EditorialAgamemnon Refuses to Liberate Chryseis; Minerva Appears to Achilles; The Abduction of Briseis: Galerie d'Iliad, Palazzo Milzetti, Faenza, Felice Giani, Italian, 17581823, Pen and brown ink, brush and gray-brown wash over traces of graphite on white lai...
EditorialAttic red-figure oinochoe shape 1. Heracles and Apollo struggling for the tripod with Athena and Artemis attending. Briseis Painter. Attic red-figured oinocho? form 1. Presentation: Struggle of Herakles and Apollo for the tripod in Delphi, aside Athena...
EditorialAttributed to the Briseis Painter, Terracotta fragment of a kylix (drinking cup), Greek, Attic, Early Classical, Date 480470 B.C., Greek, Attic, Terracotta; red-figure, Vases.
EditorialAttributed to the Briseis Painter, Terracotta fragment of a stemmed plate, Greek, Attic, Early Classical, Date 480-470 B.C., Greek, Attic, Terracotta; red-figure, Vases.
EditorialAttributed to the Briseis Painter, Terracotta fragment of a kylix (drinking cup), Greek, Attic, Early Classical, Date 480470 B.C., Greek, Attic, Terracotta; red-figure, Vases.
EditorialAchilles is forced to give up Briseis, the prisoner with whom he had fallen in love, to Agamemnon, after Agamemnon had to return Chryseis to her father, Chryses, the priest of Apollo. House of the Tragic poet. National Archaeological Museum, Naples. Italy.
EditorialGreat banded grayling, Brintesia circe, hermit, Chazara briseis, and eastern rock grayling, Hipparchia syriaca butterfly. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural Hi...