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Editorial Tourists in Rome on a hot Sunday in August, Italy - 04 Aug 2024
Editorial Milan - Fall of a Tree Due to Bad Weather, Via Sanzio, Italy - 15 May 2024
Editorial Milan - Fall of a Tree Due to Bad Weather, Via Sanzio, Italy - 15 May 2024
Editorial Milan - Fall of a Tree Due to Bad Weather, Via Sanzio, Italy - 15 May 2024
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial In the last month of the year of Bergamo Brescia Capital of Culture 2023, Accademia Carrara presents two new exhibition projects
Editorial Jacob's Dream. Giuseppa Nicola Rossigliani (Italian, born c. 1510); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1550. Dimensions: 220 x 274 mm. Chiaroscuro woodcut printed in tan, gray and black on ivory laid paper. Origin: ...
Editorial DISPUTA DEL SACRAMENTO O TRIUNFO DE LA RELIGION FRESCO DE LA ESTANCIA DEL SELLO PINTADO EN 1509. DETALLE LATERAL DERECHO. RAFAEL SANZIO O RAFAEL DE URBINO. FRA ANGELICO. SIXTO IV PAPA. SAN JERONIMO (347-420). Dante Alighieri (1265-1321).
Editorial CONSTRUCCION DEL ARCA - TERCERA BOVEDILLA LOGIA DE RAFAEL - 1513/1521 - FRESCO. RAFAEL SANZIO O RAFAEL DE URBINO. NOAH.
Editorial Four Heads From the Raphael Cartoons at Hampton Court.
Editorial The Massacre of the Innocents.
Editorial Judgment of Paris: Paris extends his hand toward Venus, who stands between Juno and Minerva, surrounded by reclining and seated figures; above are a winged figure carrying a laurel wreath, a charioteer driving four horses, Castor and Pollux, and Jupite...
Editorial 'The School of Athens. Detail of Euclid', 1510, Fresco, Before restauration. RAFAEL SANZIO O RAFAEL DE URBINO.
Editorial LIBERACION DE SAN PEDRO - 1513-14 - RESTAURADO. RAFAEL SANZIO O RAFAEL DE URBINO. APOSTLE PETER.
Editorial LIBERACION DE SAN PEDRO (EVASION) - ANTES DE RESTAURAR - SIGLO XVI - RENACIMIENTO ITALIANO. RAFAEL SANZIO O RAFAEL DE URBINO. APOSTLE PETER.
Editorial Raphael (Raffaello Sanzio da Urbino) (1483-1520), Italian painter. Madonna Terranuova, c.1505. Gemaldegalerie. Berlin. Germany.
Editorial The Massacre of the Innocents.
Editorial Nymphs Helping Psyche with Her Toilette. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1540. Dimensions: 200 x 235 m...
Editorial Ceres Refusing Any Assistance to Psyche. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1541. Dimensions: 200 x 235 m...
Editorial Venus Complains to Jupiter. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1541. Dimensions: 200 x 235 mm (plate); 27...
Editorial Psyche Leaves for the Underworld. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1541. Dimensions: 200 x 235 mm (plat...
Editorial Psyche Going to Seek the Golden Wool. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1541. Dimensions: 200 x 235 mm (...
Editorial Psyche Embarks in Charon's Boat. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1541. Dimensions: 200 x 235 mm (plate...
Editorial The Gods Celebrating the Wedding of Psyche and Cupid. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1540. Dimensions...
Editorial Cupid and Psyche Together in the Nuptial Bed. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1541. Dimensions: 200 x ...
Editorial The Morbetto, or The Plague of Phrygia. Marcantonio Raimondi (Italian, c. 1480-1534); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1515-1516. Dimensions: 198 x 252 mm (image); 199 x 253 mm (sheet). Engraving in black on ivory laid...
Editorial Venus riding a conch at left and cowering man (Jason) at right, Eros riding a makeshift boat holding a bow between them.
Editorial The Olympian gods at the marriage feast of Cupid and Psyche, after Raphael.
Editorial Christ at the table of Simon the Pharisee, Mary Magdalene washing his feet with her hair.
Editorial Allegory of Marriage and Love; Juno in a chariot drawn by peacocks at right, Venus in a chariot drawn by three doves at the left.
Editorial Apollo sitting on Parnassus surrounded by the muses and famous poets.
Editorial Speculum Romanae Magnificentiae: The Victory of Scipio.
Editorial Joseph fleeing from Potiphar's wife.
Editorial Eight putti playing.
Editorial Head of a boy and section of a horse's mane, 1500?1550, Brush, brown and red gouache, over a little black chalk, 9-7/16 x 13-1/16 in. (24.0 x 33.2 cm), Drawings, School of Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483?1520 Rome).
Editorial HELIODORO EXPULSADO DEL TEMPLO- FRESCO DE LA ESTANCIA DE HELIODORO- 1511/1514. RAFAEL SANZIO O RAFAEL DE URBINO. JULIUS II POPE. ONIAS.
Editorial CREATION OF ANIMALS - Raphael Rooms - 1513/1521 - FRESCO. RAFAEL SANZIO O RAFAEL DE URBINO. DIOS PADRE.
Editorial Leo I (Leone I) the Great, Pope from 440 to 461. Vatican, St. Peter's basilica. Algardi Alessandro, 1602-1654. Pope Leo I the Great against Attila, king of the Huns. Relief from the altar of Leo I. RAFAEL SANZIO O RAFAEL DE URBINO. SAINT PAUL THE APOSTLE.
Editorial Disputa, from the Stanza della Segnatura - 1509 - fresco. RAFAEL SANZIO O RAFAEL DE URBINO. JESUS. SAINT AUGUSTINE. DANTE ALIGHIERI. EVE. FRA ANGELICO. Adam. APOSTLE PETER. DAVID REY SIGLO XI AC. VIRGIN MARY. ESPIRITU SANTO. DIOS PADRE. Trinidad.
Editorial The Predella of 'Pala Oddi di Raffaello', is the Masterpiece for Milan 2022. Italy - 03 Nov 2022
Editorial The Predella of 'Pala Oddi di Raffaello', is the Masterpiece for Milan 2022. Italy 03 Nov 2022
Editorial Noah's Sacrifice; Noah at right with his hands clapsed in prayer before a fire upon an altar, two men sacrificing a ram on the ground and another bringing a second ram, two men leading two cows and a camel behind the fire.
Editorial Christ at the table of Simon the Pharisee, Mary Magdalene washing his feet with her hair.
Editorial Saint Paul preaching in Athens, after Raphael.
Editorial Judgment of Paris: Paris extends his hand toward Venus, who stands between Juno and Minerva, surrounded by reclining and seated figures; above are a winged figure carrying a laurel wreath, a charioteer driving four horses, Castor and Pollux, and Jupite...
Editorial DISPUTA DEL SACRAMENTO O TRIUNFO DE LA RELIGION FRESCO DE LA ESTANCIA DEL SELLO PINTADO EN 1509. DETALLE LATERAL DERECHO. RAFAEL SANZIO O RAFAEL DE URBINO. DANTE ALIGHIERI. FRA ANGELICO. SIXTO IV PAPA. SAN JERONIMO (347-420).
Editorial The Massacre of the Innocents.
Editorial allegory of life.
Editorial Diogenes. John Downman (English, 1750-1824); or after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1774. Dimensions: 391 x 503 mm. Charcoal with stumping, on ivory laid paper. Origin: Italy.
Editorial Fire in the Borgo (recto); Slight Sketch of the Fire in the Borgo (verso). Ottaviano Dandini (Italian, c. 1706-1750); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1725-1750. Dimensions: 374 x 503 mm (max.). Red chalk (recto and ve...
Editorial Alexander and Roxana. Giovanni Jacopo Caraglio (Italian, 1500/05-1565); after Rafaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1501-1600. Dimensions: 219 x 312 mm. Engraving printed in black on paper. Origin: Italy.
Editorial Venus Complains to Jupiter. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1541. Dimensions: 200 x 235 mm (plate); 27...
Editorial Apollo sitting on Parnassus surrounded by the muses and famous poets.
Editorial The Miraculous Draught of Fishes.
Editorial Saint Paul preaching in Athens, after Raphael.
Editorial The Battle around the Shield and Lance. Giovanni Jacopo Caraglio (Italian, 1500/05-1565); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1522-1532. Dimensions: 341 x 485 mm. Engraving in black on ivory laid paper. Origin: Italy.