EditorialGravel Pits, 1783-1859 David Cox (d. 1859), Landscape, 19th Century, Watercolour, Gouache, Paper, Grass, Blue sky, Cloud, Frame, Animal, Horse, Windmill, Male, Carriage, Works on Paper.
EditorialA shrine to Siva, flying a red banner from the roof pinnacle, is set in a landscape beside a pool in which people bathe. Pilgrims arrive, mostly on foot, others on an elephant, a camel and in a palanquin; the camp of a wealthy visitor is pitched on the...
EditorialOn The Isis, 1764 Paul Sandby, The Isis is an alternative name for the River Thames, deriving from the ancient name for the Thames, Tamesis., Boat, Tree, Landscape, 18th Century, Watercolour, Gouache, England, Frame, River, Thames, Works on Paper.
EditorialVenetian Capriccio With a Body Being Exhumed and a Franciscan Monk in Attendance, 1700-1729 Marco Ricci, The term 'Capriccio' refers to landscape or architectural compositions that combine real elements such as recognisable buildings or monuments with ...
EditorialVenetian Capriccio With a Body Being Exhumed and a Franciscan Monk in Attendance, 1700-1729 Marco Ricci, The term 'Capriccio' refers to landscape or architectural compositions that combine real elements such as recognisable buildings or monuments with ...
EditorialAfternoon, 1769 Paul Sandby, Landscape, 18th Century, Watercolour, Gouache, England, Frame, Rural, Animal, Cow, Countryside, Agriculture, Works on Paper.
EditorialSolva, Fishing Village in Pembrokeshire, UK, 1936 Frances Hodgkins (d. 1947), Modern Art, Abstract, Watercolour, Gouache, Wales, Frame, Naive, Animal, Cow, Works on Paper, Art Movement, Naive.
EditorialOn The Isis, 1764 Paul Sandby, The Isis is an alternative name for the River Thames, deriving from the ancient name for the Thames, Tamesis., Boat, Tree, Landscape, 18th Century, Watercolour, Gouache, England, Frame, River, Thames, Works on Paper.
EditorialCastel Dinas Bran, North Wales, 1870 Frederick Henry Henshaw, Landscape, Watercolour, Gouache, Wales, Castle, Ruins, Frame, Rural, Animal, Cow, Countryside, Hill, Works on Paper.
EditorialVenetian Capriccio With a Body Being Exhumed and a Franciscan Monk in Attendance, 1700-1729 Marco Ricci, The term 'Capriccio' refers to landscape or architectural compositions that combine real elements such as recognisable buildings or monuments with ...
EditorialVenetian Capriccio With a Body Being Exhumed and a Franciscan Monk in Attendance, 1700-1729 Marco Ricci, The term 'Capriccio' refers to landscape or architectural compositions that combine real elements such as recognisable buildings or monuments with ...
EditorialSolva, Fishing Village in Pembrokeshire, 1936 Frances Hodgkins (d. 1947), Modern Art, Abstract, Watercolour, Gouache, Wales, Frame, Naive, Animal, Cow, Works on Paper, Art Movement, Naive.
EditorialOn The Shore, Sunset, 1835-1867 William Clarkson Stansfield (d.1867), 19th Century, Watercolour, Gouache, Frame, Seascape, Shore, Sky, Coast, beach, Sunset, Works on Paper.
EditorialAfternoon, 1769 Paul Sandby, Landscape, 18th Century, Watercolour, Gouache, England, Frame, Rural, Animal, Cow, Countryside, Agriculture, Works on Paper.
EditorialCourtyard of the Painter's House, Cairo, 1850-1 John Frederick Lewis (d. 1876), 19th Century, Watercolour, Gouache, Paper, Egypt, Architecture, Frame, Male, Cairo, Camel, Animal, Art Movement, Orientalism, Courtyard, Works on Paper.
EditorialPeel Castle, Isle Of Man, 1851 Henry Gastineau (d.1876), Landscape, 19th Century, Watercolour, Gouache, Castle, Blue sky, Cloud, Frame, Sea, Seascape, Female, Male, Sunrise, Animal, Works on Paper.
EditorialA shrine to Siva, flying a red banner from the roof pinnacle, is set in a landscape beside a pool in which people bathe. Pilgrims arrive, mostly on foot, others on an elephant, a camel and in a palanquin; the camp of a wealthy visitor is pitched on the...
EditorialView of the Heads, Port Jackson. Date/Period: 1853. Watercolour. Watercolour, gouache, gum, scraping out on paper. Height: 715 mm (28.14 in); Width: 932 mm (36.69 in).
EditorialA shrine to Siva, flying a red banner from the roof pinnacle, is set in a landscape beside a pool in which people bathe. Pilgrims arrive, mostly on foot, others on an elephant, a camel and in a palanquin; the camp of a wealthy visitor is pitched on the...
EditorialOne of the falls on the Apsley. Date/Period: 1873. Watercolours. Watercolour, gouache and gum arabic watercolour, gouache and gum arabic. Height: 460 mm (18.11 in); Width: 664 mm (26.14 in).
EditorialA shrine to Siva, flying a red banner from the roof pinnacle, is set in a landscape beside a pool in which people bathe. Pilgrims arrive, mostly on foot, others on an elephant, a camel and in a palanquin; the camp of a wealthy visitor is pitched on the...
EditorialThree dancing-girls with five musicians performing on a terrace, apparently at James Skinner's house. Women sit watching on either side and servants stand behind them. In the background is part of a pavilion. By a Delhi artist, c.1838. Opaque watercolo...
EditorialGhazi-al-din Haidar (Nawab and, after 1819, King of Oudh 1814-27) entertaining Lord and Lady Moira to a banquet in his palace. Paintings of horses, mirrors and girandoles decorate the walls and above the window is the coat of arms of the kings of Oudh....
EditorialA shrine to Siva, flying a red banner from the roof pinnacle, is set in a landscape beside a pool in which people bathe. Pilgrims arrive, mostly on foot, others on an elephant, a camel and in a palanquin; the camp of a wealthy visitor is pitched on the...
EditorialThree dancing-girls with five musicians performing on a terrace, apparently at James Skinner's house. Women sit watching on either side and servants stand behind them. In the background is part of a pavilion. By a Delhi artist, c.1838. Opaque watercolo...
EditorialIn the studio of a woman-painter, sketch for the poster of the exhibition of Russian painters at the Secession building in Vienna. Watercolour, gouache and crayon; paper on cardboard.
EditorialOne of the falls on the Apsley. Date/Period: 1873. Watercolours. Watercolour, gouache and gum arabic watercolour, gouache and gum arabic. Height: 460 mm (18.11 in); Width: 664 mm (26.14 in).
EditorialIn the studio of a woman-painter, sketch for the poster of the exhibition of Russian painters at the Secession building in Vienna. Watercolour, gouache and crayon; paper on cardboard.