EditorialMucius Scaevola before Porsenna, 1750-1753 Scaevola, holding his hand into the fire, claims that his 300 men are of equal courage and thereby convinces the Etruscan king Porsenna to lift the siege of Rome. Canvas, 103,2 x 121,7 cm Inv. F 82.
EditorialCeiling fresco in the staircase of the Wuerzburg episcopal residence. Its topics are Apollo as patron of the muses and the apotheosis of the (third builder) Prince-bishop Carl-Philipp von Greiffenklau. The sides show the four (then known) continents. 1753.
EditorialCeiling fresco in the staircase of the Wuerzburg episcopal residence. Its topics are Apollo as patron of the muses and the apotheosis of the (third builder) Prince-bishop Carl-Philipp von Greiffenklau. The sides show the four (then known) continents. 1753.
EditorialWürzburg. Accurate Vorstellung der Hoch-Fürstl. Bisch?ffl. R. Nürnberg : J.B. Homann, 1723. Würzburg, looking east. The new palace, the residence of the prince-bishop, is shown upper left. On the southern bank of the River Main, the Marienberg for...
EditorialMucius Scaevola before Porsenna, 1750-1753 Scaevola, holding his hand into the fire, claims that his 300 men are of equal courage and thereby convinces the Etruscan king Porsenna to lift the siege of Rome. Canvas, 103,2 x 121,7 cm Inv. F 82.
EditorialCeiling fresco in the staircase of the Wuerzburg episcopal residence. Its topics are Apollo as patron of the muses and the apotheosis of the (third builder) Prince-bishop Carl-Philipp von Greiffenklau. The sides show the four (then known) continents. 1753.
EditorialBeatrix, bride of Emperor Friedrich Barbarossa, riding Apollo's sun chariot in the ceiling fresco of the Emperor's Hall, " the Kaisersaal" at the Wuerzburg Residence (1752) .
EditorialWürzburg. Accurate Vorstellung der Hoch-Fürstl. Bisch?ffl. R. Nürnberg : J.B. Homann, 1723. Würzburg, looking east. The new palace, the residence of the prince-bishop, is shown upper left. On the southern bank of the River Main, the Marienberg for...
EditorialCeiling fresco in the staircase of the Wuerzburg episcopal residence. Its topics are Apollo as patron of the muses and the apotheosis of the (third builder) Prince-bishop Carl-Philipp von Greiffenklau. The sides show the four (then known) continents. 1753.
EditorialBeatrix, bride of Emperor Friedrich Barbarossa, riding Apollo's sun chariot in the ceiling fresco of the Emperor's Hall, " the Kaisersaal" at the Wuerzburg Residence (1752) .
EditorialCeiling fresco in the staircase of the Wuerzburg episcopal residence. Its topics are Apollo as patron of the muses and the apotheosis of the (third builder) Prince-bishop Carl-Philipp von Greiffenklau. The sides show the four (then known) continents. 1753.
EditorialCoriolanus before the walls of Rome, 1750-1753 Coriolanus, banished from Rome, returns with an army of Volscans, but spares the city when his mother begs for clemency. Canvas, 103,3 x 122 cm Inv. F 83.
EditorialCeiling fresco in the staircase of the Wuerzburg episcopal residence. Its topics are Apollo as patron of the muses and the apotheosis of the (third builder) Prince-bishop Carl-Philipp von Greiffenklau. The sides show the four (then known) continents. 1753.
EditorialTomb of Prince-bishop Rudolf von Scherenberg (1401-1495). Elected at age 65 and expected to make room for a younger man soon, he surprised his chapter by reigning for 29 years. Red marble, around 1500.
EditorialFacade of Wuerzburg palace, residence of the Prince-Bishop. Begun 1720 by Prince-Bishop Johann Philipp Franz von Schoenborn; plans by Balthasar Neumann, Lucas von Hildebrandt and Johann Dientzenhofer. For Wuerzburg see 14-02-02 / 46-58,14-01-04 / 21-43.