EditorialThe New York-based artist Sanford Biggers, who saw the Chazen Museum’s discomfort over showing Thomas Ball’s “The Emancipation Group”as an opportunity “to open things up”, in his studio in the Bronx on April 13, 2023. (Mary Inhea Kang/The New York Times)
EditorialThe New York-based artist Sanford Biggers, who saw the Chazen Museum’s discomfort over showing Thomas Ball’s “The Emancipation Group”as an opportunity “to open things up”, in his studio in the Bronx on April 13, 2023. (Mary Inhea Kang/The New York Times)
EditorialThe New York-based artist Sanford Biggers, who saw the Chazen Museum’s discomfort over showing Thomas Ball’s “The Emancipation Group”as an opportunity “to open things up”, in his studio in the Bronx on April 13, 2023. (Mary Inhea Kang/The New York Times)
EditorialThe New York-based artist Sanford Biggers, who saw the Chazen Museum’s discomfort over showing Thomas Ball’s “The Emancipation Group”as an opportunity “to open things up”, in his studio in the Bronx on April 13, 2023. (Mary Inhea Kang/The New York Times)
EditorialKatie Holmes and Eddie Kaye Thomas in Anna Ziegler’s play “The Wanderers” at the Laura Pels Theater in Manhattan, Jan. 25, 2023. (Sara Krulwich/The New York Times)