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Editorial The New David Beckham Eau De Parfum Collection:
Editorial The Journey of the Magi.
Editorial The Twelve Apostles: Saints Bartholomew, Andrew, Matthew, James the Greater, Thaddeus, Philip, James the Lesser, Simon, Peter, Paul, Thomas, and John.
Editorial Madonna and Child with Six Saints.
Editorial Cassone with painted front panel depicting the Conquest of Trebizond.
Editorial Speculum Romanae Magnificentiae: Pegasus capital from the Temple of Mars Ultor and decorated base.
Editorial Cartouche in the Form of a Drape Suspended from a Cypress Flanked by Skeletons. Dated: 1647. Medium: etching.
Editorial Cartouche with Eagles and Two Infants Holding a Crown. Dated: 1647. Medium: etching.
Editorial STEFANO DELLA BELLA.
Editorial A woman seated to left holding a child, facing right in profile, conversing with a standing woman in center, carrying one child on her back and another in her arms, a church to left in background and boats to right in background, from 'Various figures ...
Editorial A man playing the violin in center, turned towards the left in profile, a seated woman to left playing with her dancing child, another woman standing and pointing behind a tree to left, seated women in a landscape to right in the background, from 'Vari...
Editorial A peasant woman facing left in profile nurses a baby under a tree at right, a woman, seen from behind, walking next to a donkey in the middle ground, a church and bridge to left in background, from 'Various figures and lands' (Diverse figure e paesi).
Editorial Plate 6: a cartouche supported by a duck below and decorated with two nymphs whose arms become tree branches, from 'Nouvelles inventions de Cartouches'.
Editorial Fire, a flotilla on fire in center and to the right, two boats full of people to left, from 'The four elements' (Les quatre El?ments).
Editorial Two views of a grotto, both views with a fountain with a seated statue, seen from the left and right sides, from 'Views of the villa at Pratolino' (Vues de la villa de Pratolino).
Editorial Plate 8: a cartouche flanked by dragons, their tails supporting a crown at top, from 'Nouvelles inventions de Cartouches'.
Editorial Earth, four figures in foreground to left, hills to left in the background, many trees to right in the background, a horseman in center in the background, from 'The four elements' (Les quatre El?ments).
Editorial Plate 1: a man sings and plays the hurdy gurdy, accompanied by a boy playing the triangle to right, a group of peasants dancing in a ring to left in background, title page for 'Diversi capricci'.
Editorial Plate 7: a cartouche flanked by two satyrs, crowned with half a herm and half a cardinal's hat, from 'Nouvelles inventions de Cartouches'.
Editorial Cartouche with Title: Nouvelles inventions de Cartouches.
Editorial Plate 4: a cartouche formed by a tiger skin and flanked by two centaurs, from 'Nouvelles inventions de Cartouches'.
Editorial Plate 1: A cartouche with series title, from 'Caprice faict par de la Bella'.
Editorial Plate 5: a cartouche flanked by Apollo and Pan, from 'Nouvelles inventions de Cartouches'.
Editorial An alley of fountains, a group of people in center, a man and dog seated to right, two men and a woman to left, one of the men tasting the water from the fountain, the villa in background to right, from 'Views of the villa at Pratolino' (Vues de la vil...
Editorial Plate 10: a cartouche formed by drapery and topped with two skeletons atop an Ionic entablature, from 'Nouvelles inventions de Cartouches'.
Editorial Cartouche Framed by Ducks and Weeds.
Editorial La Mort sur un champ de bataille [Death on a Battlefield]. Dated: 1648. Dimensions: sheet (cut to platemark): 21.1 x 29 cm (8 5/16 x 11 7/16 in.). Medium: etching on laid paper.
Editorial Cartouche Supported by Triton and Siren. Dated: 1647. Medium: etching.
Editorial The Flight into Egypt. Medium: etching on laid paper [restrike].
Editorial Woman Seated on a Stool. Medium: etching on laid paper [restrike].
Editorial Satyr Family Walking. Stefano della Bella; Italian, 1610-1664. Date: 1657. Dimensions: 221 x 222 mm (plate); 229 x 230 mm (sheet). Etching on cream laid paper. Origin: Italy.
Editorial View of the coast of Italy (Veue des Costes d'Italie), the bow of a ship resting to left, a group of men playing cards in center, a tower in ruins to right in the background, from 'Views of seaports' (Vues de ports de mar).
Editorial Air, a landscape during a hurricane, three horsemen battling the wind, a mass of trees to the right, from 'The four elements' (Les quatre El?ments).
Editorial The Tree House at Pratolino.
Editorial Game of the Bridge, Pisa.
Editorial Speculum Romanae Magnificentiae: Roman Horsemen, from Trajan's Column.
Editorial The church of S. Stefano Rotondo, Rome, with in the distance S. Giovanni in Laterano. Draughtsman: Dani?l Dupr?. Dating: 1761 - 1817. Place: Italy. Measurements: h 146 mm ? w 197 mm.
Editorial The church of S. Stefano Rotondo, Rome, with S. Giovanni in Laterano in Laterano, Drawing from a group of drawings of landscapes and cityscapes in Italy (Rome, Tivoli, Civita Castellana and Pozzuoli)., city view in general, 'veduta', church (exterior),...
Editorial 1. Temple of Bacchus, 2. The temple of Juno Lucina, Santo Stefano Rotondo and Temple of Juno Lucina in Rome, signed: C. A. Lehmann (lith.), Steindr., v, P?nicke et son, Tab. XXVI, Lehmann, C. A. (lith.), P?nicke et Sohn (Steindr.), Franz Heinrich K?hle...
Editorial Game of the Bridge, Pisa.
Editorial Speculum Romanae Magnificentiae: Plan of a doorway.
Editorial Speculum Romanae Magnificentiae: The Farnese Hercules.
Editorial S. Peter and. Stephan Bellinzona, SAN. Lorenzo in Lugano and residential building in Bellinzona, Santi Pietro e Stefano Collegiate Church in Bellinzona, San Lorenzo Cathedral in Lugano and residential building in Bellinzona, Fig. 1, according to p. IX,...
Editorial Church of San Stefano and Cima Nafdisio, to p. 232.
Editorial Stefano della Bella, Italian, 1610-1664, Study of an Old Man Thinking, ca.1650, gray wash over graphite pencil on cream laid paper, Sheet: 2 3/16 ? 11 13/16 inches (5.6 ? 30 cm).
Editorial Giovanni Volpato, Italian, 1733-1803, after Michelangelo, Italian, 1475-1564, after Stefano Tofanelli, Italian, 1752-1812, The Prophet Daniel, 18th/19th Century, Etching and engraving printed in black on wove paper, plate: 20 7/8 x 14 7/8 in.
Editorial Vero e real disegno della inclita cita di Venetia. (Panorama of Venice).
Editorial Attributed to Stefano Magnasco;, 39.7 inches).
Editorial Negro Cavalier. Medium: etching.
Editorial Hungarian Cavalier. Medium: etching.
Editorial Colossal Statue of the Apennines. Dated: probably 1653. Medium: etching.
Editorial An avenue lined with statues in a pine forest, jets of water issuing from the ground, various figures in center, a small building in background center, from 'Views of the villa at Pratolino' (Vues de la villa de Pratolino).
Editorial The Prince of Tuscany and his chariots arranged around Mount Atlas in center, a fountain at center in the foreground, a large arch displaying the Medici and the Orleans coats of arms in the background, spectators surrounding all sides, from 'Il mondo f...
Editorial Polish hussar in profile facing right with wings attached to his back, a circular composition, from 'Figures on Horseback' (Cavaliers n?gres, polonais et hongrois).
Editorial Two views of a grotto, both views with a fountain with a seated statue, seen from the left and right sides, from 'Views of the villa at Pratolino' (Vues de la villa de Pratolino).
Editorial Moorish horseman in profile facing right, in the background a pyramid at left, many figures and an elephant, from 'Figures on Horseback' (Cavaliers n?gres, polonais et hongrois).
Editorial A Moorish horseman facing the left, standing and seated Turks in the middle ground, and other horsemen in the background, from 'Figures on Horseback' (Cavaliers n?gres, polonais et hongrois).
Editorial Polish horseman with a bow and arrow, seen from behind with his horse facing right, a circular composition, from 'Figures on Horseback' (Cavaliers n?gres, polonais et hongrois).
Editorial Part of the Entrance of the Polish Legation (I and K).
Editorial Speculum Romanae Magnificentiae: The Farnese Hercules.
Editorial Il Mondo Festeggiante: Entrance of Cosimo III de' Medici.
Editorial Two Polish horsemen with their horses facing left, from 'Figures on Horseback' (Cavaliers n?gres, polonais et hongrois).
Editorial The Circumcision. Stefano Pozzi; Italian, 1699-1768. Date: 1755-1770. Dimensions: 69 7/8 x 46 1/8 in. (177.5 x 117.2 cm). Oil on canvas. Origin: Italy.
Editorial Plate Three from Drawings of Several Movements by Soldiers. Stefano della Bella; Italian, 1610-1664. Date: 1644. Dimensions: 60 x 126 mm (image/plate); 65 x 131 mm (sheet). Etching on ivory laid paper. Origin: Italy.
Editorial Plate Four from Collection of Various Vases. Stefano della Bella; Italian, 1610-1664. Date: 1630-1648. Dimensions: 83 x 204 mm (image/sheet, cut within platemark). Etching on ivory laid paper. Origin: Italy.
Editorial Plate Nine from Drawings of Several Movements by Soldiers. Stefano della Bella; Italian, 1610-1664. Date: 1644. Dimensions: 56 x 123 mm (image); 61 x 125 mm (plate); 67 x 132 mm (sheet). Etching on ivory laid paper. Origin: Italy.
Editorial Woman's Head. Stefano della Bella; Italian, 1610-1664. Date: 1629-1664. Dimensions: 84 x 81 mm. Pen and brown ink on ivory laid paper, discolored to buff. Origin: Italy.
Editorial Plate One from Various Embarkments. Stefano della Bella; Italian, 1610-1664. Date: 1630-1664. Dimensions: 75 x 162 mm (image/plate); 77 x 165 mm (sheet). Etching on ivory laid paper. Origin: Italy.
Editorial Two Riders Passing a Flock, plate five from The Six Large Views of Rome and the Campagna. Stefano della Bella; Italian, 1610-1664. Date: 1654. Dimensions: 289 x 260 mm (image); 290 x 263 mm (sheet). Etching on ivory laid paper. Origin: Italy.
Editorial Plate Two from Drawings of Several Movements by Soldiers. Stefano della Bella; Italian, 1610-1664. Date: 1644. Dimensions: 56 x 122 mm (image); 62 x 126 mm (plate); 66 x 130 mm (sheet). Etching on ivory laid paper. Origin: Italy.
Editorial Frontispiece to Various Embarkments. Stefano della Bella; Italian, 1610-1664. Date: 1630-1664. Dimensions: 72 x 177 mm (image); 79 x 180 mm (sheet, trimmed within platemark). Etching on ivory laid paper. Origin: Italy.
Editorial Plate Four from Drawings of Several Movements by Soldiers. Stefano della Bella; Italian, 1610-1664. Date: 1644. Dimensions: 59 x 122 mm (image); 62 x 126 mm (plate); 66 x 130 mm (sheet). Etching on ivory laid paper. Origin: Italy.
Editorial Plate Ten from Drawings of Several Movements by Soldiers. Stefano della Bella; Italian, 1610-1664. Date: 1644. Dimensions: 56 x 123 mm (image); 60 x 125 mm (plate); 68 x 129 mm (sheet). Etching on ivory laid paper. Origin: Italy.
Editorial Views of the Port of Livorno: Houses Overlooking a Port. Stefano della Bella; Italian, 1610-1664. Date: 1654-1655. Dimensions: 253 x 350 mm (plate); 290 x 389 mm (sheet). Etching on paper. Origin: Italy.
Editorial Stag Hunt in Fan Shape. Stefano della Bella; Italian, 1610-1664. Date: 1630-1664. Dimensions: 235 ? 450 mm. Fan-shaped etching in black on ivory laid paper. Origin: Italy.
Editorial Changement d'une gal?re de l'ordre de Saint Etienne. Stefano della Bella; Italian, 1610-1664. Date: 1654-1655. Dimensions: 244 x 350 mm (plate); 277 x 380 mm (sheet). Etching on paper. Origin: Italy.
Editorial Satyr Family Walking. Stefano della Bella; Italian, 1610-1664. Date: 1657. Dimensions: 221 x 222 mm (plate); 229 x 230 mm (sheet). Etching on cream laid paper. Origin: Italy.
Editorial Man on Horseback, Raising Right Arm. Attributed to Stefano della Bella; Italian, 1610-1664. Date: 1630-1664. Dimensions: 124 x 188 mm. Pen and brown ink, with graphite, on ivory laid paper, laid down on ivory laid paper. Origin: Italy.
Editorial Antiochus Yearning for Stratonice. Stefano Pozzi; Italian, 1699-1768. Date: 1735-1745. Dimensions: 38 9/16 x 53 9/16 in. (98.2 x 136 cm). Oil on canvas. Origin: Italy.
Editorial Passerelle du Pont-au-Change, Paris, apr?s l'Incendie de 1621 (Footbridge Temporarily Replacing the Pont-au-Change, Paris, after the Fire of 1621). Dated: 1860. Medium: etching on papier colle.
Editorial The Temple of Vespasian and the Roman Forum, from 'Six large views, four of Rome, and two of the Roman countryside' (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine).
Editorial Arch of Constantine and Colosseum with sheep grazing in foreground, from 'Six large views, four of Rome, and two of the Roman countryside' (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine).
Editorial A galley covered in sails to left, six cannons and four people to left in foreground, one man seated at far left smoking a pipe, a man assisting others disembarking from rowboats to right, other rowboats and ships in the background, from 'Views of the ...
Editorial A shepherd with two horses and a peasant woman on horseback with a child in her arms to left, a large tree in center, a shepherd with a herd of animals descending a hill to right, mountains in the background, from 'Six large views, four of Rome and two...
Editorial Polish horseman in profile facing right, a tower and other figures on horses in background, a circular composition, from 'Figures on Horseback' (Cavaliers n?gres, polonais et hongrois).
Editorial A man playing the violin in center, turned towards the left in profile, a seated woman to left playing with her dancing child, another woman standing and pointing behind a tree to left, seated women in a landscape to right in the background, from 'Vari...
Editorial Hungarian horseman riding towards the right, other horsemen in the background, a circular composition from 'Figures on Horseback' (Cavaliers n?gres, polonais et hongrois).
Editorial Eight vases, a clepsydra in center decorated with two skulls with laurel wreaths, plate 6 from 'Collection of Various Vases' (Raccolta di Vasi Diversi).
Editorial Departure of a galley at the Port of Livorno, from from 'Views of the port of Livorno' (Vues du port de Livourne).
Editorial Plate 1: soldiers waiting to board a ship, from 'Various Embarkations' (Divers embarquements).
Editorial The columns of the Temple of Antoninus to right, a part of the Campo Vaccino in center and at left, along with various animals and figures, the Palatine ruins in the background, from 'Six large views, four of Rome, and two of the Roman countryside' (Si...
Editorial Seven vases, the vase in the middle decorated with the face of Medusa, Plate 1 from 'Collection of Various Vases' (Raccolta di Vasi Diversi).
Editorial Speculum Romanae Magnificentiae: The Victory of Scipio.
Editorial The Medici vase, a large vase to right decorated with a representation of the sacrifice of Iphigenia, on a garden terrace, a teenage boy seated to left with a pen and paper with a drawing of the vase, cyprus trees and an obelisk to left in the backgrou...
Editorial The Tree House at Pratolino.
Editorial Francesco de Medici, Prince of Tuscany.
Editorial A Hungarian Cavalier.
Editorial Standing Roman Warrior Holding Staff. Possibly style of Raymond de Lafage (French, 1656-1690); or possibly Stefano della Bella (Italian, 1610-1664). Date: 1630-1664. Dimensions: 169 x 77 mm. Pen and brown ink with brush and gray wash on ivory laid pap...
Editorial Studies of Horses in a Landscape. Possibly after Stefano della Bella; Italian, 1610-1664. Date: 1637-1647. Dimensions: 59 x 118 mm. Pen and brown ink, with brush and brown wash, on gray laid paper, laid down on blue laid paper. Origin: Italy.
Editorial Standing Warrior with Shield. Attributed to Stefano della Bella; Italian, 1610-1664. Date: 1750. Dimensions: 181 x 193 mm. Pen and brown ink, with brush and brown wash, over traces of graphite, on ivory laid paper, laid down on ivory laid paper. Origin...