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Editorial Nottingham Forest v Crystal Palace - Premier League - City Ground
Editorial EXCLUSIVE: Border Force boat used to deal with migrants crossing channel gets marooned on sandbank
Editorial Princess Kako at Noh theater
Editorial Princess Kako at Noh theater
Editorial Princess Kako at Noh theater
Editorial US Open File Photos
Editorial US Open File Photos
Editorial US Open File Photos
Editorial US Open File Photos
Editorial US Open File Photos
Editorial US Open File Photos
Editorial US Open File Photos
Editorial US Open File Photos
Editorial US Open File Photos
Editorial US Open File Photos
Editorial US Open File Photos
Editorial US Open File Photos
Editorial A scene from “Peter Pan Goes Wrong,” at the Barrymore Theatre in New York, April 12, 2023. (Sara Krulwich/The New York Times)
Editorial A Flemish Kermis with a Performance of the Farce 'Een cluyte van Plaeyerwater', c. 1570.
Editorial New York City Abortion Rights Demonstration
Editorial Lilli Cooper, left, and Rachel Dratch in “POTUS,” a new play at the Shubert Theater in Manhattan, April 13, 2022. (Sara Krulwich/The New York Times)
Editorial A Scene in the New Farce Called The Rivals. Charles WIlliams (English, active 1797-1830); published by S. W. Fores (English,1785-1825). Date: 1819. Dimensions: 226 ? 342 mm (plate). Hand-colored etching on ivory laid paper. Origin: England.
Editorial Bollard farce, residents creatively defend themselves against bollards in their street, Hamburg, Germany - 14 Feb 2022
Editorial SCENE FROM THE NEW FARCE OF "THE TWO BONNYCASTLES," AT THE HAYMARKET THEATRE, LONDON, UK.
Editorial Miguel de Cervantes (1547-1616). Spanish writer. Short farce The Ruffian widower named Trampagos (El Rufian viudo llamado Trampagos). Colored engraving. 1868. Private collection.
Editorial A Flemish Kermis with a Performance of the Farce 'Een cluyte van Plaeyerwater', c. 1570.
Editorial A Scene in the Farce of 'Lofty Projects', George Cruikshank, English, 1792 - 1878, Engraving, brush and watercolor on paper, A London street scene, with six balloons about to ascend to join a host of others. Numerous explanatory captions. Below, title,...
Editorial painting, Matthijs Naiveu, probably 1708, Signature front, right, on the wall: Matth ... Nai ... Ao [1708], canvas, oil paint, painted, Carrier: 56 ? 74 ? 2cm (560 ? 740 ? - 20mm), With frame: 87.5 ? 72 ? 4.3cm (875 ? 720 ? 43mm), church, townscape, th...
Editorial painting, Matthijs Naiveu, probably 1708, Signature front, right, on the wall: Matth ... Nai ... Ao [1708], canvas, oil paint, painted, Carrier: 56 ? 74 ? 2cm (560 ? 740 ? - 20mm), With frame: 87.5 ? 72 ? 4.3cm (875 ? 720 ? 43mm), church, townscape, th...
Editorial Integrity a Farce or Every Man tried by his actions, Henry Heath, ?, active 18241835, British, 1826, Etching.
Editorial Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799, James Gillray, 17571815, British, 1799, Etching, hand-colored, Sheet: 9 1/8 x 13 1/2in. (23.2 x 34.3cm).
Editorial The Humrous Farce of Jobson and Nell, Print made by unknown artist, after Francis Hayman, 1707/81776, British, ca. 1743, Engraving, Plate: 6 3/4 ? 10 1/2 inches (17.2 ? 26.7 cm).
Editorial A Scene in the New Farce - as Performed at the Royalty Theatre!, Print made by George Cruikshank, 17921878, British, Published by George Humphrey, ca. 1773ca. 1831, British, 1821, Etching, hand-colored on moderately thick, slightly textured, beige wove...
Editorial A Scene From the Farce of 'The Critic,' a Little Altered., Print made by John Doyle ('H.B.'), 17971868, Irish, Printed by Thomas McLean, 17881875, British, Published by Thomas McLean, 17881875, British, 1848, Lithograph in tan and black ink on moderate...
Editorial Baissez le rideau, la farce est jou?e. Dated: 1834. Dimensions: image: 19.9 x 27.7 cm (7 13/16 x 10 7/8 in.) sheet: 27.5 x 36.1 cm (10 13/16 x 14 3/16 in.). Medium: lithograph.
Editorial Farce dramatique. Dated: 1841. Medium: lithograph on newsprint.
Editorial Thomas Rowlandson, Scene in a Farce called The Quaker, Thomas Rowlandson (British, London 17571827 London), John Bannister (British, 17601836), William Parsons (British, 17351795 London), Related dramatist Charles Dibdin (British, 17451814), December 2...
Editorial Thomas Rowlandson, The Departure from the Coast, or the End of the Farce of Invasion, Thomas Rowlandson (British, London 17571827 London), October 1, 1805, Hand-colored etching, Sheet: 10 5/8 ? 13 7/16 in. (27 ? 34.2 cm), Prints.
Editorial The Departure from the Coast, or the End of the Farce of Invasion.
Editorial Scene in a Farce called The Quaker.
Editorial Supporters of President Donald Trump gather at a “Trump Pride” event in Phoenix, Oct. 15, 2020. (Adriana Zehbrauskas/The New York Times)
Editorial From left, Alan Arkin, Murray Schisgal, the producer Marc Merson and John Gielgud on the set of Schisgal’s television play “The Love Song of Barney Kempinski,” June 10, 1966. (Sam Falk/The New York Times)
Editorial SCENE FROM THE NEW FARCE OF "THE TWO BONNYCASTLES," AT THE HAYMARKET THEATRE, LONDON, UK.
Editorial The Departure from the Coast, or the End of the Farce of Invasion.
Editorial Scene in a Farce called The Quaker.
Editorial A Flemish Kermis with a Performance of the Farce 'Een cluyte van Plaeyerwater'. A Performance of the Farce 'Een Cluyte van Plaeyerwater' (A Clod from Plaeyerwater) at a Flemish Kermis. Dating: c. 1570. Measurements: h 112 cm ? w 157 cm.
Editorial A Flemish Kermis with a Performance of the Farce 'Een cluyte van Plaeyerwater'. A Performance of the Farce 'Een Cluyte van Plaeyerwater' (A Clod from Plaeyerwater) at a Flemish Kermis. Dating: c. 1570. Measurements: h 112 cm ? w 157 cm.
Editorial A Scene in the New Farce Called The Rivals. Charles WIlliams (English, active 1797-1830); published by S. W. Fores (English,1785-1825). Date: 1819. Dimensions: 226 ? 342 mm (plate). Hand-colored etching on ivory laid paper. Origin: England.
Editorial A Scene in the New Farce Called The Rivals. Charles WIlliams (English, active 1797-1830); published by S. W. Fores (English,1785-1825). Date: 1819. Dimensions: 226 ? 342 mm (plate). Hand-colored etching on ivory laid paper. Origin: England.
Editorial The Departure from the Coast, or the End of the Farce of Invasion.
Editorial Scene in a Farce called The Quaker.
Editorial Review: 'Give Me Liberty' is a brilliant madcap farce on wheels
Editorial Baissez le rideau, la farce est jou?e. Dated: 1834. Dimensions: image: 19.9 x 27.7 cm (7 13/16 x 10 7/8 in.) sheet: 27.5 x 36.1 cm (10 13/16 x 14 3/16 in.). Medium: lithograph.
Editorial Farce dramatique. Dated: 1841. Medium: lithograph on newsprint.
Editorial A Scene in the New Farce Called The Rivals. Charles WIlliams (English, active 1797-1830); published by S. W. Fores (English,1785-1825). Date: 1819. Dimensions: 226 ? 342 mm (plate). Hand-colored etching on ivory laid paper. Origin: England.
Editorial A Scene in the New Farce Called The Rivals. Charles WIlliams (English, active 1797-1830); published by S. W. Fores (English,1785-1825). Date: 1819. Dimensions: 226 ? 342 mm (plate). Hand-colored etching on ivory laid paper. Origin: England.
Editorial End of the Irish Farce of Catholic Emancipation. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1805. Dimensions: 347 ? 448 mm (image); 388 ? 460 mm (plate); 410 ? 497 mm (sheet). Hand-colored etching on...
Editorial Scene in a Farce called The Quaker.
Editorial Baissez le rideau, la farce est jou?e. Dated: 1834. Dimensions: image: 19.9 x 27.7 cm (7 13/16 x 10 7/8 in.) sheet: 27.5 x 36.1 cm (10 13/16 x 14 3/16 in.). Medium: lithograph.
Editorial Bernard Blackmantle (Charles Molloy Westmacott) reading his Farce in the Green Room of the Theatre Royal, Drury Lane. Handcoloured copperplate drawn and engraved by Thomas Wageman from The English Spy, London, 1825. Written by Bernard Blackmantle, a ps...
Editorial A Flemish Kermis with a Performance of the Farce 'Een cluyte van Plaeyerwater'. A Performance of the Farce 'Een Cluyte van Plaeyerwater' (A Clod from Plaeyerwater) at a Flemish Kermis. Dating: c. 1570. Measurements: h 112 cm ? w 157 cm.
Editorial Farce dramatique. Dated: 1841. Medium: lithograph on newsprint.
Editorial Miguel de Cervantes (1547-1616). Spanish writer. Short farce The Biscayan feigned (El Vizcaino fingido). Engraving. 1868. Private collection.
Editorial Miguel de Cervantes (1547-1616). Spanish writer. Short farce The Ruffian widower named Trampagos (El Rufian viudo llamado Trampagos). Engraving. 1868. Private collection.
Editorial Miguel de Cervantes (1547-1616). Spanish writer. Short farce The Divorce judge (El Juez de los divorcios). Engraving. 1868. Private collection.
Editorial Miguel de Cervantes (1547-1616). Spanish writer. Short farce The Divorce judge (El Juez de los divorcios). Engraving. 1868. Private collection.
Editorial Baissez le rideau, la farce est jou?e. Dated: 1834. Dimensions: image: 19.9 x 27.7 cm (7 13/16 x 10 7/8 in.) sheet: 27.5 x 36.1 cm (10 13/16 x 14 3/16 in.). Medium: lithograph.
Editorial Farce dramatique. Dated: 1841. Medium: lithograph on newsprint.
Editorial The Departure from the Coast, or the End of the Farce of Invasion.
Editorial Scene in a Farce called The Quaker.
Editorial Drawings and Prints, Print, Scene in a Farce called The Quaker, Subject, Artist, Subject, William Parsons, Thomas Rowlandson, John Bannister, British, 1735?1795 London, British, London 1757?1827 London, British, London 1760?1836 London, Parsons, Willia...
Editorial Bernard Blackmantle (Charles Molloy Westmacott) reading his Farce in the Green Room of the Theatre Royal, Drury Lane. Handcoloured copperplate drawn and engraved by Thomas Wageman from The English Spy, London, 1825. Written by Bernard Blackmantle, a ps...
Editorial SCENE FROM THE NEW FARCE OF "THE TWO BONNYCASTLES," AT THE HAYMARKET THEATRE, LONDON, UK.
Editorial SCENE FROM THE NEW FARCE OF THE SLOW MAN, AT THE ADELPHI THEATRE, LONDON, UK, 1854.
Editorial Miguel de Cervantes (1547-1616). Spanish writer. Short farce The Divorce judge (El Juez de los divorcios). Engraving. 1868. Private collection.
Editorial Miguel de Cervantes (1547-1616). Spanish writer. Short farce The Biscayan feigned (El Vizcaino fingido). Engraving. 1868. Private collection.
Editorial Miguel de Cervantes (1547-1616). Spanish writer. Short farce The Ruffian widower named Trampagos (El Rufian viudo llamado Trampagos). Engraving. 1868. Private collection.
Editorial Miguel de Cervantes (1547-1616). Spanish writer. Short farce The Divorce judge (El Juez de los divorcios). Engraving. 1868. Private collection.