EditorialItaly. Milan. Cathedral. Gothic style. 15th century. Polychromed marble mosaics from Candoglia decorating the pavement inside the temple. The design dates back to the 16th century and is a work of Pellegrino Tibaldi. The paving work, however, were comp...
EditorialGiovanni Battista Brustolon, Plate 4: cross-section of the Hall of the Institute of Bologna, with the entrance to the room, 'Le Pitture di Pellegrino Tibaldi e di Niccol? Abbate esistenti nell'Instituto di Bologna', Giovanni Battista Brustolon (Italian...
EditorialItaly: The splendor of the magnolias in bloom at the Renata Tibaldi gardens that are transformed into a photographic set for the delight of tourists and Milanese.
EditorialTritons and Nymphs. Dimensions: overall (approximate): 11.6 x 16.2 cm (4 9/16 x 6 3/8 in.). Medium: pen and brown ink with brown wash over black chalk.
EditorialGiovanni Battista Brustolon, Plate 4: cross-section of the Hall of the Institute of Bologna, with the entrance to the room, 'Le Pitture di Pellegrino Tibaldi e di Niccol? Abbate esistenti nell'Instituto di Bologna', Giovanni Battista Brustolon (Italian...
EditorialBartolomeo Crivellari, Plate 9: the Greeks opening the bag of wind, thinking there is gold inside, driving their vessel to the island of Circe, 'Le Pitture di Pellegrino Tibaldi e di Niccol? Abbate esistenti nell'Instituto di Bologna', Bartolomeo Crive...
EditorialBartolomeo Crivellari, Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left, 'Le Pitture di Pellegrino Tibaldi e di Niccol? Abbate esistenti nell'Instituto di Bologna', Bartolomeo Crivellari (Italian, active 18t...
EditorialBartolomeo Crivellari, Plate 1: cross-section of the Hall of the Institute of Bologna, which served as the residence for the Clementine Academy, with fresco paintings by Pellegrino Tibaldi in the vault, 'Le Pitture di Pellegrino Tibaldi e di Niccol? Ab...
EditorialBartolomeo Crivellari, Plate 5: view of the ceiling with its ornaments and frescoed paintings, 'Le Pitture di Pellegrino Tibaldi e di Niccol? Abbate esistenti nell'Instituto di Bologna', Bartolomeo Crivellari (Italian, active 18th century), After Angel...
EditorialBartolomeo Crivellari, Plate 10: Ulysses compelling Circe to restore his companions' human shapes, which she had changed into monsters, 'Le Pitture di Pellegrino Tibaldi e di Niccol? Abbate esistenti nell'Instituto di Bologna', Bartolomeo Crivellari (I...
EditorialBartolomeo Crivellari, Plate 2: cross-section of the Hall of the Institute of Bologna, 'Le Pitture di Pellegrino Tibaldi e di Niccol? Abbate esistenti nell'Instituto di Bologna', Bartolomeo Crivellari (Italian, active 18th century), After Angelo Carbon...
EditorialBartolomeo Crivellari, Plate 3: cross-section of the Hall of the Institute of Bologna, 'Le Pitture di Pellegrino Tibaldi e di Niccol? Abbate esistenti nell'Instituto di Bologna', Bartolomeo Crivellari (Italian, active 18th century), After Angelo Carbon...
EditorialItaly. Milan. Duomo. Italian Gothic style. 1386-1577. Featured by architects: Simone da Orsenigo 1387, Giovani Solario 1451, Amadie and Tibaldi 1567. Inside view during the celebration of a mass. Lombardy region.
EditorialINTERIOR DE LA BASILICA - RETABLO MAYOR - REALIZADO ENTRE 1579 Y 1590 - FRESCO DE LA CORONACION DE LA VIRGEN DE LUCCA CAMBIASSO - B/N - A?OS 60.
EditorialCatheral of Milan. Detail polychrome marble from Candoglia, decorating the pavement inside the temple. The design dates back to the 16th century, and is a work of Pellegrino Tibaldi. The paving work, however, were completed in the twentieth century. Re...
EditorialItaly. Milan. Duomo. Italian Gothic style. 1386-1577. Featured by architects: Simone da Orsenigo 1387, Giovani Solario 1451, Amadie and Tibaldi 1567. Inside view during the celebration of a mass. Lombardy region.
EditorialVisitation (Meeting of Mary and Elizabeth in the Presence of Saints Joseph and Jerome). Dating: 1550 - 1600. Measurements: h 76 cm ? w 102 cm; d 4.8 cm.
EditorialVisitation (Meeting of Mary and Elizabeth in the Presence of Saints Joseph and Jerome). Dating: 1550 - 1600. Measurements: h 76 cm ? w 102 cm; d 4.8 cm.
EditorialItaly. Milan. Duomo. Italian Gothic style. 1386-1577. Featured by architects: Simone da Orsenigo 1387, Giovani Solario 1451, Amadie and Tibaldi 1567. Inside view during the celebration of a mass. Lombardy region.
EditorialVictorious Soldiers with Trophy, 1550s. Pellegrino Tibaldi (Italian, 1527-1596). Pen and brown ink and brush and brown wash; framing lines in brown ink; sheet: 13.7 x 20.2 cm (5 3/8 x 7 15/16 in.); secondary support: 13.7 x 20.2 cm (5 3/8 x 7 15/16 in....
EditorialVisitation (Meeting of Mary and Elizabeth in the Presence of Saints Joseph and Jerome). Dating: 1550 - 1600. Measurements: h 76 cm ? w 102 cm; d 4.8 cm.
EditorialItaly. Milan. Cathedral. Gothic style. 15th century. Polychromed marble mosaics from Candoglia decorating the pavement inside the temple. The design dates back to the 16th century and is a work of Pellegrino Tibaldi. The paving work, however, were comp...
EditorialTritons and Nymphs. Dimensions: overall (approximate): 11.6 x 16.2 cm (4 9/16 x 6 3/8 in.). Medium: pen and brown ink with brown wash over black chalk.
EditorialCatheral of Milan. Detail polychrome marble from Candoglia, decorating the pavement inside the temple. The design dates back to the 16th century, and is a work of Pellegrino Tibaldi. The paving work, however, were completed in the twentieth century. Re...
EditorialTritons and Nymphs. Dimensions: overall (approximate): 11.6 x 16.2 cm (4 9/16 x 6 3/8 in.). Medium: pen and brown ink with brown wash over black chalk.
EditorialCatheral of Milan. Detail polychrome marble from Candoglia, decorating the pavement inside the temple. The design dates back to the 16th century, and is a work of Pellegrino Tibaldi. The paving work, however, were completed in the twentieth century. Re...