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Editorial From left, Zilia Sánchez’s “Subliminal" (1972) and “Troyanas” (1984) in her retrospective “Soy Isla (I Am an Island)” at El Museo del Barrio in New York, Feb. 1, 2020. (Ike Edeani/The New York Times)

2020-02-07
1

Editorial From left, Zilia Sánchez’s “Subliminal" (1972) and “Troyanas” (1984) in her retrospective “Soy Isla (I Am an Island)” at El Museo del Barrio in New York, Feb. 1, 2020. (Ike Edeani/The New York Times)

2019-12-10
8

Editorial From left, Zilia Sánchez’s “Subliminal" (1972) and “Troyanas” (1984) in her retrospective “Soy Isla (I Am an Island)” at El Museo del Barrio in New York, Feb. 1, 2020. (Ike Edeani/The New York Times)

2019-12-10
8

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