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Editorial Virgin and Child.
Editorial Madame Henri Fran?ois Riesener (F?licit? Longrois, 1786-1847).
Editorial Ink Lotus, Xiang Yuanbian (Chinese, 1525-1590), Ming dynasty, 1525-1590, ink on paper, 48-7/16 x 12-3/8 in. (image) 91-1/2 x 18-7/16 in. (overall), Signed: Molin daoren 6 seals: Ji ao Xiang Yuanbian yin, Zijing zhi yin, Jing yin an zhu, Xiang Shuzi, Mo...
Editorial Ink Lotus, Xiang Yuanbian (Chinese, 1525-1590), Ming dynasty, 1525-1590, ink on paper, 48-7/16 x 12-3/8 in. (image) 91-1/2 x 18-7/16 in. (overall), Signed: Molin daoren 6 seals: Ji ao Xiang Yuanbian yin, Zijing zhi yin, Jing yin an zhu, Xiang Shuzi, Mo...
Editorial Gustaf Adolf Reuterholm, Gustaf Adolf Reuterholm (1756-1813), free lord, chief chamberlain, one of the Kingdom's lords, president, painting, Watercolor on ivory, Height, 16.5, cm (6.4 inches), Width, 12 cm (4.7 inches), Inscription, To HRH, The Duke of...
Editorial Figure Group: Tenderness. John Walton; English, 19th century. Date: 1820-1830. Dimensions: 21 x 11.8 cm (8 1/4 x 4 5/8 in.). Lead-glazed earthenware, polychrome enamels. Origin: Staffordshire.
Editorial Shiva Seated with Parvati, Thakuri period, 11th century, Nepal (Kathmandu Valley), Copper alloy, H. 10 1/4 in. (26 cm); W. 11 in. (27.9 cm); D. 7 1/2 in. (19.1 cm); Wt. 21 lbs (9.5 kg), Sculpture, The paring of Shiva and his wife, Parvati, as the divin...
Editorial Figure Group: Tenderness. John Walton; English, 19th century. Date: 1820-1830. Dimensions: 21 x 11.8 cm (8 1/4 x 4 5/8 in.). Lead-glazed earthenware, polychrome enamels. Origin: Staffordshire.
Editorial Plucking a Branch from a Neighbor's Plum Tree.
Editorial Ink Lotus, Xiang Yuanbian (Chinese, 1525-1590), Ming dynasty, 1525-1590, ink on paper, 48-7/16 x 12-3/8 in. (image) 91-1/2 x 18-7/16 in. (overall), Signed: Molin daoren 6 seals: Ji ao Xiang Yuanbian yin, Zijing zhi yin, Jing yin an zhu, Xiang Shuzi, Mo...
Editorial The Embrace.
Editorial Virgin and Child.
Editorial Mr. and Miss Constable.
Editorial Ink Lotus, Xiang Yuanbian (Chinese, 1525-1590), Ming dynasty, 1525-1590, ink on paper, 48-7/16 x 12-3/8 in. (image) 91-1/2 x 18-7/16 in. (overall), Signed: Molin daoren 6 seals: Ji ao Xiang Yuanbian yin, Zijing zhi yin, Jing yin an zhu, Xiang Shuzi, Mo...
Editorial Ink Lotus, Xiang Yuanbian (Chinese, 1525-1590), Ming dynasty, 1525-1590, ink on paper, 48-7/16 x 12-3/8 in. (image) 91-1/2 x 18-7/16 in. (overall), Signed: Molin daoren 6 seals: Ji ao Xiang Yuanbian yin, Zijing zhi yin, Jing yin an zhu, Xiang Shuzi, Mo...
Editorial Ink Lotus, Xiang Yuanbian (Chinese, 1525-1590), Ming dynasty, 1525-1590, ink on paper, 48-7/16 x 12-3/8 in. (image) 91-1/2 x 18-7/16 in. (overall), Signed: Molin daoren 6 seals: Ji ao Xiang Yuanbian yin, Zijing zhi yin, Jing yin an zhu, Xiang Shuzi, Mo...
Editorial MOTHER AND SON.
Editorial Ernest Chass?riau (? ).
Editorial Rafael Estrany i Ros / 'Tenderness', Oil on canvas, 99 x 79 cm.
Editorial Byzantine Art. Greece. Icon with the Virgin of Tenderness (Kaardiotissa). Dated to the mid 15th century. Attributed to Angelos. It comes from the church of Agios Georgios. Byzantine Museum. Zante. Ionian Islands.
Editorial The Touch Reclaimed Spent Tenderness, plate 23 from Uruguayan Torture Series. Luis Camnitzer; American, born Germany, 1937. Date: 1983. Dimensions: 208 x 291 mm (image); 214 x 296 mm (plate); 750 x 553 mm (sheet). Color photo-etching from five plates o...
Editorial BYZANTINE ART. GREECE. Double-sided ICON with the Virgin of Tenderness (GLYKOPHILOUSA) and Saints in front and crucifixion on the back. Dated in the fifteenth century. Workshop conducted by Rhodes. Byzantine Museum. Athens.
Editorial The Virgin of Tenderness. Date/Period: 1609. Icon. Height: 1,100 mm (43.30 in); Width: 831 mm (32.71 in).
Editorial The Mother of God of Tenderness of the White Lake. Date/Period: First half of the 13th century. Icon painting. Tempera on wood Tempera on wood. Height: 1,555 mm (61.22 in); Width: 1,063 mm (41.85 in). unknow. Russian icon. CHILD JESUS. VIRGIN MARY.
Editorial The Mother of God of Tenderness Towards Evil Hearts. Date/Period: 1914. Painting. Oil on canvas Oil on canvas. Height: 1,002 mm (39.44 in); Width: 1,100 mm (43.30 in).
Editorial Madame Henri Fran?ois Riesener (F?licit? Longrois, 1786-1847).
Editorial Icon: The Virgin of Tenderness, or Eleusa.
Editorial Figure Group: Tenderness. John Walton; English, 19th century. Date: 1820-1830. Dimensions: 21 x 11.8 cm (8 1/4 x 4 5/8 in.). Lead-glazed earthenware, polychrome enamels. Origin: Staffordshire.
Editorial The Touch Reclaimed Spent Tenderness, plate 23 from Uruguayan Torture Series. Luis Camnitzer; American, born Germany, 1937. Date: 1983. Dimensions: 208 x 291 mm (image); 214 x 296 mm (plate); 750 x 553 mm (sheet). Color photo-etching from five plates o...
Editorial Madeleine (Two Heads) or Tenderness, from the first album of L'Estampe originale. Maurice Denis (French, 1870-1943); published by L'Estampe originale (French, 1893-1895). Date: 1893. Dimensions: 300 ? 250 mm (image); 583 ? 418 mm (sheet). Lithograph in...
Editorial Madame Henri Fran?ois Riesener (F?licit? Longrois, 1786-1847).
Editorial Madeleine (Two Head / deux t?tes) (Tenderness / Tendresse).
Editorial Virgin and Child.
Editorial Ernest Chass?riau (? ).
Editorial The Embrace.
Editorial MOUTH ORGAN.
Editorial Plucking a Branch from a Neighbor's Plum Tree.
Editorial Portrait medal of Isotta degli Atti (obverse); An Elephant (reverse).
Editorial MOTHER AND SON.
Editorial Plucking a Branch from a Neighbor's Plum Tree.
Editorial MOTHER AND SON.
Editorial Ernest Chass?riau (? ).
Editorial Virgin and Child.
Editorial Our Lady of Tenderness (The Virgin Eleusa).
Editorial Our Lady of Tenderness (The Virgin Eleusa).
Editorial Our Lady of Tenderness with Selected Saints.
Editorial Virgin of Tenderness with the Saints (The Virgin Eleusa).
Editorial Our Lady of Tenderness (The Virgin Eleusa).
Editorial Map of the 'Land of Tenderness'. Clelia. An excellent new romance, etc. [Pt. 1-3 translated by J. Davies, pt. 4, 5 by G. Havers.]. London, 1678. Copper engraving. Source: 837.m.20, before page 1.
Editorial Virgin and Child.
Editorial The Mother of God of Tenderness Towards Evil Hearts. Date/Period: 1914. Painting. Oil on canvas Oil on canvas. Height: 1,002 mm (39.44 in); Width: 1,100 mm (43.30 in).
Editorial Madonna of Tenderness with Child. Date/Period: 16th century. Icon. Oil on panel. Height: 313 mm (12.32 in); Width: 265 mm (10.43 in).
Editorial BYZANTINE ART. GREECE. Double-sided ICON with the Virgin of Tenderness (GLYKOPHILOUSA) and Saints in front and crucifixion on the back. Dated in the fifteenth century. Workshop conducted by Rhodes. Byzantine Museum. Athens.
Editorial The Mother of God of Tenderness of the White Lake. Date/Period: First half of the 13th century. Icon painting. Tempera on wood Tempera on wood. Height: 1,555 mm (61.22 in); Width: 1,063 mm (41.85 in).
Editorial Virgin of Tenderness with the Saints (The Virgin Eleusa).
Editorial Our Lady of Tenderness (The Virgin Eleusa).
Editorial Our Lady of Tenderness (The Virgin Eleusa).
Editorial Our Lady of Tenderness (The Virgin Eleusa).
Editorial Our Lady of Tenderness with Selected Saints.
Editorial Madame Henri Fran?ois Riesener (F?licit? Longrois, 1786-1847).
Editorial Plucking a Branch from a Neighbor's Plum Tree.
Editorial Portrait medal of Isotta degli Atti (obverse); An Elephant (reverse).
Editorial Brother and Sister (Le fr?re et la soeur).
Editorial Mothers (M?tter).
Editorial Madeleine (Two Head / deux t?tes) (Tenderness / Tendresse).
Editorial The Embrace.
Editorial Virgin and Child.
Editorial Mr. and Miss Constable.
Editorial Panther and Cubs.
Editorial MOUTH ORGAN.
Editorial Virgin and Child.
Editorial MOTHER AND SON.
Editorial Ernest Chass?riau (? ).
Editorial Shiva Seated with Parvati, Thakuri period, 11th century, Nepal (Kathmandu Valley), Copper alloy, H. 10 1/4 in. (26 cm); W. 11 in. (27.9 cm); D. 7 1/2 in. (19.1 cm); Wt. 21 lbs (9.5 kg), Sculpture, The paring of Shiva and his wife, Parvati, as the divin...
Editorial Virgin and Child, ca. 1400?20, Made in Belgium; Made in Burgundy, French, South Netherlandish or French, Walnut, Overall: 5 15/16 x 4 1/16 x 3 1/4 in. (15.1 x 10.3 x 8.3 cm), Sculpture-Miniature-Wood, The unusual depiction of the Christ child both nurs...
Editorial Virgin of Tenderness with the Saints (The Virgin Eleusa).
Editorial Our Lady of Tenderness (The Virgin Eleusa).
Editorial Our Lady of Tenderness (The Virgin Eleusa).
Editorial Our Lady of Tenderness (The Virgin Eleusa).
Editorial Cardinal and Nun (Tenderness).
Editorial Our Lady of Tenderness with Selected Saints.
Editorial Mother giving her child a riding lesson. Handcoloured copperplate engraving from Augustin Legrand's Amour et Tendresse (Love and Tenderness), Louis Janet, Paris, 1820.
Editorial Mother putting her baby into a bath. Handcoloured copperplate engraving from Augustin Legrand's Amour et Tendresse (Love and Tenderness), Louis Janet, Paris, 1820.
Editorial Mother pulling a chariot with her child riding it holding a whip. Handcoloured copperplate engraving from Augustin Legrand's Amour et Tendresse (Love and Tenderness), Louis Janet, Paris, 1820.
Editorial Mother teaching her child to play the harp in a music lesson. Handcoloured copperplate engraving from Augustin Legrand's Amour et Tendresse (Love and Tenderness), Louis Janet, Paris, 1820.
Editorial Mother feeding her child on her lap. Handcoloured copperplate engraving from Augustin Legrand's Amour et Tendresse (Love and Tenderness), Louis Janet, Paris, 1820.
Editorial Mother and child giving charity. Handcoloured copperplate engraving from Augustin Legrand's Amour et Tendresse (Love and Tenderness), Louis Janet, Paris, 1820.
Editorial Mother breastfeeding her child on her lap. Handcoloured copperplate engraving from Augustin Legrand's Amour et Tendresse (Love and Tenderness), Louis Janet, Paris, 1820.
Editorial Mother playing the flying angel game with a baby. Handcoloured copperplate engraving from Augustin Legrand's Amour et Tendresse (Love and Tenderness), Louis Janet, Paris, 1820.
Editorial Mother teaching her child to write at a writing desk. Handcoloured copperplate engraving from Augustin Legrand's Amour et Tendresse (Love and Tenderness), Louis Janet, Paris, 1820.
Editorial Baby taking its first step with mother. Handcoloured copperplate engraving from Augustin Legrand's Amour et Tendresse (Love and Tenderness), Louis Janet, Paris, 1820.
Editorial DOROTHY FORSTER: "She saluted me with great politeness, and Frank (whom she kissed) with peculiar tenderness.".
Editorial In love with the governess in Britain, 1892, by Mars, reading: piano; sheet music; books; teacher; boy; playing, garden; tennis; summer time; interior; room; affection; devotion; tenderness.
Editorial THE LIFE OF GIUSEPPE GARIBALDI: 10. Meeting of Garibaldi and Victor Emmanuel on the Road to Capua after the Battle on the Volturno, Oct. 26, 1860; 11. Garibaldi's Return to Caprera, November, 1860; 12. Interview Between Cavour and Garibaldi at the Desi...
Editorial Bearded titmouse or bearded reedling... Panurus biarmicus (Parus biarmicus).
Editorial BYZANTINE ART. GREECE. Double-sided ICON with the Virgin of Tenderness (GLYKOPHILOUSA) and Saints in front and crucifixion on the back. Dated in the fifteenth century. Workshop conducted by Rhodes. Byzantine Museum. Athens.
Editorial Byzantine Art. Greece. Icon with the Virgin of Tenderness (Kaardiotissa). Dated to the mid 15th century. Attributed to Angelos. It comes from the church of Agios Georgios. Byzantine Museum. Zante. Ionian Islands.
Editorial Equatorian school. Maternity - Life Cycle of Tenderness. Maternidad - ciclo de edad de la ternura. Madrid, exterior bank.