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Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial "Crossroads" (1942)
Editorial VERONICA LAKE.
Editorial HEDY LAMARR in WHITE CARGO (1942), directed by RICHARD THORPE.
Editorial CASABLANCA (1942), directed by MICHAEL CURTIZ.
Editorial TYRONE POWER in SON OF FURY: THE STORY OF BENJAMIN BLAKE (1942), directed by JOHN CROMWELL.
Editorial RONALD COLMAN in THE TALK OF THE TOWN (1942), directed by GEORGE STEVENS.
Editorial HEDY LAMARR in CROSSROADS (1942), directed by JACK CONWAY.
Editorial INGRID BERGMAN in CASABLANCA (1942), directed by MICHAEL CURTIZ.
Editorial BETTE DAVIS in THE MAN WHO CAME TO DINNER (1942), directed by WILLIAM KEIGHLEY.
Editorial JOHN WAYNE and PAULETTE GODDARD in REAP THE WILD WIND (1942), directed by CECIL B DEMILLE.
Editorial RITA HAYWORTH.
Editorial GENE KELLY and JUDY GARLAND in FOR ME AND MY GAL (1942), directed by BUSBY BERKELEY.
Editorial CAROLE LOMBARD in TO BE OR NOT TO BE (1942), directed by ERNST LUBITSCH.
Editorial HEDY LAMARR in TORTILLA FLAT (1942), directed by VICTOR FLEMING.
Editorial CAT PEOPLE (1942), directed by JACQUES TOURNEUR.
Editorial SPENCER TRACY and KATHARINE HEPBURN in WOMAN OF THE YEAR (1942), directed by GEORGE STEVENS.
Editorial ELIZABETH TAYLOR in THERE'S ONE BORN EVERY MINUTE (1942), directed by HAROLD YOUNG.
Editorial ALL THROUGH THE NIGHT (1942), directed by VINCENT SHERMAN.
Editorial MARIA MONTEZ and SABU in ARABIAN NIGHTS (1942), directed by JOHN RAWLINS.
Editorial HUMPHREY BOGART and MARY ASTOR in ACROSS THE PACIFIC (1942), directed by JOHN HUSTON.
Editorial FREDRIC MARCH and VERONICA LAKE in I MARRIED A WITCH (1942), directed by RENE CLAIR.
Editorial BORIS KARLOFF in THE BOOGIE MAN WILL GET YOU (1942), directed by LEW LANDERS.
Editorial JOAN CRAWFORD in THEY ALL KISSED THE BRIDE (1942), directed by ALEXANDER HALL.
Editorial GENE KELLY, JUDY GARLAND and GEORGE MURPHY in FOR ME AND MY GAL (1942), directed by BUSBY BERKELEY.
Editorial ROBERT CUMMINGS and ALAN BAXTER in SABOTEUR (1942), directed by ALFRED HITCHCOCK.
Editorial ERROL FLYNN, ARTHUR KENNEDY and RONALD REAGAN in DESPERATE JOURNEY (1942), directed by RAOUL WALSH.
Editorial INGRID BERGMAN in CASABLANCA (1942), directed by MICHAEL CURTIZ.
Editorial HUMPHREY BOGART and SYDNEY GREENSTREET in CASABLANCA (1942), directed by MICHAEL CURTIZ.
Editorial HENRY FONDA and LUCILLE BALL in THE BIG STREET (1942), directed by IRVING REIS.
Editorial SPENCER TRACY and KATHARINE HEPBURN in KEEPER OF THE FLAME (1942), directed by GEORGE CUKOR.
Editorial CLAUDETTE COLBERT and JOEL MCCREA in THE PALM BEACH STORY (1942), directed by PRESTON STURGES.
Editorial HUMPHREY BOGART, MICHAEL CURTIZ and INGRID BERGMAN in CASABLANCA (1942), directed by MICHAEL CURTIZ.
Editorial HUMPHREY BOGART, INGRID BERGMAN and DOOLEY WILSON in CASABLANCA (1942), directed by MICHAEL CURTIZ.
Editorial FRED ASTAIRE and RITA HAYWORTH in YOU WERE NEVER LOVELIER (1942), directed by WILLIAM A. SEITER.
Editorial MARLON BRANDO.
Editorial TYRONE POWER in THE BLACK SWAN (1942), directed by HENRY KING.
Editorial ROBERT TAYLOR in STAND BY FOR ACTION (1942), directed by ROBERT Z. LEONARD.