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Editorial AFIJ presents the exhibition ''Jazz and the Energy of the Smile'' in Rome
Editorial Women in Art Fair at Mall Galleries in The Mall, London, UK, on 9th Oct, 2024
Editorial Loggerhead turtle release
Editorial Loggerhead turtle release
Editorial Russia Art Square and Space Exhibition
Editorial Preview of the Gae Aulenti 1927/ 2012 exhibition
Editorial Preview of the Gae Aulenti 1927/ 2012 exhibition
Editorial Cai Qing's Expedition - Dialogue with performance artists and curators at Chittagong, Chattogram, Bangladesh - 07 May 2024
Editorial The Wyllieum - Greenock
Editorial Biennale Arte 2024, 60th edition, Venice, Italy 16 April 2024
Editorial Italy - 60th Art Biennale in Venice on 16 April 2024
Editorial Biennale Arte 2024, 60th edition, Venice, Italy 16 April 2024
Editorial Italy - 60th Art Biennale in Venice on 16 April 2024
Editorial 60th Art Biennale, Venice, Italy - 16 Apr 2024
Editorial Italy - 60th Art Biennale in Venice on 16 April 2024
Editorial Winstone Churchill artwork at Blenheim Palace from 16 – 21 April Displayed in Room where Churchill was Born, in his 150th Anniversary Year before being auctioned by Sotheby's London. Blenheim Palace, Woodstock, Oxfordshire
Editorial Intimate Portrayal of Sir Winston Churchill, Painted by Graham Sutherland on View to the Public at Blenheim Palace from 16 – 21 April Displayed in Room where Churchill was Born, in his 150th Anniversary Year before being auctioned by Sotheby's London. Bl
Editorial Missing Priscilla, Queen Of The Desert Bus Finally Recovered
Editorial Dropcity, Architecture and Design Center, Preview of the Installations hosted during Fuori Salone
Editorial Turin, Second Press Conference to Present the 36th Edition of the "International Book Fair" in Turin, Italy - 26 Mar 2024
Editorial Exhibition "Nikolai Ulyanov. Art without a manifesto"
Editorial Germany: Opening of the exhibition The Blue Rider A New Language in Munich
Editorial For Bebbanburg! the Last Kingdom Exhibition Returns to Bamburgh Castle, UK - 06 Feb 2024
Editorial Milan,Italy My neighbor Miyazaki and the East exhibition illustrators
Editorial A tribute exhibition to Hayao Miyazaki, the great Japanese director, Milan, Italy - 03 Jan 2024
Editorial *File Photos* General views of Art Basel Miami events in countdown to celebrity-loved annual extravaganza.
Editorial Gabrielle Chanel. Fashion Manifesto Exhibition At The V&A In London, United Kingdom - 12 Sep 2023
Editorial Candy Crush Teamed Up with Vibe Curators Bobs Dance Shop for the Ultimate Summer Workout…for Your Thumbs!
Editorial Nii Quarcoopome, left, and Nancy Barr, curators at the Detroit Institute of Arts who organized the Barnor show, in front of a replica of Barnor’s portrait studio in Detroit, June 10, 2023. (Cydni Elledge/The New York Times)
Editorial Exhibition Avant-Garde List No. 1
Editorial The artists and curators behind the art exhibition “Home-O-Stasis: Life and Livelihoods in Flushing,” at a mini-mall in Flushing, Queens, June 9, 2023. (Jeenah Moon/The New York Times)
Editorial The artists and curators behind the art exhibition “Home-O-Stasis: Life and Livelihoods in Flushing,” at a mini-mall in Flushing, Queens, June 9, 2023. (Jeenah Moon/The New York Times)
Editorial The artists and curators behind the art exhibition “Home-O-Stasis: Life and Livelihoods in Flushing,” at a mini-mall in Flushing, Queens, June 9, 2023. (Jeenah Moon/The New York Times)
Editorial Members of the 353rd Civil Affairs Command gaze at “Red Sunset,” a landscape painting by Arkhyp Kuindzhi, whom the Met recently reclassified as a Ukrainian artist rather than a Russian one, at the Metropolitan Museum of Art in New York, June 3, 2023. (Gregg Vigliotti/The New York Times)
Editorial Members of the 353rd Civil Affairs Command gaze at “Red Sunset,” a landscape painting by Arkhyp Kuindzhi, whom the Met recently reclassified as a Ukrainian artist rather than a Russian one, at the Metropolitan Museum of Art in New York, June 3, 2023. (Gregg Vigliotti/The New York Times)
Editorial Members of the 353rd Civil Affairs Command gaze at “Red Sunset,” a landscape painting by Arkhyp Kuindzhi, whom the Met recently reclassified as a Ukrainian artist rather than a Russian one, at the Metropolitan Museum of Art in New York, June 3, 2023. (Gregg Vigliotti/The New York Times)
Editorial Members of the 353rd Civil Affairs Command gaze at “Red Sunset,” a landscape painting by Arkhyp Kuindzhi, whom the Met recently reclassified as a Ukrainian artist rather than a Russian one, at the Metropolitan Museum of Art in New York, June 3, 2023. (Gregg Vigliotti/The New York Times)
Editorial Members of the 353rd Civil Affairs Command gaze at “Red Sunset,” a landscape painting by Arkhyp Kuindzhi, whom the Met recently reclassified as a Ukrainian artist rather than a Russian one, at the Metropolitan Museum of Art in New York, June 3, 2023. (Gregg Vigliotti/The New York Times)
Editorial Members of the 353rd Civil Affairs Command gaze at “Red Sunset,” a landscape painting by Arkhyp Kuindzhi, whom the Met recently reclassified as a Ukrainian artist rather than a Russian one, at the Metropolitan Museum of Art in New York, June 3, 2023. (Gregg Vigliotti/The New York Times)
Editorial Members of the 353rd Civil Affairs Command gaze at “Red Sunset,” a landscape painting by Arkhyp Kuindzhi, whom the Met recently reclassified as a Ukrainian artist rather than a Russian one, at the Metropolitan Museum of Art in New York, June 3, 2023. (Gregg Vigliotti/The New York Times)
Editorial Members of the 353rd Civil Affairs Command gaze at “Red Sunset,” a landscape painting by Arkhyp Kuindzhi, whom the Met recently reclassified as a Ukrainian artist rather than a Russian one, at the Metropolitan Museum of Art in New York, June 3, 2023. (Gregg Vigliotti/The New York Times)
Editorial Members of the 353rd Civil Affairs Command gaze at “Red Sunset,” a landscape painting by Arkhyp Kuindzhi, whom the Met recently reclassified as a Ukrainian artist rather than a Russian one, at the Metropolitan Museum of Art in New York, June 3, 2023. (Gregg Vigliotti/The New York Times)
Editorial Members of the 353rd Civil Affairs Command gaze at “Red Sunset,” a landscape painting by Arkhyp Kuindzhi, whom the Met recently reclassified as a Ukrainian artist rather than a Russian one, at the Metropolitan Museum of Art in New York, June 3, 2023. (Gregg Vigliotti/The New York Times)
Editorial Members of the 353rd Civil Affairs Command gaze at “Red Sunset,” a landscape painting by Arkhyp Kuindzhi, whom the Met recently reclassified as a Ukrainian artist rather than a Russian one, at the Metropolitan Museum of Art in New York, June 3, 2023. (Gregg Vigliotti/The New York Times)
Editorial Members of the 353rd Civil Affairs Command gaze at “Red Sunset,” a landscape painting by Arkhyp Kuindzhi, whom the Met recently reclassified as a Ukrainian artist rather than a Russian one, at the Metropolitan Museum of Art in New York, June 3, 2023. (Gregg Vigliotti/The New York Times)
Editorial Members of the 353rd Civil Affairs Command gaze at “Red Sunset,” a landscape painting by Arkhyp Kuindzhi, whom the Met recently reclassified as a Ukrainian artist rather than a Russian one, at the Metropolitan Museum of Art in New York, June 3, 2023. (Gregg Vigliotti/The New York Times)
Editorial Members of the 353rd Civil Affairs Command gaze at “Red Sunset,” a landscape painting by Arkhyp Kuindzhi, whom the Met recently reclassified as a Ukrainian artist rather than a Russian one, at the Metropolitan Museum of Art in New York, June 3, 2023. (Gregg Vigliotti/The New York Times)
Editorial From left, Molly Ritmiller, Maya Pollack, Silvia Beatriz Abisaab and Blair Simmons, curators of the exhibit “Why Is Everyone Breaking Up Right Now?,” at the one-night-only event in Brooklyn, Feb. 14, 2023. (Ali Cherkis/The New York Times)
Editorial Solebay Tapestry
Editorial Nicolas Laugero Lasserre, an expert on street art and one of four curators of the city hall exhibition Capitale(s) celebrating urban art, in Paris, Feb. 2, 2023. (Andrea Mantovani/The New York Times)
Editorial William Agee, director of the Pasadena Art Museum, before a painting by Frank Stella, in Pasadena, Calif., on Aug. 10, 1971. (D. Gorton/The New York Times)
Editorial One of the few remaining sculptures at the Kherson Regional Art Museum, that curators said Russian forces spent several days looting in 2021, in Kherson, Ukraine, November, 22, 2022. (Finbarr O’Reilly/The New York Times)
Editorial Ann Temkin of MoMA and Naomi Beckwith of the Guggenheim discuss how they’re rethinking business as usual — and why they have reason to be hopeful. (Marta Monteiro/The New York Times)