EditorialParadiso Details 2, Details of the fresco Beati in Paradiso in the Cathedral of Orvieto, signed: Luca Signorelli da Cortona dipinse; Carlo Cencione Orvietano delineo; Alessandro Mochetti Romano incise, Tav., XXXVI, Singorelli, Luca (dipinse); Cencioni,...
EditorialInferno, Fresco Dannati all'Inferno in the cathedral of Orvieto, signed: Luca Signorelli da Cortona dipinse; Carlo Cencioni Orvietano delineo; Gio, Batta, Leonetti Romano incise, Tav., XXXIII, Signorelli, Luca (dipinse); Cencioni, Carlo (delineo); Leon...
EditorialLuca Signorelli, Italian, 1441-1523, The Resurrected Christ Appearing to His Disciples, c. 1514, Tempera and oil on wood panel, Unframed: 7 5/16 ? 16 3/4 inches (18.6 ? 42.5 cm).
EditorialLuca Signorelli, Italian, 1441-1523, The Resurrected Christ Appearing to St. Magdalene, c. 1514, Tempera and oil on wood panel, Unframed: 7 3/8 ? 16 11/16 inches (18.7 ? 42.4 cm).
EditorialParadiso Details 1, Details of the fresco Beati in Paradiso in the Cathedral of Orvieto, signed: Luca Signorelli da Cortona dipinse; Carlo Cencioni Orvietano delineo; Alessandro Mochetti Romano incise, Tav., XXXV, Singorelli, Luca (dipinse); Cencioni, ...
EditorialParadiso, Fresco Beati in Paradiso in the Cathedral of Orvieto, signed: Luca Signorelli da Cortona dipinse; Carlo Cencioni Orvietano delineo; Francesco Morelli Romano incise, Tav., XXXIV, Signorelli, Luca (dipinse); Cencioni, Carlo (del.); Morelli, Fra...
EditorialResurrection, Fresco Resurrezione della Carne by Luca Signorelli in the Cathedral of Orvieto, signed: Luca Signorelli da Cortona dipinse; Carlo Cencioni Orvietano delineo; Gio, Batta Leonetti Romano incise, Tav., XXXI, Signorelli, Luca (dipinse); Cenci...
EditorialAntichrist, Fresco Predica e morte dell'Anticristo by Luca Signorelli in the Cathedral of Orvieto, signed: Luca Signorelli da Cortona dipinse; Carlo Cencioni Orvietano delineo; Luigi Cunego Romano incise, Tav., XXIX, Signorelli, Luca (dipinse); Cencion...
EditorialLodovico Ferretti, Italian, after Luca Signorelli, Italian, 1441-1523, Moses Reading the Law to the Israelites, 19th century, etching printed in black ink on wove paper, Image: 13 1/2 ? 22 1/8 inches (34.3 ? 56.2 cm).
EditorialDante?s Purgatory, c. 1857, Jules-?lie Delaunay (French, 1828-1891), after Luca Signorelli (Italian, c. 1450-1523), France, Pen and brown ink on tan wove paper, 190 ? 167 mm.
EditorialTwo nude youths carrying a young woman and a young man. Date/Period: Between 1490 and 1495. Drawing. Black and red chalk, brown and grey ink on yellow to brown prepared paper, heightened with white. Height: 35 cm (13.7 in); Width: 28 cm (11 in).
EditorialTwo sketches of the damned. Draughtsman: Federico Zuccaro. After Luca Signorelli. Dating: 1550 - 1609. Measurements: h 133 mm ? w 101 mm ? h 142 mm ? w 104 mm.
EditorialThe Sacrifice of Isaac. Dated: c. 1500. Dimensions: overall: 24 x 18 cm (9 7/16 x 7 1/16 in.). Medium: red chalk with white heightening on laid paper.
EditorialIn 1497 Signorelli began painting the Vita of Saint Benedict da Nurcia as told by Saint Gegory. The work, 36 scenes in all, was completed 1505-1508 by Sodoma. After their deaths, during mass, Benedict absolves two excommunicated nuns.
EditorialVirgin and Child, originally one side of a processional banner of the Confraternity of the Racommandati di Santa Maria del Mercato in Fabriano (the Marches). Tempera on panel, 84 x 60 cm For reverse side see 40-08-12 / 47.
EditorialIn 1497 Signorelli began painting the Vita of Saint Benedict da Nurcia as told by Saint Gegory. The work, 36 scenes in all, was completed 1505-1508 by Sodoma.
EditorialMadonna and Child with Saints and Angels. Dated: mid or late 1510s. Dimensions: overall: 155.7 x 135.6 cm (61 5/16 x 53 3/8 in.) framed: 194.3 x 172.1 x 7.6 cm (76 1/2 x 67 3/4 x 3 in.). Medium: oil on panel transferred to hardboard.
EditorialThe Sacrifice of Isaac. Dated: c. 1500. Dimensions: overall: 24 x 18 cm (9 7/16 x 7 1/16 in.). Medium: red chalk with white heightening on laid paper.
EditorialBust of a Youth Looking Upward [recto]. Dated: c. 1500. Dimensions: overall: 22.5 x 17.7 cm (8 7/8 x 6 15/16 in.). Medium: black chalk partially indented with a stylus on tan laid paper.
EditorialThe Crucifixion. Dated: c. 1504/1505. Dimensions: overall: 72.5 x 101.3 cm (28 9/16 x 39 7/8 in.) framed: 94.9 x 123.7 x 8.9 cm (37 3/8 x 48 11/16 x 3 1/2 in.). Medium: tempera, oil, and gilding on panel.
EditorialHead of a Man in Profile, 1490s, Black chalk, pen and brown ink, heightened with white., 11 3/4 x 9 5/8 in. (29.9 x 24.4 cm), Drawings, Luca Signorelli (Luca d'Egidio di Luca di Ventura) (Italian, Cortona, active by 1470?died 1523 Cortona), This sheet ...
EditorialMadonna and Child, ca. 1505?7, Oil and gold on wood, 20 1/4 x 18 3/4 in. (51.4 x 47.6 cm), Paintings, Luca Signorelli (Luca d'Egidio di Luca di Ventura) (Italian, Cortona, active by 1470?died 1523 Cortona), The artist gave this painting to his daughter...
EditorialItalian military costume from the 15th century. He wears a steel helmet and cuirass ornamented with gold, violet scarf, green doublet, pink stockings, and holds a sword. From a painting in the Sistine Chapel from Lucas Signorelli. Handcoloured illustra...
EditorialIn 1497 Signorelli began painting the Vita of Saint Benedict da Nurcia as told by Saint Gegory. The work, 36 scenes in all, was completed 1505-1508 by Sodoma. Saint Benedict leaves his father's house to study in Rome (in the background the town of Nurc...
EditorialVirgin and Child, originally one side of a processional banner of the Confraternity of the Racommandati di Santa Maria del Mercato in Fabriano (the Marches). Tempera on panel, 84 x 60 cm For reverse side see 40-08-12 / 47.