EditorialThe Prince and the Petitioner, late 16th century, Attributed to Iran, Ink and gold on paper, H. 3 in. .(7.6 cm), Codices, Attributed to Vali Jan, Images containing emaciated horses in Persian art have sufi or mystical connotations, symbolizing the asce...
EditorialDeacon Anthony Mammoliti of St. Dominic Roman Catholic Church in Bensonhurst — the last church in Brooklyn offering daily masses in Italian — on a home visit on April 15, 2022. (James Estrin/The New York Times)
EditorialMembers of F3, a no-frills fitness group where members push themselves physically but also bond emotionally, work out in Katy, Texas, Aug. 6, 2022. (Meridith Kohut/The New York Times)
EditorialThe Whaler’s Wife Transforming into a Whale,” a carving made by the Makah artist Greg Colfax KlaWayHee, on display in the Northwest Coast Hall at the American Museum of Natural History in New York, May 4, 2022. (Jasmine Clarke/The New York Times)
EditorialMaryanne O’Hara, who became an end-of-life doula following the death of her daughter in 2016, in her home in Wayland, Mass., on June 22, 2021. (Tony Luong/The New York Times)
EditorialManuel Cuzco, 63, who lives nearby, kneels on the steps of St. Sebastian Roman Catholic Church in the Woodside neighborhood of Queens on Sunday, March 22, 2020. (Todd Heisler/The New York Times)
EditorialThe Prince and the Petitioner, late 16th century, Attributed to Iran, Ink and gold on paper, H. 3 in. .(7.6 cm), Codices, Attributed to Vali Jan, Images containing emaciated horses in Persian art have sufi or mystical connotations, symbolizing the asce...
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