EditorialThe Colombian artist Fanny Sanín in front of her painting “Oil No. 4” (1968), one of dozens of Abstract Expressionist works on display at the “Action, Gesture, Paint” exhibition at London’s Whitechapel Gallery. (Ellie Smith/The New York Times)
EditorialThe Colombian artist Fanny Sanín in front of her painting “Oil No. 4” (1968), one of dozens of Abstract Expressionist works on display at the “Action, Gesture, Paint” exhibition at London’s Whitechapel Gallery. (Ellie Smith/The New York Times)
EditorialThe Colombian artist Fanny Sanín in front of her painting “Oil No. 4” (1968), one of dozens of Abstract Expressionist works on display at the “Action, Gesture, Paint” exhibition at London’s Whitechapel Gallery. (Ellie Smith/The New York Times)
EditorialART IN WHITECHAPEL LOAN EXHIBITION OF PICTURES IN ST. JUDE'S SCHOOL HOUSE, COMMERCIAL STREET, LONDON , ENGRAVING 1884, UK, britain, british, europe, united kingdom, great britain, european.
EditorialNEW ROUTE TO BRIGHTON, VIA THE EAST LONDON RAILWAY, SKETCHES BETWEEN WHITECHAPEL AND NEW CROSS, LONDON, ENGRAVING 1876, UK, britain, british, europe, united kingdom, great britain, european.
EditorialFREE DINNERS TO POOR CHILDREN AT THE KING EDWARD'S MISSION, WHITECHAPEL, LONDON, engraving 1890, UK, U.K., Britain, British, Europe, United Kingdom, Great Britain, European.
EditorialWhitechapel, London, U.K., 1887, the Royal procession passing the London hospital, may god bless your majesty, voluntary contributions, people, horses, flags, events, happy crowd.