EditorialRoomali roti is made by twirling and stretching the dough until it is nearly transparent at Kebab aur Sharab in New York, March 10, 2023. (Karsten Moran/The New York Times)
EditorialRoomali roti is made by twirling and stretching the dough until it is nearly transparent at Kebab aur Sharab in New York, March 10, 2023. (Karsten Moran/The New York Times)
EditorialRoomali roti is made by twirling and stretching the dough until it is nearly transparent at Kebab aur Sharab in New York, March 10, 2023. (Karsten Moran/The New York Times)
EditorialRoomali roti is made by twirling and stretching the dough until it is nearly transparent at Kebab aur Sharab in New York, March 10, 2023. (Karsten Moran/The New York Times)
EditorialRoomali roti is made by twirling and stretching the dough until it is nearly transparent at Kebab aur Sharab in New York, March 10, 2023. (Karsten Moran/The New York Times)
EditorialRoomali roti is made by twirling and stretching the dough until it is nearly transparent at Kebab aur Sharab in New York, March 10, 2023. (Karsten Moran/The New York Times)
EditorialBoy in Boat, Gloucester. Winslow Homer; American, 1836-1910. Date: 1880-1881. Dimensions: 232 x 349 mm. Transparent watercolor, with touches of opaque watercolor and scraping, over graphite, on moderately thick, rough-textured, ivory wove paper. Origin...
EditorialThe Return, Tynemouth (recto) Study (verso). Winslow Homer; American, 1836-1910. Date: 1881. Dimensions: 342 x 343 mm. Transparent watercolor, with touches of opaque watercolor, rewetting, blotting, and scraping, heightened with gum glaze, over graphit...
EditorialThe Watcher, Tynemouth. Winslow Homer; American, 1836-1910. Date: 1882. Dimensions: 213 x 377 mm. Transparent and opaque watercolor, with rewetting, blotting, and scraping, heightened with gum glaze, over graphite, on moderately thick, slightly texture...
EditorialThe Gulf Stream. Winslow Homer; American, 1836-1910. Date: 1899. Dimensions: 288 x 509 mm. Transparent watercolor, with touches of opaque watercolor and traces of blotting, over graphite, on moderately thick, moderately textured, ivory wove paper (lowe...
EditorialVz: ground line, the animal has extended hind legs, the front legs are lifted, the horse has a lure on its forehead and long striped mane, the tail is long., Gem, intaglio, chalcedony, Color: greyish white semi-transparent, Shape: round, scaraboid, Mac...
Editorialthe head of a horse in three-quarter front view. The mane curls on top of the head and below the neck is an inscription, gem, intaglio, ringstone, glass, Color: yellow, transparent, Shape: oval, standing, Machined: Maaskant-Kleibrink, M., Catalog of th...
EditorialA horse or Pegasos stands upright and probably looks back. For the animal a large shield, ground line., Gem, intaglio, ringstone, stone, sarder, Color: brownish black, transparent, Shape: oval, lying, Processing: Maaskant-Kleibrink, M., Catalog of the ...
EditorialCup with horses, China, Ming dynasty (13681644), Date early 17th century, China, Porcelain painted with cobalt blue under a transparent glaze (Jingdezhen ware for Japanese market), gold lacquer repair, H. 2 1/8 in. (5.4 cm); Diam. 2 5/8 in. (6.7 cm), C...
EditorialSkin with O'Hara Poem. Jasper Johns (American, born 1930); poetry by Frank O'Hara (American, 1926-1966); printed by Zigmunds Priede and Ben Berns (American, born The Netherlands, 1936); published by Universal Limited Art Editions (American, founded 195...
EditorialA Ukrainian drone unit works to target Russian artillery during a battle on the frontline near Donetsk, Ukraine, Oct. 20, 2022. (Finbarr O'Reilly/The New York Times)
EditorialPainting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows two dancers in fine transparent robes of green and yellow, elegantly dancing together touching thumb and index fingers. Copperplate en...
EditorialInterior View of the Church of St. Peter's in the Vatican. Francesco Panini; Italian, 1745-1812. Date: 1765-1775. Dimensions: 580 x 885 mm. Transparent and opaque watercolors with shell gold and pen and black ink, over etching, on ivory laid paper. Ori...