filter
 filter
Editorial EXCLUSIVE: Woman who wants to be permanently BLUE spends hours painting skin every week to ?feel like an alien?
Editorial EXCLUSIVE: Woman who wants to be permanently BLUE spends hours painting skin every week to ?feel like an alien?
Editorial EXCLUSIVE: Woman who wants to be permanently BLUE spends hours painting skin every week to ?feel like an alien?
Editorial EXCLUSIVE: Woman who wants to be permanently BLUE spends hours painting skin every week to ?feel like an alien?
Editorial EXCLUSIVE: Woman who wants to be permanently BLUE spends hours painting skin every week to ?feel like an alien?
Editorial EXCLUSIVE: Woman who wants to be permanently BLUE spends hours painting skin every week to ?feel like an alien?
Editorial EXCLUSIVE: Woman who wants to be permanently BLUE spends hours painting skin every week to ?feel like an alien?
Editorial EXCLUSIVE: Woman who wants to be permanently BLUE spends hours painting skin every week to ?feel like an alien?
Editorial EXCLUSIVE: Woman who wants to be permanently BLUE spends hours painting skin every week to ?feel like an alien?
Editorial EXCLUSIVE: Woman who wants to be permanently BLUE spends hours painting skin every week to ?feel like an alien?
Editorial Pair of Keros, 16th?17th century, Peru, Quechua, Wood, pigmented resin inlay, Height 7 in., Wood-Containers, The counterpoised figures depicted here may echo the traditional Andean worldview of balanced dichotomy. The opposing forces, male figures (in ...
Editorial Horse Trotting, the Feet Not Touching the Ground. Dated: 1870s. Dimensions: overall without base: 24.5 x 12.7 x 27.5 cm (9 5/8 x 5 x 10 13/16 in.) height without base (of horse): 23.2 cm (9 1/8 in.). Medium: pigmented beeswax, plastiline, metal armatu...
Editorial Jockey with Cap. Dated: possibly 1890s. Dimensions: overall: 14.13 x 8.26 x 9.37 cm (5 9/16 x 3 1/4 x 3 11/16 in.). Medium: pigmented beeswax, metal armature, cloth, paper.
Editorial Horse Galloping, Turning the Head to the Right, the Feet Not Touching the Ground. Dated: mid 1870s. Dimensions: overall without base: 23.4 x 9.5 x 33.2 cm (9 3/16 x 3 3/4 x 13 1/16 in.). Medium: pigmented beeswax, plastiline, metal armature, cork, on w...
Editorial Horse Rearing. Dated: 1880s. Dimensions: overall without base: 31.2 x 20.4 x 26.7 cm (12 5/16 x 8 1/16 x 10 1/2 in.). Medium: pigmented beeswax, plastiline, metal armature, cork, on wooden base.
Editorial Horse Galloping on the Right Foot, the Back Left Foot Only Touching the Ground. Dated: possibly 1890s. Dimensions: overall without base: 18.9 x 7.1 x 32.2 cm (7 7/16 x 2 13/16 x 12 11/16 in.) height without base (of horse): 18.1 cm (7 1/8 in.). Medium...
Editorial Th?odore Gericault, (artist), French, 1791 - 1824, Flayed Horse I, c. 1820/1824, pigmented wax, overall: 23.2 x 21.7 x 11.7 cm (9 1/8 x 8 9/16 x 4 5/8 in.).
Editorial Winslow Homer, The End of the Hunt, 1892, watercolor over graphite on off-white wove paper, 15 1/8 in. x 21 3/8 in. (38.4 cm. x 54.3 cm.), Winslow Homer often vacationed in the Adirondacks, where he hunted and fished, and then captured the experience i...
Editorial Lady Gaga launches new makeup line as she reveals how cosmetics helped her discover her true beauty by being able to transform herself
Editorial Jockey with Cap. Dated: possibly 1890s. Dimensions: overall: 14.13 x 8.26 x 9.37 cm (5 9/16 x 3 1/4 x 3 11/16 in.). Medium: pigmented beeswax, metal armature, cloth, paper.
Editorial Horse Galloping, Turning the Head to the Right, the Feet Not Touching the Ground. Dated: mid 1870s. Dimensions: overall without base: 23.4 x 9.5 x 33.2 cm (9 3/16 x 3 3/4 x 13 1/16 in.). Medium: pigmented beeswax, plastiline, metal armature, cork, on w...
Editorial Horse Trotting, the Feet Not Touching the Ground. Dated: 1870s. Dimensions: overall without base: 24.5 x 12.7 x 27.5 cm (9 5/8 x 5 x 10 13/16 in.) height without base (of horse): 23.2 cm (9 1/8 in.). Medium: pigmented beeswax, plastiline, metal armatu...
Editorial Horse Galloping on the Right Foot, the Back Left Foot Only Touching the Ground. Dated: possibly 1890s. Dimensions: overall without base: 18.9 x 7.1 x 32.2 cm (7 7/16 x 2 13/16 x 12 11/16 in.) height without base (of horse): 18.1 cm (7 1/8 in.). Medium...
Editorial untitled early color photograph (still life with mounted rooster and parakeet). Date/Period: 1879 (per Louis Ducos du Hauron when presented to a French archive in the 1880s). Color transparency, three-color pigmented gelatin process (original); color p...
Editorial Jockey with Cap. Dated: possibly 1890s. Dimensions: overall: 14.13 x 8.26 x 9.37 cm (5 9/16 x 3 1/4 x 3 11/16 in.). Medium: pigmented beeswax, metal armature, cloth, paper.
Editorial Horse Galloping, Turning the Head to the Right, the Feet Not Touching the Ground. Dated: mid 1870s. Dimensions: overall without base: 23.4 x 9.5 x 33.2 cm (9 3/16 x 3 3/4 x 13 1/16 in.). Medium: pigmented beeswax, plastiline, metal armature, cork, on w...
Editorial Horse Trotting, the Feet Not Touching the Ground. Dated: 1870s. Dimensions: overall without base: 24.5 x 12.7 x 27.5 cm (9 5/8 x 5 x 10 13/16 in.) height without base (of horse): 23.2 cm (9 1/8 in.). Medium: pigmented beeswax, plastiline, metal armatu...
Editorial Horse Galloping on the Right Foot, the Back Left Foot Only Touching the Ground. Dated: possibly 1890s. Dimensions: overall without base: 18.9 x 7.1 x 32.2 cm (7 7/16 x 2 13/16 x 12 11/16 in.) height without base (of horse): 18.1 cm (7 1/8 in.). Medium...
Editorial Kero, 16th?18th century, Peru, Quechua, Wood (escallonia), pigmented resin inlay, Height 6-5/8 in., Wood-Containers.
Editorial Kero, early to mid-18th century, Peru, Quechua, Wood (escallonia?), pigmented resin inlay, Height 5-1/8 in., Wood-Containers.
Editorial Pair of Keros with Carved Feline Handles, 17th?18th century, Peru, Quechua, Wood, pigmented resin inlays, H. 9 5/8 in. (24.4 cm), Wood-Containers, Only faint traces of pigmented resin remain in the incised designs of this pair of keros. These designs s...
Editorial Pair of Keros, 16th?17th century, Peru, Quechua, Wood, pigmented resin inlay, Height 7 in., Wood-Containers, The counterpoised figures depicted here may echo the traditional Andean worldview of balanced dichotomy. The opposing forces, male figures (in ...