EditorialArtist Blake Habermann who contributes drawings and ingenious effects to live projections in the production of “Die Zauberfl?te,” at the Metropolitan Opera in New York, May 11, 2023. (Lila Barth/The New York Times)
EditorialArtist Blake Habermann who contributes drawings and ingenious effects to live projections in the production of “Die Zauberfl?te,” at the Metropolitan Opera in New York, May 11, 2023. (Lila Barth/The New York Times)
EditorialArtist Blake Habermann who contributes drawings and ingenious effects to live projections in the production of “Die Zauberfl?te,” at the Metropolitan Opera in New York, May 11, 2023. (Lila Barth/The New York Times)
EditorialArtist Blake Habermann who contributes drawings and ingenious effects to live projections in the production of “Die Zauberfl?te,” at the Metropolitan Opera in New York, May 11, 2023. (Lila Barth/The New York Times)
EditorialArtist Blake Habermann who contributes drawings and ingenious effects to live projections in the production of “Die Zauberfl?te,” at the Metropolitan Opera in New York, May 11, 2023. (Lila Barth/The New York Times)
EditorialArtist Blake Habermann who contributes drawings and ingenious effects to live projections in the production of “Die Zauberfl?te,” at the Metropolitan Opera in New York, May 11, 2023. (Lila Barth/The New York Times)