EditorialAn archival photograph of Harry Bertoia with his sculptures, and at left, a mallet used to activate them, at his family’s barn in Bally, Pa., Jan. 25, 2023. (Aaron Richter/The New York Times)
EditorialAn archival photograph of Harry Bertoia with his sculptures, and at left, a mallet used to activate them, at his family’s barn in Bally, Pa., Jan. 25, 2023. (Aaron Richter/The New York Times)
EditorialAn archival photograph of Harry Bertoia with his sculptures, and at left, a mallet used to activate them, at his family’s barn in Bally, Pa., Jan. 25, 2023. (Aaron Richter/The New York Times)
EditorialProphet and Sybil. Dimensions: overall: 33.5 x 38.3 cm (13 3/16 x 15 1/16 in.). Medium: pen and brown ink with brown wash over graphite, heightened with white, on two joined sheets of laid paper, mounted to canvas.
EditorialJacopo Zanguidi, called Bertoia, (artist), Parmese, 1544 - 1573/1574, Kneeling Woman, pen and brown ink, overall: 23.7 x 17.7 cm (9 5/16 x 6 15/16 in.).
EditorialProphet and Sybil. Dimensions: overall: 33.5 x 38.3 cm (13 3/16 x 15 1/16 in.). Medium: pen and brown ink with brown wash over graphite, heightened with white, on two joined sheets of laid paper, mounted to canvas.
EditorialMassacre of the Innocents [recto]. Dimensions: overall: 18.1 x 18 cm (7 1/8 x 7 1/16 in.). Medium: pen and brown ink with brown wash on blue-green paper.
EditorialJacopo Bertoia, Italian, 1544-1574, Battle Scene, between 1570 and 1574, pen and brown ink with brown wash over black chalk on green-gray laid paper, Sheet: 9 15/16 ? 13 7/16 inches (25.2 ? 34.1 cm).
EditorialJoshua Commanding the Israelites. Circle of Jacopo Zanguidi, called Bertoia (Italian, 1544-1573/77); or Circle of Federico Zuccaro (Italian, 1540/41-1609. Date: 1564-1574. Dimensions: 195 x 223 mm (max.). Pen and brown ink with red chalk and brush and ...
EditorialWilton Album, folio 10a: Priapus and Lotis, ca. 1530?50, Etching, Sheet: 7 7/8 x 10 3/4 in. (20 x 27.3 cm), Prints, Anonymous, Italian, 16th century, Based on a drawing attributed to Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503?...
EditorialJoshua Commanding the Israelites. Circle of Jacopo Zanguidi, called Bertoia (Italian, 1544-1573/77); or Circle of Federico Zuccaro (Italian, 1540/41-1609. Date: 1564-1574. Dimensions: 195 x 223 mm (max.). Pen and brown ink with red chalk and brush and ...
EditorialOttoman. Designed by Harry Bertoia; American, born Italy, 1915-1978; Made by Knoll Associates, Inc.; American, founded 1938. Date: 1952. Dimensions: 38.1 ? 60.3 ? 43.2 cm (15 ? 23 3/4 ? 17 in.). Steel. Origin: United States.
EditorialOttoman. Designed by Harry Bertoia; American, born Italy, 1915-1978; Made by Knoll Associates, Inc.; American, founded 1938. Date: 1952. Dimensions: 38.1 ? 60.3 ? 43.2 cm (15 ? 23 3/4 ? 17 in.). Steel. Origin: United States.
EditorialJoshua Commanding the Israelites. Circle of Jacopo Zanguidi, called Bertoia (Italian, 1544-1573/77); or Circle of Federico Zuccaro (Italian, 1540/41-1609. Date: 1564-1574. Dimensions: 195 x 223 mm (max.). Pen and brown ink with red chalk and brush and ...
EditorialMassacre of the Innocents [recto]. Dimensions: overall: 18.1 x 18 cm (7 1/8 x 7 1/16 in.). Medium: pen and brown ink with brown wash on blue-green paper.
EditorialWilton Album, folio 10a: Priapus and Lotis, ca. 1530?50, Etching, Sheet: 7 7/8 x 10 3/4 in. (20 x 27.3 cm), Prints, Anonymous, Italian, 16th century, Based on a drawing attributed to Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503?...
EditorialProphet and Sybil. Dimensions: overall: 33.5 x 38.3 cm (13 3/16 x 15 1/16 in.). Medium: pen and brown ink with brown wash over graphite, heightened with white, on two joined sheets of laid paper, mounted to canvas.
EditorialMassacre of the Innocents [recto]. Dimensions: overall: 18.1 x 18 cm (7 1/8 x 7 1/16 in.). Medium: pen and brown ink with brown wash on blue-green paper.
EditorialWilton Album, folio 10a: Priapus and Lotis, ca. 1530?50, Etching, Sheet: 7 7/8 x 10 3/4 in. (20 x 27.3 cm), Prints, Anonymous, Italian, 16th century, Based on a drawing attributed to Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503?...
EditorialEmbracing Female Figures, Some Holding Musical Scores., 1570?73, Pen and brown ink, brush and brown wash, partly highlighted with white gouache (somewhat oxidized), over black chalk; squared in black chalk, sheet: 5 3/16 x 9 5/8 in. (13.2 x 24.5 cm), D...