EditorialThe chandelier in “Phantom” is emblematic of the mega-musicals that emerged in the same period, our critic writes: the “Miss Saigon” helicopter, the “Les Miz” revolve, the absolute commitment to spectacle. (Sara Krulwich/The New York Times)
EditorialThe chandelier in “Phantom” is emblematic of the mega-musicals that emerged in the same period, our critic writes: the “Miss Saigon” helicopter, the “Les Miz” revolve, the absolute commitment to spectacle. (Sara Krulwich/The New York Times)
Editorial“The Mission Council, Saigon, South Vietnam, April 28, 1971,” exhibited at “Richard Avedon: Murals,” a retrospective at The Metropolitan Museum of Art, in Manhattan, Jan. 24, 2023. (Gus Powell/The New York Times)