EditorialThe Music Room of Archduchess Margarete, Princess of Saxony, in Schloss Ambras. Dated: 1870s. Dimensions: sheet: 17.3 x 30.2 cm (6 13/16 x 11 7/8 in.). Medium: watercolor, gouache, and metallic paint over graphite with scraping and gum on cream wove pa...
EditorialRiders and Margarete Maultasch (" satchel-mouth"), countess of Tyrol (1318-1369), follow a boy blowing the hunting horn. Next to tournaments, hunting was the favourite sport of knights and ladies alike.
EditorialMargarete Bause, a former member of German Parliament, was dogged by fake remarks online that were attributed to her. (Felix Schmitt/The New York Times)
EditorialVirgin in an Aureola with St. John the Baptist and St. Margarete from the Charterhouse in Freiburg, Germany. Workshop of Hans Gitschmann, called von Ropstein, 1528. Stained glass. Schnu_tgen Museum. Cologne, Germany.
EditorialRiders and Margarete Maultasch (" satchel-mouth"), countess of Tyrol (1318-1369), follow a boy blowing the hunting horn. Next to tournaments, hunting was the favourite sport of knights and ladies alike.
EditorialThe Music Room of Archduchess Margarete, Princess of Saxony, in Schloss Ambras. Dated: 1870s. Dimensions: sheet: 17.3 x 30.2 cm (6 13/16 x 11 7/8 in.). Medium: watercolor, gouache, and metallic paint over graphite with scraping and gum on cream wove paper.
EditorialJan II Carondelet (1469-1545), statesman, counselor to Margarete of Parma (daughter of Emperor Karl V.), the Emperor's regent in the Netherlands. Oakwood,57,3 x 81 cm,copy after Vermeyen. Inv.6518.
EditorialVirgin in an Aureola with St. John the Baptist and St. Margarete from the Charterhouse in Freiburg, Germany. Workshop of Hans Gitschmann, called von Ropstein, 1528. Stained glass. Schnu_tgen Museum. Cologne, Germany.
EditorialTomb of Archduchess Margarete von _sterreich, daughter of Emperor Maximilian I, Governess of the Netherlands. Two-tiered organization of French Royal tombs: below the perishable body swathed in shrouds, above the Arch-duchess still clad in the garments...
EditorialArchduchess Margarete, (1480-1530), daughter of Emperor Maximilian I, and her husband, Philibert of Savoy, in a stained glass window showing the Assumption of the Virgin, in the church of Brou which Margarete built in memory of her husband. 1530.
EditorialThe Music Room of Archduchess Margarete, Princess of Saxony, in Schloss Ambras. Dated: 1870s. Dimensions: sheet: 17.3 x 30.2 cm (6 13/16 x 11 7/8 in.). Medium: watercolor, gouache, and metallic paint over graphite with scraping and gum on cream wove paper.
EditorialVirgin in an Aureola with St. John the Baptist and St. Margarete from the Charterhouse in Freiburg, Germany. Workshop of Hans Gitschmann, called von Ropstein, 1528. Stained glass. Schnu_tgen Museum. Cologne, Germany.
EditorialJan II Carondelet (1469-1545), statesman, counselor to Margarete of Parma (daughter of Emperor Karl V.), the Emperor's regent in the Netherlands. Oakwood,57,3 x 81 cm,copy after Vermeyen. Inv.6518.
EditorialTomb of Archduchess Margarete von _sterreich, daughter of Emperor Maximilian I, Governess of the Netherlands. Two-tiered organization of French Royal tombs: below the perishable body swathed in shrouds, above the Arch-duchess still clad in the garments...
EditorialDouble portraits of Philipp (1478-1506), aged 16 and his sister Margarete (1480-1530), aged 14. The siblings were the children of Emperor Maximilian I. Philip became King of Castile, Margarete Governor of the Netherlands. Wood, 36 x 22 cm, Inv. 4446, 4447.
EditorialMurals in the knights'hall of Runkelstein castle show a ballgame in a garden. Right, in dark dress with a thick blonde plait is Margarete Maultasch (" satchel-mouth"), countess and ruler of Tyrol, shown three times in scenes of courtlife in t...
EditorialArchduchess Margarete, (1480-1530), daughter of Emperor Maximilian I, and her husband, Philibert of Savoy, in a stained glass window showing the Assumption of the Virgin, in the church of Brou which Margarete built in memory of her husband. 1530.