EditorialKhadija William, who used money from a cash relief program to buy a small solar panel to power a light and room fan, at her home in the village of Chipyali, Malawi, March 25, 2023. (Khadija Farah/The New York Times)
EditorialGrowing rice in Gopalgonj, Bangladesh, on May 12, 2022, where farmers are experimenting with more salt-tolerant varieties. (Fabeha Monir/The New York Times)
EditorialGrowing rice in Gopalgonj, Bangladesh, on May 12, 2022, where farmers are experimenting with more salt-tolerant varieties. (Fabeha Monir/The New York Times)
EditorialGrowing rice in Gopalgonj, Bangladesh, on May 12, 2022, where farmers are experimenting with more salt-tolerant varieties. (Fabeha Monir/The New York Times)
EditorialGrowing rice in Gopalgonj, Bangladesh, on May 12, 2022, where farmers are experimenting with more salt-tolerant varieties. (Fabeha Monir/The New York Times)
EditorialThe director Felicia Curry, left, with writer Mo Willems during a rehearsal for “Don’t Let the Pigeon Sing Up Late!,” a short new opera created with the composer Carlos Simon at the Kennedy Center in Washington, April 20, 2023. (Lexey Swall/The New York Times)
EditorialThe Edinburgh Festival's 2023 programme is revealed at 10.30am on Tuesday, 14 February, Summer Hall, EWdinburgh, Midlothian, Scotland, UK - 13 Feb 2023
EditorialOne of the Citibins on Montague Street in the Brooklyn neighborhood of New York, is emptied early morning, March 22, 2022. (Sebastian Mejias/The New York Times)
EditorialTuna mayo rice bowl, a chance to learn about flavor combinations by experimenting with toppings and seasonings, in New York, June 21, 2022. (Julia Gartland/The New York Times)
EditorialBiba Thompson at her home, part of a trial blending hydrogen with natural gas to heat homes and fuel appliances, in Winlaton, England, Oct. 1, 2021. (Mary Turner/The New York Times)
EditorialSheets of steel are produced at ArcelorMittal’s steel plant in Zelzate, Belgium, March 5, 2021, where they’re experimenting with hydrogen instead of fossil fuels for use in their furnaces. (Kevin Faingnaert/The New York Times)
EditorialDesign for fireplace objects, late 19th?early 20th century, Made in New York, United States, American, Watercolor and graphite on off-white wove paper, 14 15/16 x 19 7/8 in. (37.9 x 50.5 cm), Drawings, Tiffany Studios (1902?32), This sketch for a firep...
EditorialDesign for fireplace objects, late 19th?early 20th century, Made in New York, United States, American, Watercolor and graphite on off-white wove paper, 14 15/16 x 19 7/8 in. (37.9 x 50.5 cm), Drawings, Tiffany Studios (1902?32), This sketch for a firep...