Editorial“Black Medallion XIV (Inti)” (2022) by Eamon Ore-Giron at the top of a stair as part of “Rising Sun: Artists in an Uncertain America,” at the Pennsylvania Academy of the Fine Arts in Philadelphia, March 13, 2023. (Aaron Richter/The New York Times)
Editorial“Black Medallion XIV (Inti)” (2022) by Eamon Ore-Giron at the top of a stair as part of “Rising Sun: Artists in an Uncertain America,” at the Pennsylvania Academy of the Fine Arts in Philadelphia, March 13, 2023. (Aaron Richter/The New York Times)
Editorial“Black Medallion XIV (Inti)” (2022) by Eamon Ore-Giron at the top of a stair as part of “Rising Sun: Artists in an Uncertain America,” at the Pennsylvania Academy of the Fine Arts in Philadelphia, March 13, 2023. (Aaron Richter/The New York Times)
Editorial“Black Medallion XIV (Inti)” (2022) by Eamon Ore-Giron at the top of a stair as part of “Rising Sun: Artists in an Uncertain America,” at the Pennsylvania Academy of the Fine Arts in Philadelphia, March 13, 2023. (Aaron Richter/The New York Times)
Editorial“Black Medallion XIV (Inti)” (2022) by Eamon Ore-Giron at the top of a stair as part of “Rising Sun: Artists in an Uncertain America,” at the Pennsylvania Academy of the Fine Arts in Philadelphia, March 13, 2023. (Aaron Richter/The New York Times)
Editorial“Black Medallion XIV (Inti)” (2022) by Eamon Ore-Giron at the top of a stair as part of “Rising Sun: Artists in an Uncertain America,” at the Pennsylvania Academy of the Fine Arts in Philadelphia, March 13, 2023. (Aaron Richter/The New York Times)
Editorial“Black Medallion XIV (Inti)” (2022) by Eamon Ore-Giron at the top of a stair as part of “Rising Sun: Artists in an Uncertain America,” at the Pennsylvania Academy of the Fine Arts in Philadelphia, March 13, 2023. (Aaron Richter/The New York Times)
Editorial“Black Medallion XIV (Inti)” (2022) by Eamon Ore-Giron at the top of a stair as part of “Rising Sun: Artists in an Uncertain America,” at the Pennsylvania Academy of the Fine Arts in Philadelphia, March 13, 2023. (Aaron Richter/The New York Times)
Editorial“Black Medallion XIV (Inti)” (2022) by Eamon Ore-Giron at the top of a stair as part of “Rising Sun: Artists in an Uncertain America,” at the Pennsylvania Academy of the Fine Arts in Philadelphia, March 13, 2023. (Aaron Richter/The New York Times)
EditorialFrancisco de Zurbar?n / 'The Defense of Cadiz against the English', 1634, Spanish School, Oil on canvas, 302 cm x 323 cm, P00656. CABRERA LORENZO GENERAL. GIRON Y PONCE DE LEON FERNANDO.
EditorialRETRATO DE DON PEDRO ALCANTARA TELLEZ-GIRON Y PIMENTEL - PRINCIPE DE ANGLONA - 1850 - LITOGRAFIA. FEDERICO DE MADRAZO Y KUNTZ (1815-1894). Duke of Osuna. JAVALQUINTO MARQUES DE.
EditorialRETRATO DE ANGEL MARIA CARVAJAL TELLEZ GIRON - DUQUE DE ABRANTES 1815/1890 - LITOGRAFIA DE PEANT. JOSE VALLEJO Y GALEAZO. ABRANTES DUQUE DE IX.
EditorialEL ORIGEN DEL APELLIDO GIRON EN LA BATALLA DE LA SAGRA (A?O 1086) - GRABADO - 1891. RIBERA CARLOS LUIS. ALFONSO VI DE CASTILLA Y LEON. GONZALEZ RODRIGO SE?OR DE CISNEROS.
EditorialPedro Agustin Giron, marquis of the Amarillas, duke of Ahumada. IInd president of the nobility cast in the Aragon Cort?s. Madrid, Senate. FRANCISCO JOVER CASANOVA (1836-1890). AMARILLAS MARQUES DE LAS. AHUMADA DUQUE DE.