EditorialFashionable woman riding a horse side-saddle and losing her hat because of her perruque (wig), circa 1800. Drawn by Carle Vernet, woodcut by Huyot from Paul Lacroix's "Directoire, Consulat et Empire," Paris, 1884.
EditorialSocial visit to a Paris salon, circa 1800. A group of dandies attempt to entertain three seated belles in a drawing room. Drawn by P-L Debucourt, woodcut by Huyot from Paul Lacroix's "Directoire, Consulat et Empire," Paris, 1884.
EditorialNew Testament. Gospel of John. Chapter XIX. Jesus reaches the top of Calvary. Gustave Dore's drawing. Engraving by Huyot. 19th century. Colored.
EditorialFashionable woman riding a horse side-saddle and losing her hat because of her perruque (wig), circa 1800. Drawn by Carle Vernet, woodcut by Huyot from Paul Lacroix's "Directoire, Consulat et Empire," Paris, 1884.
EditorialCafe au lait stand in a Paris street, c. 1800, with customers including flower girl, woman with basket and working men. Illustration drawn by Debucourt, woodcut engraving by Huyot from Paul Lacroix's "Directoire, Consulat et Empire," Paris, 1884.
EditorialParisian tea party, with Incroyables and Merveilleuses, the early 19th century. Drawn by F. S. Harriet, engraved by Godefroy, woodcut by Huyot from Paul Lacroix's "Directoire, Consulat et Empire," Paris, 1884.
EditorialThe incomparable Ravel, a guitar-playing French tightrope artist from the early 19th century, with two dancers on thick ropes. Woodcut by Huyot from Paul Lacroix's "Directoire, Consulat et Empire," Paris, 1884.
EditorialMilliners' workshop, with hatmakers and customers trying on hats, circa 1800. Fashionable women in elegant dresses and fichu (neckerchief) looking at bonnets. Illustration drawn by Jean-Francois Bosio, woodcut by Huyot from Paul Lacroix's "Directoire, ...
EditorialThe equestrian acrobat Antonio Franconi standing on a galloping horse, Cirque Olympique in Paris, circa 1800. Drawn by Carle Vernet, woodcut by Huyot from Paul Lacroix's "Directoire, Consulat et Empire," Paris, 1884.
EditorialView of the monuments to Abusambul, Temple of Abu Simbel, Signed: D'apr?s M. Huyot; Baltar sc, Pl. 57, p. 107, Huyot (inv.); Baltar (sc. d'apr?s Huyot), Franz Christian Gau; Barthold Georg Niebuhr: Antiquit?s de la Nubie: ou monumens in?dits des bords ...
EditorialNew Testament. Gospel of John. Chapter XIX. Jesus reaches the top of Calvary. Gustave Dore's drawing. Engraving by Huyot. 19th century. Colored.
EditorialNew Testament. Gospel of John. Chapter XIX. Jesus reaches the top of Calvary. Gustave Dore's drawing. Engraving by Huyot. 19th century. Colored.
EditorialNew Testament. Gospel of John. Chapter XIX. Jesus reaches the top of Calvary. Gustave Dore's drawing. Engraving by Huyot. 19th century. Colored.
EditorialNew Testament. Gospel of John. Chapter XIX. Jesus reaches the top of Calvary. Gustave Dore's drawing. Engraving by Huyot. 19th century. Colored.
EditorialThe incomparable Ravel, a guitar-playing French tightrope artist from the early 19th century, with two dancers on thick ropes. Woodcut by Huyot from Paul Lacroix's "Directoire, Consulat et Empire," Paris, 1884.
EditorialFashionable woman riding a horse side-saddle and losing her hat because of her perruque (wig), circa 1800. Drawn by Carle Vernet, woodcut by Huyot from Paul Lacroix's "Directoire, Consulat et Empire," Paris, 1884.
EditorialCafe au lait stand in a Paris street, c. 1800, with customers including flower girl, woman with basket and working men. Illustration drawn by Debucourt, woodcut engraving by Huyot from Paul Lacroix's "Directoire, Consulat et Empire," Paris, 1884.
EditorialParisian tea party, with Incroyables and Merveilleuses, the early 19th century. Drawn by F. S. Harriet, engraved by Godefroy, woodcut by Huyot from Paul Lacroix's "Directoire, Consulat et Empire," Paris, 1884.
EditorialSocial visit to a Paris salon, circa 1800. A group of dandies attempt to entertain three seated belles in a drawing room. Drawn by P-L Debucourt, woodcut by Huyot from Paul Lacroix's "Directoire, Consulat et Empire," Paris, 1884.
EditorialMilliners' workshop, with hatmakers and customers trying on hats, circa 1800. Fashionable women in elegant dresses and fichu (neckerchief) looking at bonnets. Illustration drawn by Jean-Francois Bosio, woodcut by Huyot from Paul Lacroix's "Directoire, ...
EditorialThe equestrian acrobat Antonio Franconi standing on a galloping horse, Cirque Olympique in Paris, circa 1800. Drawn by Carle Vernet, woodcut by Huyot from Paul Lacroix's "Directoire, Consulat et Empire," Paris, 1884.
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