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Editorial The Manor Lady or the Omen (La chatelaine ou le tocsin). Dated: 1895. Medium: lithograph in turquoise and light blue [poster].
Editorial Portrait of Francesco Barbarigo and the personifications Prosperity and Good Stern Numismata virorum illustrium ex Barbadica gente (series title), Pedestal in the form of a cartouche. On top a medallion with the portrait of Francesco Barbarigo on the f...
Editorial Study for the Omen of the Future Greatness of Augustus: Left Portion. after Giulio Pippi, called Giulio Romano; Italian, c. 1499-1546. Date: 1519-1546. Dimensions: 372 x 295 mm. Pen and brown ink with brush and brown wash, on ivory laid paper, laid dow...
Editorial The Manor Lady or the Omen (La chatelaine ou le tocsin). Dated: 1895. Medium: lithograph in turquoise and light blue [poster].
Editorial ????, Mount Fuji of the Mists (Vol. 1); Mount Fuji of the Ascending Dragon (Vol. 2), Edo period (1615?1868), 1834?35, Japan, Woodblock print (first and second volumes with 100 pages of illustrations); ink and color on paper, 9 x 6 1/4 in. (22.9 x 15.9 ...
Editorial Study for the Omen of the Future Greatness of Augustus: Left Portion. after Giulio Pippi, called Giulio Romano; Italian, c. 1499-1546. Date: 1519-1546. Dimensions: 372 x 295 mm. Pen and brown ink with brush and brown wash, on ivory laid paper, laid dow...
Editorial The Manor Lady or the Omen (La chatelaine ou le tocsin). Dated: 1895. Medium: lithograph in turquoise and light blue [poster].
Editorial Rāva?a sends out Vajrada???ra, a boar-headed demon, whose chariot-horses stumble and whose battle standard of a crescent moon is laid low as he leaves the city. Consternation is expressed by Vajrada???ra as blood falls from the sky in an...
Editorial The Manor Lady or the Omen (La chatelaine ou le tocsin). Dated: 1895. Medium: lithograph in turquoise and light blue [poster].
Editorial Rāva?a, hearing of the heroes' recovery, sends out Dhūmrāk?a with other rāk?asas to kill them. Depicted with a boar’s head, Dhūmrāk?a has a chariot drawn by mules and tigers, with a lion standard. A vulture of ill-omen perches on top of...
Editorial I Accept the Happy Omen, from Monument du Costume Physique et Moral de la fin du Dix-huiti?me si?cle. Philippe Triere (French, 1756-c. 1815); after Jean Michel Moreau (French, 1741-1814); published by Laurent-Fran?ois Prault (French 1712-1780). Date: 1...
Editorial Study for the Omen of the Future Greatness of Augustus: Left Portion. after Giulio Pippi, called Giulio Romano; Italian, c. 1499-1546. Date: 1519-1546. Dimensions: 372 x 295 mm. Pen and brown ink with brush and brown wash, on ivory laid paper, laid dow...
Editorial Happy Omen-that You Want, You will Get: Five Happiness Come to You at Home.
Editorial Fairy Magu is a Happy Omen.
Editorial I Accept the Happy Omen, from Monument du Costume Physique et Moral de la fin du Dix-huiti?me si?cle. Philippe Triere (French, 1756-c. 1815); after Jean Michel Moreau (French, 1741-1814); published by Laurent-Fran?ois Prault (French 1712-1780). Date: 1...
Editorial Study for the Omen of the Future Greatness of Augustus: Left Portion. after Giulio Pippi, called Giulio Romano; Italian, c. 1499-1546. Date: 1519-1546. Dimensions: 372 x 295 mm. Pen and brown ink with brush and brown wash, on ivory laid paper, laid dow...
Editorial The raven of ill-omen. Chromolithograph after an illustration by Stephen Reid from Eleanor Hull's Cuchulain The Hound of Ulster, Harrap, London, 1909.
Editorial Book I. Aeneas welcomed at Carthage by Dido. In the background is Troy, in ruins, and the Trojan fleet. On the near left, Aeneas and companions have landed in Africa and see the good omen of the flying swans. The manuscript was probably produced for Lu...
Editorial The Sacred Hawk of the Land of the Gods appears as a good omen . Shinkoku reiyō kichō no tōfū. January 1895. Source: 16126.d.2 (42). Language: Japanese.
Editorial Rāva?a sends out Vajrada???ra, a boar-headed demon, whose chariot-horses stumble and whose battle standard of a crescent moon is laid low as he leaves the city. Consternation is expressed by Vajrada???ra as blood falls from the sky in an...
Editorial A cockerel perching on Humayun’s shoulder in the ewer room is seen as an omen of victory before Humayun left for Badakhshan (1548). By Narsingh. Akbarnama, vol. 1, by Abu'1-Fazl ibn Mubarak, from the beginnings of the dynasty up to 1555. 1603 - 1604....
Editorial Shah Isma'il and 'Ala' al-Dawla (Dhu'l-qadr) watching their dogs fighting each other and regarding the fight as an omen of the outcome of their own forthcoming battle. History of Shah Isma'il. Isfahan, Iran, c.1650. Source: Or. 3248, f.137. Language: P...
Editorial Rāva?a, hearing of the heroes' recovery, sends out Dhūmrāk?a with other rāk?asas to kill them. Depicted with a boar’s head, Dhūmrāk?a has a chariot drawn by mules and tigers, with a lion standard. A vulture of ill-omen perches on top of...
Editorial Khusrau and Shirin listening to stories told by Shirin’s maidens. (Inscription: over steps ‘O thou who art seated on the throne, O thou who art the one who controls the throne of Jamshid, may all the world be thine’. Over throne ‘The pupil of m...
Editorial Good Omen. Date/Period: 1931. Japanese Painting. Color on silk / pair of two-panel screens. Height: 2,137 mm (84.13 in); Width: 2,248 mm (88.50 in).
Editorial The Manor Lady or the Omen (La chatelaine ou le tocsin). Dated: 1895. Medium: lithograph in turquoise and light blue [poster].
Editorial Ceres Changing Ascalaphus into a Bird of Evil Omen. Dimensions: Overall (approximate): 15 x 28.2 cm (5 7/8 x 11 1/8 in.) support: 20.7 x 33.6 cm (8 1/8 x 13 1/4 in.). Medium: pen and brown ink with brown wash heightened with white on blue laid paper.
Editorial Vitellius tazza.
Editorial Cuneiform tablet: fragment of a liver omen, ca. late 1st millennium B.C., Mesopotamia, Clay, 1 x 7/8 x 3/8 in. (2.6 x 2.1 x 0.8 cm), Clay-Tablets-Inscribed.
Editorial ????, Mount Fuji of the Mists (Vol. 1); Mount Fuji of the Ascending Dragon (Vol. 2), Edo period (1615?1868), 1834?35, Japan, Woodblock print (first and second volumes with 100 pages of illustrations); ink and color on paper, 9 x 6 1/4 in. (22.9 x 15.9 ...
Editorial The raven of ill-omen. Chromolithograph after an illustration by Stephen Reid from Eleanor Hull's Cuchulain The Hound of Ulster, Harrap, London, 1909.
Editorial Good Omen.
Editorial Druidic Awenydd (Bardic disciple) and novice, from the pre-Roman era. In the background are British straw-roofed wooden cabins. The disciple carries a cup and a dove, bird of good omen. Handcoloured aquatint by R. Havell from an illustration by Charles...
Editorial An Arch Druid in his Judicial Habit, pre-Roman era. He wears a white robe, a girdle with crystal of augury, a breast plate of judgment (jodhain morain) and tiara, and holds a peithynin (omen sticks) on an altar. Handcoloured aquatint by R. Havell from ...
Editorial Clay model of a sheep's liver (used by experts in divination). Old Babylonian, about 1900-1600 BCE Probably from Sippar, southern Iraq. Length: 14.6 cm Width: 14.6 cm ANE 92668 The Babylonians believed that the world was controlled by gods and that the...