EditorialPortrait of the Last Armbruster to Basel, Johann Heinrich Bienz, 1838, oil on panel, 40 x 33 cm, monogrammed on the anvil on the right edge of the picture: RB, Rudolf Braun, 1788?1857, t?tig in Basel.
EditorialCostume Study for Belmonte in the 'Abduction from the Seraglio' by W.A. Mozart, ca. 1830?50, Watercolor, over graphite, gum arabic, Sheet: 11 1/4 ? 8 3/16 in. (28.5 ? 20.8 cm), Drawings, Johann Georg Christoph Fries (German, Nuremberg 1788?1857 Regensburg).
EditorialCostume Study for Bassa Selim in the 'Abduction from the Seraglio' by W.A. Mozart, ca. 1830?50, Watercolor, over graphite, gum arabic, Sheet: 11 1/4 x 7 7/8 in. (28.5 x 20 cm), Drawings, Johann Georg Christoph Fries (German, Nuremberg 1788?1857 Regensburg).
EditorialCostume Study for Blonde in the 'Abduction from the Seraglio' by W.A. Mozart, ca. 1830?50, Watercolor, over graphite, gum arabic, Sheet: 11 1/4 ? 8 1/16 in. (28.6 ? 20.5 cm), Drawings, Johann Georg Christoph Fries (German, Nuremberg 1788?1857 Regensburg).
EditorialCostume Study for Konstanze in the 'Abduction from the Seraglio' by W.A. Mozart, ca. 1830?50, Watercolor, over graphite, gum arabic, Sheet: 11 3/16 ? 7 15/16 in. (28.4 ? 20.2 cm), Drawings, Johann Georg Christoph Fries (German, Nuremberg 1788?1857 Rege...
EditorialCostume Study for Pedrillo in the 'Abduction from the Seraglio' by W.A. Mozart, ca. 1830?50, Watercolor, over graphite, gum arabic, Sheet: 11 1/4 ? 7 15/16 in. (28.5 ? 20.2 cm), Drawings, Johann Georg Christoph Fries (German, Nuremberg 1788?1857 Regens...
EditorialCostume Study for Osmin in the 'Abduction from the Seraglio' by W.A. Mozart, ca. 1830?50, Watercolor, over graphite, gum arabic, Sheet: 11 1/8 ? 8 1/16 in. (28.3 ? 20.5 cm), Drawings, Johann Georg Christoph Fries (German, Nuremberg 1788?1857 Regensburg).