wilhelm L?bke: Geschichte der neueren Baukunst. Stuttgart: Verlag von Ebner & Seubert, 1867.
EditorialMan Tugging on Sheet: Study for the Entombment [Sacristy of the Certosa di San Martino, Naples, 1596]. Giuseppe Cesari, called Il Cavalier d'Arpino; Italian, 1568-1640. Date: 1595-1596. Dimensions: 248 x 167 mm (max.). Red chalk on tan laid paper, laid...
EditorialMan Tugging on Sheet: Study for the Entombment [Sacristy of the Certosa di San Martino, Naples, 1596]. Giuseppe Cesari, called Il Cavalier d'Arpino; Italian, 1568-1640. Date: 1595-1596. Dimensions: 248 x 167 mm (max.). Red chalk on tan laid paper, laid...
EditorialCertosa di Pavia (1400-1600). Facade after 1476. Burial place of the Visconti and Sforza Sculpted arches of the cloisters. See also 40-07-04 / 35,37.
EditorialDesign for a Fresco of an Artist's Tomb in the Certosa of Bologna (recto); Architectural Drawing of Columns (verso), c. 1810-1820. Pietro Fancelli (Italian, 1764-1850). Pen and brown ink and watercolor with graphite under drawing; sheet: 49.2 x 34.3 cm...
EditorialDesign for a Fresco of an Artist's Tomb in the Certosa of Bologna (recto), c. 1810-1820. Pietro Fancelli (Italian, 1764-1850). Pen and brown ink and watercolor with graphite under drawing; sheet: 49.2 x 34.3 cm (19 3/8 x 13 1/2 in.).
EditorialMan Tugging on Sheet: Study for the Entombment [Sacristy of the Certosa di San Martino, Naples, 1596]. Giuseppe Cesari, called Il Cavalier d'Arpino; Italian, 1568-1640. Date: 1595-1596. Dimensions: 248 x 167 mm (max.). Red chalk on tan laid paper, laid...
EditorialDesign for a Fresco of the Tomb of Vincenzo Martinelli (1737-1807) in the Certosa of Bologna, c. 1810-1820. Pietro Fancelli (Italian, 1764-1850). Pen and brown ink and watercolor with graphite underdrawing; sheet: 47.2 x 29.8 cm (18 9/16 x 11 3/4 in.).
EditorialMan Tugging on Sheet: Study for the Entombment [Sacristy of the Certosa di San Martino, Naples, 1596]. Giuseppe Cesari, called Il Cavalier d'Arpino; Italian, 1568-1640. Date: 1595-1596. Dimensions: 248 x 167 mm (max.). Red chalk on tan laid paper, laid...
EditorialStudy for a painting of the " Supper at Emmaus", around 1524-1525. In front, an older monk looks out directly to the artist; he gestures with both hands. The younger monk behind him is startled and turns his head. The " Supper at Emmaus&...
EditorialPanels from Two Caskets, ca. 1400?1409, Made in Florence, Italy, Italian, Bone and Certosina (inlays of stained woods, bone and horn) with traces of gilding, Ht. 78 3/4 in. (200 cm), Ivories-Bone, Baldassare degli Embriachi (Italian, active 1390?1409) ...
EditorialThe Assumption of the Virgin, Oil and gold on wood, 95 3/8 x 42 1/2 in. (242.3 x 108 cm), Paintings, Bergognone (Ambrogio di Stefano da Fossano) (Italian, Milan ca. 1453?1523 Milan), A successful and popular painter of altarpieces, Bergognone worked fo...
EditorialTHE CERTOSA OF PAVIA, ITALY, 1883: 1. Third. Window of Fa?ade. 2. The Smaller Cloister. 3. Fourth Window of Fa?ade. 4. Door of the Smaller Cloister. 5. Principal Entrance to the Certosa. 6. The "Lavabo" (Washing Basin) in the Sacristy. 7. Second Window...
EditorialCertosa di Pavia (1400-1600). Facade after 1476. Burial place of the Visconti and Sforza Sculpted arches of the cloisters. See also 40-07-04 / 35,37.
EditorialNiccolo Acciaiuoli, who founded the Certosa in Florence. Murals from a hall in the Villa Carducci in Legnaia, Italy; painted around 1450. Mural, transferred to canvas,250 x 154 cm Inv. San Marco e Cenacoli 171.
EditorialStudy for a painting of the " Supper at Emmaus", around 1524-1525. In front, an older monk looks out directly to the artist; he gestures with both hands. The younger monk behind him is startled and turns his head. The " Supper at Emmaus&...