EditorialFive professions, Five glasses with images of professions in a wooden setting. The depicted profession is always mentioned on the glass. Far left: 'ticking', a draftsman seated behind a table by the window. To the right of it: 'smit', forging an elonga...
EditorialLong Thomas and Mad-le G-d Going to the Pantheon in Their Natural Masks, May 1, 1773, Hand-colored etching, plate: 11 3/4 x 14 3/4 in. (29.8 x 37.4 cm), Prints, William Austin (British, London 1721/33?1820 Brighton), In 1773 drawing-master William Aust...
EditorialPickwick Papers, "Who are you, you rascal?" said the captain, administering several pokes to Mr. Pickwick's body with the thick stick. "What's your name?".
EditorialWooden models showing bakers at work, 12th dynasty, around 1900 BCE. The faces of the men are carefully painted with intent expressions. Muscles on the rear figure show the effort of kneading; the foremost figure shields his face against the heat when ...
EditorialThe Art Connoisseurs, 1823?28, Lithograph with hand-coloring, Sheet: 12 3/8 x 10 1/16 in. (31.4 x 25.5 cm), Prints, Louis L?opold Boilly (French, La Bass?e 1761?1845 Paris), With great intensity, brows furrowed and mouths open, a tightly knit cluster o...
EditorialLong Thomas and Mad-le G-d Going to the Pantheon in Their Natural Masks, May 1, 1773, Hand-colored etching, plate: 11 3/4 x 14 3/4 in. (29.8 x 37.4 cm), Prints, William Austin (British, London 1721/33?1820 Brighton), In 1773 drawing-master William Aust...
EditorialPickwick Papers, "Who are you, you rascal?" said the captain, administering several pokes to Mr. Pickwick's body with the thick stick. "What's your name?".
EditorialWooden models showing bakers at work, 12th dynasty, around 1900 BCE. The faces of the men are carefully painted with intent expressions. Muscles on the rear figure show the effort of kneading; the foremost figure shields his face against the heat when ...