EditorialEpsom Races: Settling Day at Tattersalls. Date/Period: 1834 to 1835. Painting. Oil on canvas. Height: 308 mm (12.12 in); Width: 473 mm (18.62 in).
EditorialA Morning at Tattersalls (with further sketches in left margin folded over), Robert Polhill Bevan, 18651925, British, undated, Black chalk and colored washes on moderately thick, slightly texturted, cream, laid paper, Sheet: 13 3/8 ? 17 inches (34 ? 43...
EditorialRegency gentlemen looking at horses at Tattersalls horse auctioneers. Gentlemen, gamblers and jockeys in top hats and coats. Tattersals. Tom and Bob looking out for a good one among the deep ones. Handcoloured copperplate engraving after an illustratio...
EditorialEnglish gentlemen viewing a thoroughbred horse at Tattersalls auction house. A Look at Tattersal's: Tom taking Jerry's judgment in purchasing a Prad. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce Egan's...
EditorialEpsom Races: Settling Day at Tattersalls. Date/Period: 1834 to 1835. Painting. Oil on canvas. Height: 308 mm (12.12 in); Width: 473 mm (18.62 in).
EditorialEpsom Races: Settling Day at Tattersalls. Date/Period: 1834 to 1835. Painting. Oil on canvas. Height: 308 mm (12.12 in); Width: 473 mm (18.62 in).
EditorialA Morning at Tattersalls (with further sketches in left margin folded over), Robert Polhill Bevan, 18651925, British, undated, Black chalk and colored washes on moderately thick, slightly texturted, cream, laid paper, Sheet: 13 3/8 ? 17 inches (34 ? 43...
EditorialThe Matrimonial Tattersalls, 1847. Satirical print of a market for brides and grooms in the style of Tattersalls horse market. Handcoloured etching by John Leech from Follies of the Year, from Punch?s Pocket Books, Bradbury, London, 1864.
EditorialEnglish gentlemen viewing a thoroughbred horse at Tattersalls auction house. A Look at Tattersal's: Tom taking Jerry's judgment in purchasing a Prad. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce Egan's...
EditorialRegency gentlemen looking at horses at Tattersalls horse auctioneers. Gentlemen, gamblers and jockeys in top hats and coats. Tattersals. Tom and Bob looking out for a good one among the deep ones. Handcoloured copperplate engraving after an illustratio...
EditorialEpsom Races: Settling Day at Tattersalls. Date/Period: 1834 to 1835. Painting. Oil on canvas. Height: 308 mm (12.12 in); Width: 473 mm (18.62 in).
EditorialThe Matrimonial Tattersalls, 1847. Satirical print of a market for brides and grooms in the style of Tattersalls horse market. Handcoloured etching by John Leech from Follies of the Year, from Punch?s Pocket Books, Bradbury, London, 1864.
EditorialGamblers including Mr. Tanfield, John Gully and the Earl of Sefton settling bets after the Doncaster St. Leger at Tattersalls. Monday after the Great St. Leger, or Heroes of the Turf paying and receiving at Tattersalls. Handcoloured copperplate drawn a...
EditorialEpsom Races: Settling Day at Tattersalls. Date/Period: 1834 to 1835. Painting. Oil on canvas. Height: 308 mm (12.12 in); Width: 473 mm (18.62 in).
EditorialEpsom Races: Settling Day at Tattersalls. Date/Period: 1834 to 1835. Painting. Oil on canvas. Height: 308 mm (12.12 in); Width: 473 mm (18.62 in).
EditorialThe Matrimonial Tattersalls, 1847. Satirical print of a market for brides and grooms in the style of Tattersalls horse market. Handcoloured etching by John Leech from Follies of the Year, from Punch?s Pocket Books, Bradbury, London, 1864.