EditorialThe Memorial House of the Bulgarian Communist Party, a masterpiece of brutalist architecture, in Buzludzha, Bulgaria, May 1, 2022. (Nanna Heitmann/The New York Times)
EditorialAn 1858 storage jar by David Drake, an enslaved Black man, at the Metropolitan Museum of Art in New York, June 6, 2021. (Jeremy Dennis/The New York Times)
EditorialAn 1858 storage jar by David Drake, an enslaved Black man, at the Metropolitan Museum of Art in New York, June 6, 2021. (Jeremy Dennis/The New York Times)
EditorialTwo geishas with fan and shamisen, albumin paper, black and white positive process, hand-colored, image size: height: 24.00 cm; width: 19.00 cm, inscribed: recto o. r.: printed in blue: 39, travel photography, portrait photography, sounds, Geisha means...
EditorialSilas Farley, who, on the heels of his best season yet with the New York City Ballet, recently decided to retire, in Charlotte, N.C., June 22, 2020. (Kennedi Carter/The New York Times)
EditorialSilas Farley, who, on the heels of his best season yet with the New York City Ballet, recently decided to retire, in Charlotte, N.C., June 22, 2020. (Kennedi Carter/The New York Times)
EditorialHer body masked, Jess Thom plays Mouth in Samuel Beckett’s “Not I," part of the Under the Radar festival, at BRIC House in New York, Jan. 10, 2020. (Rachel Papo/The New York Times)
EditorialThe soprano Anna Netrebko bows after performing acts from three Puccini operas, including “Turandot,” at the Metropolitan Opera in New York, Dec. 31, 2019. (Caitlin Ochs/The New York Times)
Editorialat arrivals for SwitHeart: The Watercolour Artistry & Animal Activism of Loretta Swit Book Party, Jue Lan Club, New York, NY May 29, 2018. Photo By: Derek Storm/Everett Collection