EditorialWeeping and captive caryatids: Remorse and Penance Caryatid: Repentance, 'Printed woman', Representing repentance, with hands to face. The rug falls back on the right hip, penitence, repentance, 'Penitenza', 'Pentimento', 'Pentimento de'peccati', 'Purg...
EditorialWeeping and captive caryatids: Remorse and Penance Caryatid: Fine, 'Captive woman', representing the Fine, with hands on the back. The garment, clamped between the knees, slides off the hip, penitence, repentance, 'Penitenza', 'Pentimento', 'Pentimento...
EditorialDish with the Calumny of Apelles and the arms of the Ridolfi family Dish with an allegory of the Slander and the arms of the Florentine family Ridolfi, Round dish of multi-colored painted majolica, painted with an allegory of the Slander to Apelles. A ...
EditorialWeeping and captive caryatids: Remorse and Penance Caryatid: Repentance, 'Printed woman', Representing repentance, hands crossed in front of the face. The double-folded rug is rolled up at the top and sinks from the hip, caryatids, architecture, penite...
EditorialSaint Peter Martyr Healing the Leg of a Young Man, 1450s, Tempera and gold on wood, 20 7/8 x 13 1/8 in. (53 x 33.3 cm), Paintings, Antonio Vivarini (Italian, Venice, active by 1441?died 1476/84), This painting belongs to a series of eight scenes that w...
EditorialWeeping and captive caryatids: Remorse and Penance Caryatid: Fine, 'Captive woman', representing the Fine, with hands on the back. The double-folded rug is tied together for the lap, caryatids, architecture, Artus Quellinus (I), Amsterdam, c. 1650, ter...
EditorialMadame Marie Jacqueline Levesque as Milady Adermale in Remorse, Le Remords, Ambigu Comique, 1824. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Pa...
EditorialBetrayal of Christ. De Brailes Hours. England [Oxford]; circa 1240. [Whole folio] The opening of Matins of the Virgin. Initial 'D' with four medallions: the Betrayal of Christ; the Scourging of Christ, with Peter's first denial; the Mocking of Christ, ...
EditorialOutside the palace, Bāli lies dying. Tārā and their son A?gada have emerged from the palace to bewail him, while Hanumān and the other monkeys comfort them. Bāli revives from his faint to tell Sugrīva that he leaves his kingdom to him and that ...
EditorialFrontispiece for the Faithless Sea Captain, a tale of the wickness of a sailor and his eventual remorse. Ship illustration. The Faithless Sea-Captain; or the Betrayed Virgin’s Garland, in three parts. Newcastle, 1785. Source: 11621.a.6 (17) title page.
EditorialThe Statue of Opportunity, a Passer-by, and Remorse [fol. 8r]. Dated: c. 1512/1515. Dimensions: overall: 16.3 x 10.7 cm (6 7/16 x 4 3/16 in.). Medium: pen and brown ink with watercolor on laid paper.
EditorialThe Statue of Opportunity, a Passer-by, and Remorse [fol. 8r]. Dated: c. 1512/1515. Dimensions: overall: 16.3 x 10.7 cm (6 7/16 x 4 3/16 in.). Medium: pen and brown ink with watercolor on laid paper.
EditorialSaint Peter Martyr Healing the Leg of a Young Man, 1450s, Tempera and gold on wood, 20 7/8 x 13 1/8 in. (53 x 33.3 cm), Paintings, Antonio Vivarini (Italian, Venice, active by 1441?died 1476/84), This painting belongs to a series of eight scenes that w...
EditorialMadame Marie Jacqueline Levesque as Milady Adermale in Remorse, Le Remords, Ambigu Comique, 1824. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Pa...