EditorialSeated Pan, who holds a pipe in his left hand and rests his right hand behind his torso, from a series of four deities after Giovanni Antonio da Pordenone.
EditorialAcrobats Performing Before a Ruler (recto), Outdoor Scene with Group of Figures (verso), c. 1510, Attributed to Giovanni Antonio de?Sacchis, called Il Pordenone, Italian, c. 1483-1539, Italy, Pen and brown ink, with red chalk (recto), and pen and brown...
EditorialJudith with the head of Holofernes in her left hand and a sword in her right hand, accompanied by a female attendant, from a series of four Old Testament subjects.
EditorialSeated Pan, who holds a pipe in his left hand and rests his right hand behind his torso, from a series of four deities after Giovanni Antonio da Pordenone.
EditorialJudith with the head of Holofernes in her left hand and a sword in her right hand, accompanied by a female attendant, from a series of four Old Testament subjects.
EditorialEntombment of Christ, two men lifting Christ into a tomb, with a shroud underneath the body, three crosses on Golgotha beyond, from a series of five engravings after the destroyed or detached frescoes of 1532/33 by Giovanni Antonio da Pordenone in the ...
EditorialIl Pordenone, Giovanni Antonio de Sacchis, called (ca.1484-1539). Italian painter. Dispute on the Immaculate Conception, ca.1528. Farnese Collection. National Museum of Capodimonte. Naples. Italy.
EditorialConversion of St. Paul. Date/Period: 1530. Pen and brown ink, brown wash, heightened with white gouache, over traces of black chalk, on blue paper faded to green gray. Width: 410 mm. Height: 272 mm.
EditorialSeated Pan, who holds a pipe in his left hand and rests his right hand behind his torso, from a series of four deities after Giovanni Antonio da Pordenone.
EditorialJudith with the head of Holofernes in her left hand and a sword in her right hand, accompanied by a female attendant, from a series of four Old Testament subjects.
EditorialEntombment of Christ, two men lifting Christ into a tomb, with a shroud underneath the body, three crosses on Golgotha beyond, from a series of five engravings after the destroyed or detached frescoes of 1532/33 by Giovanni Antonio da Pordenone in the ...
EditorialMars, seated on a wall and bearing a flame with his outstretched right arm, at his feet are resting a breastplate, shield, sword, and bow, from a series of four deities after Giovanni Antonio da Pordenone, Etching, sheet: 5 13/16 x 8 1/4 in. (14.7 x 20...
EditorialIl Pordenone, Giovanni Antonio de Sacchis, called (ca.1484-1539). Italian painter. Dispute on the Immaculate Conception, ca.1528. Farnese Collection. National Museum of Capodimonte. Naples. Italy.