EditorialAndris Nelsons conducts the Boston Symphony Orchestra in a Beethoven program at Tanglewood in Lenox, Mass., July 10, 2021, the orchestra’s first in-person performance since March 2020. (Jillian Freyer/The New York Times)
EditorialMichael Tilson Thomas rehearses with the Boston Symphony Orchestra at Tanglewood in Lenox, Mass., on Saturday, Aug, 27, 2022. (Lauren Lancaster/The New York Times)
EditorialThe Boston Symphony Orchestra performs at Tanglewood in Lenox, Mass., July 10, 2021, the orchestra’s first in-person performance since the pandemic began. (Jillian Freyer/The New York Times)
EditorialBernard Haitink conducts the Boston Symphony at the Tanglewood Music Festival in Lenox, Mass., July 9, 2006. (Michael Lutch/The New York Times)
EditorialAttendees gather for a performance by the Boston Symphony Orchestra at Tanglewood in Lenox, Mass., July 10, 2021, the orchestra’s first in-person performance since March 2020. (Jillian Freyer/The New York Times)
EditorialVisitors enjoy the grounds of Tanglewood Music Center, which remain open though live programming has been canceled, in Lenox, Mass., July 16, 2020. (Lauren Lancaster/The New York Times)
EditorialA visitor at the grounds of the Tanglewood Music Center, which remain open though live programming has been canceled, in Lenox, Mass., July 16, 2020. (Lauren Lancaster/The New York Times)
EditorialTanglewood Music Center has had its season canceled, but the grounds remain open for visitors, in Lenox, Mass., on July 16, 2020. (Lauren Lancaster/The New York Times)
EditorialTanglewood Music Center has had its season canceled, but the grounds remain open for visitors, in Lenox, Mass., on July 16, 2020. (Lauren Lancaster/The New York Times)
EditorialComposer Charles Wuorinen leads his ‘It Happens Like This: cantata for four singers and twelve players on poems of James Tate’ at the Festival of Contemporary Music at Tanglewood in Lenox, Mass., August 3, 2011. (Michael J. Lutch/The New York Times)
EditorialStill Life 1965, from New York Ten. Tom Wesselmann (American, 1931-2004); published by Tanglewood Press, Incorporated (American, 20th century). Date: 1965. Dimensions: 430 x 560 mm. Embossing and graphite on white wove paper. Origin: United States.