EditorialFrei Carlos. Portuguese Renaissance painter, active from 1517 to 1540. The Calvary Triptych, 1520-1530. The Calvary, the Baptism of Jesus (on the right) and The Profession of St. Paula, the transmission of the rule of St. Jerome to St. Paula and her co...
EditorialCaricature of fashions of the late 18th century: women in tall wigs with garden of flowers in her bosom, and macaroni in a tall wig with extravagant mass of hair tied at the back. Copperplate engraving after a satirical illustration by Timothy Bobbin (...
EditorialCaricature of a lustful priest listening to a wench's confession while leering at her bosom. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) from Human Passions Delineated, John Haywood, Manchester, 1773.
EditorialPeter Scolari, left, and Ismenia Mendes sailing in the play "Family Furniture" at the Flea Theater in New York, Nov. 10, 2013. (Sara Krulwich/The New York Times)
EditorialVanitas still life with a self-portrait of the young painter, painting, David Bailly, 1651, Signature front, bottom right, on paper: David. Bailij. pinxit. / Ao 1651, panel, oil paint, painted, Carrier: 89.5 x 122 x 0.8cm (895 x 1220 x 8mm), With frame...
EditorialFemale Nude, Study for 'Mercy's Dream', Daniel Huntington, American, 18161906, Charcoal and white chalk on gray wove paper, Nude facing frontally with her head turned toward the right. Her knees bent and her legs extended to the right. She leans back o...
EditorialVanitas still life with a self-portrait of the young painter, painting, David Bailly, 1651, Signature front, bottom right, on paper: David. Bailij. pinxit. / Ao 1651, panel, oil paint, painted, Carrier: 89.5 x 122 x 0.8cm (895 x 1220 x 8mm), With frame...
EditorialThe Misers, Engraving with black ink on white paper, Horizontal rectangle. Two misers are seen seated at a table counting their fortune. The figure of Death plunges an arrow in the bosom of the one., Netherlands, ca. 15801620, figures, Print, Print.
EditorialStudy for 'Mercy's Dream', Daniel Huntington, American, 18161906, Pen and black ink, white chalk on gray-blue wove paper, Female figure facing frontally, with her head turned to the right. She leans back on her right arm, with her left hand to her boso...
EditorialFigure Study of Mercy for 'Mercy's Dream', Daniel Huntington, American, 18161906, Graphite and white chalk on gray-blue wove paper, Nude facing frontally with her head turned toward the right. Her knees bent and her legs extended to the right. She lean...
EditorialTo his royal highness Fredrick Duke of York, this plate of Satan holding th prepondrence of power or Bounaparte's threat, is most humbly inscribed, by E. Sanders, engraving 1803, Satan holding a balance to which, on one end is attached a hot-air balloo...
EditorialTo his royal highness Fredrick Duke of York, this plate of Satan holding th prepondrence of power or Bounaparte's threat, is most humbly inscribed, by E. Sanders, engraving 1803, Satan holding a balance to which, on one end is attached a hot-air balloo...
EditorialTo his royal highness Fredrick Duke of York, this plate of Satan holding th prepondrence of power or Bounaparte's threat, is most humbly inscribed, by E. Sanders, engraving 1803, Satan holding a balance to which, on one end is attached a hot-air balloo...
EditorialEnglish gentleman with candlesticks in both hands tries to remove a bell rope from the bosom of a sleeping woman. The inn at Marseilles. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from Journal of Sentimental Travels i...
EditorialFragment of a chimney frieze with a Child's leg, Madonna: Mary standing (or half-) length), Christ-child close to her bosom, anonymous, Utrecht, c. 1510 - c. 1525, sandstone, h 12.5 cm ? w 21.5 cm ? d 4 cm.
EditorialTo his royal highness Fredrick Duke of York, this plate of Satan holding th prepondrence of power or Bounaparte's threat, is most humbly inscribed, by E. Sanders, engraving 1803, Satan holding a balance to which, on one end is attached a hot-air balloo...
EditorialCaricature of fashions of the late 18th century: women in tall wigs with garden of flowers in her bosom, and macaroni in a tall wig with extravagant mass of hair tied at the back. Copperplate engraving after a satirical illustration by Timothy Bobbin (...
EditorialRegency fops admiring the ballerina Maria Mercandotti, the Andalusian Venus, perform a pirouette in the Green Room at the Opera. Among the crowd are the Duke of Devonshire, the Earl of Fife and Mademoiselle Noblet bending over to show her bosom. Noble ...
EditorialCaricature of a lustful priest listening to a wench's confession while leering at her bosom. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) from Human Passions Delineated, John Haywood, Manchester, 1773.
EditorialDark Lanthern Business, or, Mrs. Hob and Nob On a Night Canvass With a Bosom Friend, Thomas Rowlandson (British, London 1757?1827 London), Georgiana Cavendish, Duchess of Devonshire (British, Wimbledon, Surrey 1757?1806 Devonshire), Lady Albinia Hobart...
EditorialJ?rusalem, Beit-Lehem, Vue g?n?rale, 1854, Salted paper print from paper negative, Image: 22.6 x 27.6 cm (8 7/8 x 10 7/8 in.), Photographs, Auguste Salzmann (French, 1824?1872), Viewed from afar, the small, dark windows of Bethlehem?s geometric dwellin...
EditorialCaricature of fashions of the late 18th century: women in tall wigs with garden of flowers in her bosom, and macaroni in a tall wig with extravagant mass of hair tied at the back. Copperplate engraving after a satirical illustration by Timothy Bobbin (...
EditorialRegency fops admiring the ballerina Maria Mercandotti, the Andalusian Venus, perform a pirouette in the Green Room at the Opera. Among the crowd are the Duke of Devonshire, the Earl of Fife and Mademoiselle Noblet bending over to show her bosom. Noble ...
EditorialCaricature of a lustful priest listening to a wench's confession while leering at her bosom. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) from Human Passions Delineated, John Haywood, Manchester, 1773.
EditorialTo his royal highness Fredrick Duke of York, this plate of Satan holding th prepondrence of power or Bounaparte's threat, is most humbly inscribed, by E. Sanders, engraving 1803, Satan holding a balance to which, on one end is attached a hot-air balloo...
EditorialTo his royal highness Fredrick Duke of York, this plate of Satan holding th prepondrence of power or Bounaparte's threat, is most humbly inscribed, by E. Sanders, engraving 1803, Satan holding a balance to which, on one end is attached a hot-air balloo...
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