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Editorial Plate 2: The city of Rome taken by Constable of Bourbon, from the Triumphs of Charles V.
Editorial The Fall of Phaeton. After a design based on an etching by Antonio Tempesta (1555-1630), The Fall of Phaeton (Phaetontis casus) from Ovid's Metamorphoses; Possibly woven at the workshop of Gabriel Babonneix (born 1756?) at the Manufacture Royale d'Aubu...
Editorial Frontispiece with Hunters, Dogs and Horses, from 'Hunting Scenes VI'.
Editorial Plate 4: The peace with the king of France in order to fight the Turks, from the Triumphs of Charles V.
Editorial Plate 4: The victory of Goleta, near Tunis, from the Triumphs of Charles V.
Editorial Plate 17: Ocyrhoe Changed into a Horse (Ocyroe vaticinata in equam), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 ? 4 11/16 in. (10.5 ? 11.9 cm), Prints, Antonio Tempesta (Italian, Florence 1555?1630 Rome).
Editorial Plate 17: The Romans Misled by Civilis' Horse to Believe that He was Dead or Injured, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), 1611, Etching, first state of two, issue 1 (Bartsch), Sheet: 6 7/16 ? 8 1/8 in. (1...
Editorial The Fall of Phaeton. After a design based on an etching by Antonio Tempesta (1555-1630), The Fall of Phaeton (Phaetontis casus) from Ovid's Metamorphoses; Possibly woven at the workshop of Gabriel Babonneix (born 1756?) at the Manufacture Royale d'Aubu...
Editorial Plate 6: The Giants Attempting to Storm Olympus (Gigantomachia), from Ovid's 'Metamorphoses'.
Editorial The Visitation, Leonardo Parasole, Antonio Tempesta, Italian, 1555 - 1630, woodblock print, 1591, religion, Print, Print.
Editorial Triumphal Entry of Margaret of Austria into Milan, from The Life of Margaret of Austria, plate 10.
Editorial Plate 4: The peace with the king of France in order to fight the Turks, from the Triumphs of Charles V.
Editorial Plate 5: The Tomb of Mausolus, from 'The Seven Wonders of The World'.
Editorial Triumphal Entry of Margaret of Austria into Milan, from The Life of Margaret of Austria, plate 10.
Editorial Plate 3: Charles V Crowned Emperor entering Rome with the Pope, from the Triumphs of Charles V.
Editorial Plate 2: The city of Rome taken by Constable of Bourbon, from the Triumphs of Charles V.
Editorial Plate 7: The Pyramids in Egypt, from 'The Seven Wonders of The World'.
Editorial Plate 3: Charles V Crowned Emperor entering Rome with the Pope, from the Triumphs of Charles V.
Editorial Plate 29: Civilis Floods the Land by Defensively Breaking the Dikes, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).
Editorial Plate 10: Alexander Finding the Body of Darius, from The Deeds of Alexander the Great,.
Editorial Plate 26: Cerialis Pardons and Relieves Roman Soliders who had Helped Civilis, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).
Editorial Plate 14: New Attack on the Old Fortress, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).
Editorial Plate 2: The Romans Taking Old Dutch Men as Hostages and Seducing Young Ones, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).
Editorial Lion Hunt, from 'Hunting Scenes IV'.
Editorial Plate 23: Conference on What Steps to Take Upon the Romans' New Troops Approaching Across the Alps, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).
Editorial Plate 24: The Advance Guard of the New Roman Troops Turned Back, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).
Editorial Plate 7: German Envoys Visit Civilis, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).
Editorial Plate 28: Cologne Troops Bring Civilis' Wife and Sister to Cerialis, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).
Editorial Plate 5: The Tomb of Mausolus, from 'The Seven Wonders of The World'.
Editorial Plate 11: Civilis' Troops Crossing the Maas River, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).
Editorial Plate 31: Civilis Forced to Dismount and Swim Across the River, from The War of the Romans Against the Batavians.
Editorial Plate 18: Secret Meeting of Civilis with Other Leaders from Trier, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).
Editorial Plate 36: Civilis and Cerialis Meet on a Broken Bridge to Reach an Accord, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).
Editorial Plate 5: Bruno Appointed Leader of the Caninefates, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).
Editorial Triumphal Entry of Margaret of Austria into Milan, from The Life of Margaret of Austria, plate 10.
Editorial Plate 3: Claudius Civilis Arrested and his Brother Paulus Beheaded, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).
Editorial Plate 6: The Giants Attempting to Storm Olympus (Gigantomachia), from Ovid's 'Metamorphoses'.
Editorial Plate 15: Civilis Treating with a Roman Commander, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).
Editorial Plate 20: Civilis Having his Hair Cut, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).
Editorial Plate 7: The Flood (Diluvium.), from Ovid's 'Metamorphoses'.
Editorial Plate 25: The Roman Commander Cerialis Attacks Near Trier, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).
Editorial Plate 3: Charles V Crowned Emperor entering Rome with the Pope, from the Triumphs of Charles V.
Editorial Plate 16: Roman Captives Before the Old Fortress, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).
Editorial Plate 27: The Dutch During a Surprise Attack of the Roman Camp on the Moselle, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).
Editorial Plate 8: Women and Children Obvserve Civilis Battling the Romans, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).
Editorial Plate 19: Men from the Fortress Surrender and Pledge Their Lives to Civilis, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).
Editorial Plate 2: The Creation of Man (Hominis creatio), from Ovid's 'Metamorphoses'.
Editorial Medea Restoring Aeson's Youth (Aesoni decerptio iuventam restituit Medea), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 64.
Editorial Plate 30: Cerialis Driving the Dutch into the Rhine, from The War of the Romans Against the Batavians.
Editorial Plate 3: The Age of Gold (Aetas aurea), from Ovid's 'Metamorphoses'.
Editorial Plate 5: Alexander Directing a Battle, from The Deeds of Alexander the Great.
Editorial Plate 2: The city of Rome taken by Constable of Bourbon, from the Triumphs of Charles V.
Editorial Plate 6: Romans Defeated Near the Rhine, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm Societas).
Editorial Plate 8: Alexander Encircling the Enemy Troops with Fire, from The Deeds of Alexander the Great.
Editorial Plate 17: The Romans Misled by Civilis' Horse to Believe that He was Dead or Injured, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).
Editorial Plate 22: Civilis Separates German and Dutch Troops, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).
Editorial Frontispiece with Hunters, Dogs and Horses, from 'Hunting Scenes VI'.
Editorial Plate 4: Alexander Battling the Persians, from The Deeds of Alexander the Great.
Editorial Plate 35: The Batavians Become Afraid and Begin Peace Talks, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm Societas).
Editorial God Creating the Animals.
Editorial Plate 33: Dutch and Roman Flotillas on the Rhine, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).
Editorial Hercules and the Nemean Lion: Hercules grasps the front right leg of the lion, which lifts its snout upward, in the middle ground Hercules pulls the skin from the lion's corpse, from the series 'The Labors of Hercules', 1608, Etching, sheet: 5 3/16 x 7...
Editorial Plate 96: Venus and Adonis Embracing (Perdit? a Venere adamatur Adonis), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. ? 4 9/16 in. (10.2 ? 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555?1630 Rome).
Editorial Plate 132: Jupiter Changing the Cercopians into Monkeys (Cercopes bonorum insidiatores in Simias Iupiter transformat), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. ? 4 1/2 in. (10.2 ? 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 15...
Editorial Plate 86: The Birth of Hercules (Iuno compre?is genibus Alcumenae partum differt), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 ? 4 5/8 in. (10.4 ? 11.7 cm), Prints, Antonio Tempesta (Italian, Florence 1555?1630 Rome).
Editorial Plate 79: Ceres Ordering Erysichthon's Punishment (Ceres ad Famem Mypham in Erisichtonis paenam amandat), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. ? 4 1/2 in. (10.1 ? 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555?1630 Rome).
Editorial Plate 5: The Tomb of Mausolus, from 'The Seven Wonders of The World'.
Editorial Plate 105: Diana aiming her bow toward Chione, who is accompanied by two children, in another scene at left Mercury approaches the sleeping Chione, from a series illustrating 'The Metamorphoses' of Ovid.
Editorial Antonio Tempesta, Italian, 1555 - 1630, Hunting Scene, between 16th and 17th century, etching and engraving printed in black ink on laid paper, Plate (and sheet): 7 1/4 ? 10 7/8 inches (18.4 ? 27.6 cm).
Editorial Antonio Tempesta, Italian, 1555 - 1630, Hunting Scene, between 16th and 17th century, etching and engraving printed in black ink on laid paper, Image: 7 1/8 ? 10 3/4 inches (18.1 ? 27.3 cm).
Editorial Antonio Tempesta, Italian, 1555 - 1630, Hunting Scene, between 16th and 17th century, etching and engraving printed in black ink on laid paper, Image: 7 1/8 ? 10 3/4 inches (18.1 ? 27.3 cm).
Editorial Antonio Tempesta, Italian, 1555 - 1630, Hunting Scene, between 16th and 17th century, etching and engraving printed in black ink on laid paper, Image: 7 1/8 ? 10 3/4 inches (18.1 ? 27.3 cm).
Editorial Antonio Tempesta, Italian, 1555 - 1630, Hunting Scene, between 16th and 17th century, etching and engraving printed in black ink on laid paper, Plate (and sheet): 7 1/4 ? 10 7/8 inches (18.4 ? 27.6 cm).
Editorial Antonio Tempesta, Italian, 1555 - 1630, Hunting Scene, between 16th and 17th century, etching and engraving printed in black ink on laid paper, Image: 7 1/8 ? 10 7/8 inches (18.1 ? 27.6 cm).
Editorial Antonio Tempesta, Italian, 1555 - 1630, Hunting Scene, between 16th and 17th century, etching and engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 7 1/4 ? 11 inches (18.4 ? 27.9 cm).
Editorial Antonio Tempesta, Italian, 1555 - 1630, Hunting Scene, between 16th and 17th century, etching and engraving printed in black ink on laid paper, Image: 7 1/8 ? 10 3/4 inches (18.1 ? 27.3 cm).
Editorial Plate 29: Civilis Floods the Land by Defensively Breaking the Dikes, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).
Editorial Plate 10: Alexander Finding the Body of Darius, from The Deeds of Alexander the Great,.
Editorial Plate 26: Cerialis Pardons and Relieves Roman Soliders who had Helped Civilis, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).
Editorial Plate 14: New Attack on the Old Fortress, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas).