EditorialJason Seaman, a teacher who in May 2018 was shot in the abdomen, forearm and hand while disarming a student who opened fire in his school in Noblesville, Ind., on Jan. 24, 2023. (AJ Mast/The New York Times)
EditorialUkraine: Bomb disposal technicians of the Ukrainian Department of Emergency Services remove and disarm anti-tank mines in the fields South of the city of Izyum
Editorial'The Disarming of Cupid'- a sonnet illustration. The Works of Shakspere. Imperial edition. Edited (with a biography) by Charles Knight, etc. London : J. S. Virtue & Co., [1877?]. Source: L.R.410.f.7, opposite page 662. Language: English.
EditorialGentleman fencer disarming his opponent on the Carte or Second Thrust, after parrying with the Prime Parade. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.
EditorialCupids Disarming Sleeping Nymphs. Dated: c. 1690/1705. Dimensions: overall: 52.4 x 75.5 cm (20 5/8 x 29 3/4 in.) framed: 71.1 x 93.7 x 7.6 cm (28 x 36 7/8 x 3 in.). Medium: oil on copper.
EditorialCupids Disarming Sleeping Nymphs. Dated: c. 1690/1705. Dimensions: overall: 52.4 x 75.5 cm (20 5/8 x 29 3/4 in.) framed: 71.1 x 93.7 x 7.6 cm (28 x 36 7/8 x 3 in.). Medium: oil on copper.
EditorialLoveless Disarming Himself. Unknown Artist (French, early 19th century); after Jacques-Louis David (French, 1748-1825). Date: 1819-1829. Dimensions: 257 ? 394 mm. Lithograph in black on white wove paper. Origin: France.
EditorialLoveless Disarming Himself. Unknown Artist (French, early 19th century); after Jacques-Louis David (French, 1748-1825). Date: 1819-1829. Dimensions: 257 ? 394 mm. Lithograph in black on white wove paper. Origin: France.
EditorialCupids Disarming Sleeping Nymphs. Dated: c. 1690/1705. Dimensions: overall: 52.4 x 75.5 cm (20 5/8 x 29 3/4 in.) framed: 71.1 x 93.7 x 7.6 cm (28 x 36 7/8 x 3 in.). Medium: oil on copper.
Editorial'The Disarming of Cupid'- a sonnet illustration. The Works of Shakspere. Imperial edition. Edited (with a biography) by Charles Knight, etc. London : J. S. Virtue & Co., [1877?]. Source: L.R.410.f.7, opposite page 662. Language: English.
EditorialCupids Disarming Sleeping Nymphs. Dated: c. 1690/1705. Dimensions: overall: 52.4 x 75.5 cm (20 5/8 x 29 3/4 in.) framed: 71.1 x 93.7 x 7.6 cm (28 x 36 7/8 x 3 in.). Medium: oil on copper.
EditorialGentleman fencer disarming his opponent on the Carte or Second Thrust, after parrying with the Prime Parade. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.
EditorialGentleman fencer disarming his opponent after parrying his Carte Thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.
EditorialGentleman fencer disarming his opponent, second position after parrying the Thrust in Tierce, or Carte over the Arm. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.
EditorialGentleman fencer disarming his opponent on the Thrust in Tierce, or Carte over the Arm. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.
EditorialGentleman fencer disarming his opponent on the Carte or Second Thrust, after parrying with the Prime Parade. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.
EditorialGentleman fencer disarming his opponent after parrying (le croize d'epee apres la parade du contre de quarte), 18th century. Copperplate engraving by D. Jenkins after an illustration drawn from the life by J. Roberts from Mr. J. Olivier's Fencing Famil...
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