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Editorial MADONNA AND CHILD.
Editorial Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille.
Editorial Portrait of a Woman.
Editorial Madonna and Child Enthroned with Two Donors.
Editorial Portrait of Alvise Contarini (?); (verso) A Tethered Roebuck.
Editorial Portrait of a Young Man.
Editorial Portrait of G. B. Piranesi in imitation of an antique bust, from Opere varie di Architettura, prospetive, grotteschi, antichit?; inventate, ed incise da Giambattista Piranesi Architetto Veneziano (Various Works of Architecture, perspectives, grotesques...
Editorial Agustino Veneziano, Italian, 1490-1536, Ornamental Vase, 1531, engraving printed in black ink on laid paper, Plate: 9 7/8 ? 6 7/8 inches (25.1 ? 17.5 cm).
Editorial workshop of Lorenzo Veneziano, Italian, active 1356-1372, Saint John the Baptist Preaching, ca. 1370, tempera on wood panel, Overall: 11 1/2 ? 11 11/16 ? 1 1/16 inches (29.2 ? 29.7 ? 2.7 cm).
Editorial Niccolo di Pietro Veneziano, Italian, Saint John the Baptist, 15th Century, Paint on wood panel, Unframed: 30 3/8 ? 11 3/8 ? 1 7/8 inches (77.2 ? 28.9 ? 4.8 cm).
Editorial The Annunciation. Date/Period: Ca. 1348 - 1350. Painting. Tempera and gold leaf on panel. Height: 167 mm (6.57 in); Width: 203 mm (7.99 in).
Editorial Plate 17: Venus chastising Cupid, who sits on a bed, with Psyche at right, from the Story of Cupid and Psyche as told by Apuleius.
Editorial Portrait of G. B. Piranesi in imitation of an antique bust, from Opere varie di Architettura, prospetive, grotteschi, antichit?; inventate, ed incise da Giambattista Piranesi Architetto Veneziano (Various Works of Architecture, perspectives, grotesques...
Editorial Plate 27: Proserpine give Psyche the box of beauty, from the Story of Cupid and Psyche as told by Apuleius.
Editorial Plate 26: Psyche enters the underworld giving an offering to Cerberus, with two elderly women at left, from the Story of Cupid and Psyche as told by Apuleius.
Editorial Venus Wounded by Cupid's Dart. Agostino Veneziano (Italian, active 1514-1536); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1516. Dimensions: 181 x 134 mm (image/sheet, trimmed within plate mark). Engraving in black on cream laid ...
Editorial Saints Augustine and Peter. Paolo Veneziano and workshop; Italian, active 1333-1458/62. Date: 1345-1355. Dimensions: 77.4 ? 49.5 cm (30 1/2 ? 19 1/2 in.). Tempera on panel. Origin: Venice.
Editorial Plate 16: The Bridge at Rimini built by the Emperors Augustus and Tiberius (Ponte di Rimino fabbricato da Augusto e da Tiberio Imperatori), from Antichit? Romane fuori di Roma.
Editorial Plate 8: Psyche seated at a table attended by invisible servants, as Cupid rests his head on her shoulder, at right four men standing singing from an open book, one playing a lute, from the Story of Cupid and Psyche as told by Apuleius.
Editorial Plate 22: Venus standing at right ordering Psyche to sort a pile of grain, at left the same pair hold a loaf of bread, from the Story of Cupid and Psyche as told by Apuleius.
Editorial Plate 2: People rendering divine honors to Psyche, from the Story of Cupid and Psyche as told by Apuleius.
Editorial Frontispiece to Part Two. Roman Antiquities outside Rome drawn and etched by Giambat'ta Piranesi, Venetian Architect Part Two (ANTCHIT? ROMANE FUORI DI ROMA DISEGNATE ED INCISE DA GIAMBAT'TA PIRANESI, ARCHITETTO VENEZIANO, PARTE SECONDA).
Editorial Plate 11: Psyche offering presents to her sisters who also appear on the clouds at upper right, from the Story of Cupid and Psyche as told by Apuleius.
Editorial Plate 1: Apuleius changed into a donkey, listening to the story told by the old woman, from the Story of Cupid and Psyche as told by Apuleius.
Editorial Plate 12: Psyche's sisters persuading Psyche that she has been sleeping with a serpent, from the Story of Cupid and Psyche as told by Apuleius.
Editorial Plate 9: Cupid and Psyche on a bed, from the Story of Cupid and Psyche as told by Apuleius.
Editorial Miniature from a Mariegola: The Flagellation, c. 1350-1375. Workshop of Lorenzo Veneziano (Italian). Tempera and gold on parchment; sheet: 29.5 x 21 cm (11 5/8 x 8 1/4 in.).
Editorial Unidentified artist, Domenico Veneziano: Entombment of Christ, Unidentified artist, Domenico Veneziano, Mid-15th century, Tempera and gold on panel, Overall: 13 1/4 x 15 3/4 in. (33.7 x 40 cm).
Editorial Unidentified artist, Domenico Veneziano: Entombment of Christ, Unidentified artist, Domenico Veneziano, Mid-15th century, Tempera and gold on panel, Overall: 13 1/4 x 15 3/4 in. (33.7 x 40 cm).
Editorial Unidentified artist, Domenico Veneziano: Entombment of Christ, Unidentified artist, Domenico Veneziano, Mid-15th century, Tempera and gold on panel, Overall: 13 1/4 x 15 3/4 in. (33.7 x 40 cm).
Editorial Unidentified artist, Domenico Veneziano: Entombment of Christ, Unidentified artist, Domenico Veneziano, Mid-15th century, Tempera and gold on panel, Overall: 13 1/4 x 15 3/4 in. (33.7 x 40 cm).
Editorial Unidentified artist, Domenico Veneziano: Entombment of Christ, Unidentified artist, Domenico Veneziano, Mid-15th century, Tempera and gold on panel, Overall: 13 1/4 x 15 3/4 in. (33.7 x 40 cm).
Editorial The Annunciation. Date/Period: Ca. 1348 - 1350. Painting. Tempera and gold leaf on panel. Height: 167 mm (6.57 in); Width: 203 mm (7.99 in).
Editorial Venus Wounded by Cupid's Dart. Agostino Veneziano (Italian, active 1514-1536); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1516. Dimensions: 181 x 134 mm (image/sheet, trimmed within plate mark). Engraving in black on cream laid ...
Editorial Saints Augustine and Peter. Paolo Veneziano and workshop; Italian, active 1333-1458/62. Date: 1345-1355. Dimensions: 77.4 ? 49.5 cm (30 1/2 ? 19 1/2 in.). Tempera on panel. Origin: Venice.
Editorial Speculum Romanae Magnificentiae: Dance of Fauns and Bacchants.
Editorial Speculum Romanae Magnificentiae: The Altar of Jupiter in the Oldest Temple on the Capitol.
Editorial Plate 16: The Bridge at Rimini built by the Emperors Augustus and Tiberius (Ponte di Rimino fabbricato da Augusto e da Tiberio Imperatori), from Antichit? Romane fuori di Roma.
Editorial Speculum Romanae Magnificentiae: Temple of Antoninus and Faustina.
Editorial Plate 17: Venus chastising Cupid, who sits on a bed, with Psyche at right, from the Story of Cupid and Psyche as told by Apuleius.
Editorial The Philosophers.
Editorial Plate 8: Psyche seated at a table attended by invisible servants, as Cupid rests his head on her shoulder, at right four men standing singing from an open book, one playing a lute, from the Story of Cupid and Psyche as told by Apuleius.
Editorial Plate 22: Venus standing at right ordering Psyche to sort a pile of grain, at left the same pair hold a loaf of bread, from the Story of Cupid and Psyche as told by Apuleius.
Editorial Isaac Blessing Jacob.
Editorial Plate 2: People rendering divine honors to Psyche, from the Story of Cupid and Psyche as told by Apuleius.
Editorial Speculum Romanae Magnificentiae: The Arch of Constantine, Rome.
Editorial Frontispiece to Part Two. Roman Antiquities outside Rome drawn and etched by Giambat'ta Piranesi, Venetian Architect Part Two (ANTCHIT? ROMANE FUORI DI ROMA DISEGNATE ED INCISE DA GIAMBAT'TA PIRANESI, ARCHITETTO VENEZIANO, PARTE SECONDA).
Editorial Plate 7: Psyche attended in her bath by nymphs, in the background right Psyche represented again laying in bed.
Editorial Plate 27: Proserpine give Psyche the box of beauty, from the Story of Cupid and Psyche as told by Apuleius.
Editorial Baccio Bandinelli in his studio holding a statuette of Venus, students sketching from a model by candlelight.
Editorial Speculum Romanae Magnificentiae: Dance of Fauns and Bacchants.
Editorial Speculum Romanae Magnificentiae: Laocoon.
Editorial Plate 3: 'Ancient mausoleum erected for the ashes of a Roman emperor' (Mausoleo antico eretto per le ceneri d'un imperadore romano), from the series 'Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architec...
Editorial Venus riding a conch at left and cowering man (Jason) at right, Eros riding a makeshift boat holding a bow between them.
Editorial Plate 9: 'Colonnaded hall according to the custom of the ancient Romans, and niches adorned witn statues' (Sala all'uso degli antichi Romani con colonne, e nicchie ornate di statue), from the series 'Part one of architecture and perspectives: drawn and...
Editorial Speculum Romanae Magnificentiae: Vase Encircled by Acanthus Leaves.
Editorial Plate 11: Psyche offering presents to her sisters who also appear on the clouds at upper right, from the Story of Cupid and Psyche as told by Apuleius.
Editorial Plate 1: Apuleius changed into a donkey, listening to the story told by the old woman, from the Story of Cupid and Psyche as told by Apuleius.
Editorial Plate 6: 'Ruins of an ancient tomb in front of ruins of an ancient aqueduct; above the arches of the latter is the channel which conveyed the water to Rome' (Ruine de sepolcro antico posto dinanzi ad altre ruine d'un Acquedotto pure antico; sopra gli a...
Editorial Plate 12: Psyche's sisters persuading Psyche that she has been sleeping with a serpent, from the Story of Cupid and Psyche as told by Apuleius.
Editorial Cleopatra Bitten by an Asp.
Editorial Standing Youth Leaning on a Long Staff (recto); Seated Man (verso).
Editorial Speculum Romanae Magnificentiae: Dance of Fauns and Bacchants.
Editorial Plate 9: Cupid and Psyche on a bed, from the Story of Cupid and Psyche as told by Apuleius.
Editorial Album or Scrapbook with Grotesque Designs Copied after Prints.
Editorial saint matthew.
Editorial Plate 26: Psyche enters the underworld giving an offering to Cerberus, with two elderly women at left, from the Story of Cupid and Psyche as told by Apuleius.
Editorial Agustino Veneziano, Italian, 1490-1536, after Bartolommeo Bandinelli, Italian, 1493-1560, Brennus Throwing his Sword into the Scale/Marcus Furius Camillas Arriving on t, 1531, engraving printed in black ink on laid paper, Sheet (trimmed within plate ma...
Editorial Hieronymus Hopfer, German, active ca. 1520-1530, after Agustino Veneziano, Italian, 1490-1536, Fauns and Bacchantes, 16th century, engraving printed in black ink on laid paper, Plate: 7 ? 13 3/8 inches (17.8 ? 34 cm).
Editorial Unknown (Italian), after Agustino Veneziano, Italian, 1490-1536, Soldiers Bathing, 1624, Engraving printed in black on laid paper, plate: 12 7/8 x 17 1/8 in.
Editorial Grotesque with a Female Figure (Minerva?) in a Temple-like Structure with a Cupola.
Editorial Naked woman (Leda) and swan (Zeus) embrace on a river bank; two figures jump into the water at middle ground; a town and bridge in the background.
Editorial Speculum Romanae Magnificentiae: Ionic Capital.
Editorial Speculum Romanae Magnificentiae: Apollo Belvedere.
Editorial Speculum Romanae Magnificentiae: Corinthian Entablature.
Editorial Speculum Romanae Magnificentiae: Ionic Base.
Editorial Riding on horseback Canvas.
Editorial BYZANTINE ART. GREECE. ICON with the crucifixion scene. Attributed to the circle of the Venetian painter Paolo Veneziano. Mid-fourteenth century. Byzantine Museum. Athens.
Editorial View of a river port.
Editorial Riva dei Mendicanti, Venice. Canvas.
Editorial Domenico Veneziano (Active in 1438-Florence, 1461). Monk holding a Cross (ca. 1445 - 1448). Tempera on panel. 69 x 44 cm.
Editorial Head of a Tonsured, Bearded Saint (from Carnesecchi Tabernacle).
Editorial Madonna and Child, gold ground, 1372 Wood 126 x 56 cm M. I. 395.
Editorial Pala di Santa Lucia dei Magnoli / Altarpiece of St Lucia de' Magnoli. Date/Period: 1445-ca. 1447. Painting. Detached frescoes transferred to canvas. Height: 209 cm (82.2 in); Width: 216 cm (85 in).
Editorial Riva dei Mendicanti, Venice. Canvas.
Editorial SELLO DE PARAGUAY - DAMA JOVEN DE DOMENICO VENEZIANO.
Editorial Miniature from a Mariegola: The Flagellation, c. 1350-1375. Workshop of Lorenzo Veneziano (Italian). Tempera and gold on parchment; sheet: 29.5 x 21 cm (11 5/8 x 8 1/4 in.).
Editorial Portrait of a Woman, Possibly a Novice of San Secondo, c. 1490. Jacometto Veneziano (Italian, 1497). Oil on wood; framed: 30.5 x 24 x 3 cm (12 x 9 7/16 x 1 3/16 in.); unframed: 24 x 17.5 cm (9 7/16 x 6 7/8 in.).
Editorial Venus Wounded by Cupid's Dart. Agostino Veneziano (Italian, active 1514-1536); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1516. Dimensions: 181 x 134 mm (image/sheet, trimmed within plate mark). Engraving in black on cream laid ...
Editorial The Altar of Love. Agostino dei Musi (Italian, c. 1490-after 1536); printed by Antonio Salamanca (Italian, 1478-1562). Date: 1510-1536. Dimensions: 293 x 221 mm (image); 297 x 221 (plate/sheet). Engraving in black on ivory laid paper. Origin: Italy.
Editorial Scenes from the Life of Blessed Juliana of Collalto.
Editorial Sea Miracle of St Nicholas.
Editorial Adolescent Christ in the Jerusalem Temple.
Editorial Madonna and Child Enthroned with Two Donors.
Editorial The Altar of Love. Agostino dei Musi (Italian, c. 1490-after 1536); printed by Antonio Salamanca (Italian, 1478-1562). Date: 1510-1536. Dimensions: 293 x 221 mm (image); 297 x 221 (plate/sheet). Engraving in black on ivory laid paper. Origin: Italy.
Editorial Psyche's Father Consulting the Oracle. Agostino dei Musi (Italian, c. 1490-after 1536); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520); printed by Antonio Salamanca (Italian, 1478...
Editorial Saints John the Baptist and Catherine of Alexandria. Paolo Veneziano and workshop; Italian, active 1333-1458/62. Date: 1345-1355. Dimensions: 77 ? 49.7 cm (30 1/4 ? 19 5/8 in.). Tempera on panel. Origin: Venice.
Editorial Venus Wounded by Cupid's Dart. Agostino Veneziano (Italian, active 1514-1536); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1516. Dimensions: 181 x 134 mm (image/sheet, trimmed within plate mark). Engraving in black on cream laid ...
Editorial A White Bird Telling Venus of Cupid's Illness. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1541. Dimensions: 200 x...
Editorial Saints Augustine and Peter. Paolo Veneziano and workshop; Italian, active 1333-1458/62. Date: 1345-1355. Dimensions: 77.4 ? 49.5 cm (30 1/2 ? 19 1/2 in.). Tempera on panel. Origin: Venice.