EditorialTravel from Paris to London to Calais and Boulogne, Map: Viaggio da Parigi a Londra by Calais e per Boulogne, pl. 8, to p. 378, 1838, Giacinto Amati, Peregrinazione al Gran San Bernardo, Losanna, Friburgo, Ginevra. Con una corsa Lione, Parigi e Londra....
EditorialStradale del Sempione, Map Simplon area: Valais and Lake Maggiore; Plate 10, after p. 438, 1838, Giacinto Amati, Peregrinazione al Gran San Bernardo, Losanna, Friburgo, Ginevra. Con una corsa Lione, Parigi e Londra. Milano: Paolo Ripamonti Carpano, 1838.
EditorialTravel from Geneva to Paris to Lyon and Autun and to Dijon and Troyes, Map: Viaggio da Ginevra a Parigi by Lione e Autun e via Digione e Troyes, pl. 7, to p. 314, 1838, Giacinto Amati, Peregrinazione al Gran San Bernardo, Losanna, Friburgo, Ginevra. Co...
EditorialInterior view of the church of G. S. Bernardo, Interior view of the church on the Great St. Bernard, pl. 3, to p. 84, Citterio, F. (inc.), 1838, Giacinto Amati, Peregrinazione al Gran San Bernardo, Losanna, Friburgo, Ginevra. Con una corsa Lione, Parig...
EditorialGeneral overview of the city and the iron wire ponta of Freiburg, View of Friborg with bridge, plate 5, to p. 184, Citterio, F. (inc.), 1838, Giacinto Amati, Peregrinazione al Gran San Bernardo, Losanna, Friburgo, Ginevra. Con una corsa Lione, Parigi e...
EditorialTriumphal arch and remains of the Roman amphitheater in the city of Aosta, Roman triumphal arch Ruin of the amphitheater in Aosta, frontispiece, Citterio, F. (inc.), 1838, Giacinto Amati, Peregrinazione al Gran San Bernardo, Losanna, Friburgo, Ginevra....
EditorialPilgrimage to the Great Saint Bernard, Lausanne, Friborg, Geneva, Title Page;, Amati, Giacinto, 1838, Giacinto Amati, Peregrinazione al Gran San Bernardo, Losanna, Friburgo, Ginevra. Con una corsa Lione, Parigi e Londra. Milano: Paolo Ripamonti Carpano...
EditorialView of G. S. Bernardo and passage of the French army led by the First Consolo Bonaparte, French Army move under Napoleon Bonaparte over the Great St. Bernard, pl. 2, to p. 80, Citterio, F. (inc.), 1838, Giacinto Amati, Peregrinazione al Gran San Berna...
EditorialView of the G. S. Bernardo hospice, and passage of the German army under the orders of the general austr. Frimont, German army train under the command of General Frimont in front of the hospice at the Great St. Berhard, plate 1, to p. 72, Citterio, F. ...
EditorialHenry VII Chapel - St. Paul's Cathedral - Abbadia of Westminster - Tunnel under the Thames, London: Chapel of Henry VII, St. Paul's Cathedral, Westminster Abbey, tunnel under the Thames, pl. 9, to p. 412, Citterio, F. (inc.), 1838, Giacinto Amati, Pere...
EditorialThe Maroniere and the Turkish dog of G. S. Bernardo to the discovery, St. Bernard avalanche dogs and soldiers in the snow, Grosser Sankt Bernhard, plate 4, after p. 88, Citterio, F. (inc.), 1838, Giacinto Amati, Peregrinazione al Gran San Bernardo, Los...
EditorialFacade of the Freiburg cathedral, Main portal of the cathedral in Friborg, plate 6, after p. 188, Citterio, F. (inc.), 1838, Giacinto Amati, Peregrinazione al Gran San Bernardo, Losanna, Friburgo, Ginevra. Con una corsa Lione, Parigi e Londra. Milano: ...
EditorialStudy of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67.
EditorialThe interior of Milan Cathedral, with a mother and a child taking holy water from a font and a man and a woman kneeling at the sight of the Holy Wafer carried by a priest under a canopy in procession through the main nave in the foreground; worshippers...
EditorialStudy of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67.
EditorialBeggars, street-sellers, priests, soldiers, an officer on horseback, a shoe-shiner and a crowd of spectators gathered around a puppet show, passers-by and a town crier in Milan's porticoed Piazza del Duomo in the foreground. Shops under the arches on b...
EditorialAny work for John Cooper. The Cryes of the City of London Drawne after the L. P. Tempest: [London, 1688?]. A cooper carrying his tools. Image taken from The Cryes of the City of London Drawne after the Life. Les cris de la ville de Londres L:arti co:m...
EditorialRemember the poor prisoners. The Cryes of the City of London Drawne after the L. P. Tempest: [London, 1688?]. A man collecting for ex-prisoners. Image taken from The Cryes of the City of London Drawne after the Life. Les cris de la ville de Londres L:...
EditorialChimney sweep. The Cryes of the City of London Drawne after the L. P. Tempest: [London, 1688?]. Two chimney sweeps. Image taken from The Cryes of the City of London Drawne after the Life. Les cris de la ville de Londres L:arti co:muni che uanno : Lond...
EditorialMountabanck. The Cryes of the City of London Drawne after the L. P. Tempest: [London, 1688?]. A mountebank (charlatan). A person who sold quack medicine in public places. A pet monkey holds a rope attached to his waist. Image taken from The Cryes of t...
EditorialThe interior of Milan Cathedral, with a mother and a child taking holy water from a font and a man and a woman kneeling at the sight of the Holy Wafer carried by a priest under a canopy in procession through the main nave in the foreground; worshippers...
EditorialThe famous Dutch woman. The Cryes of the City of London Drawne after the L. P. Tempest: [London, 1688?]. Famosa Donna Thedesca, the trapeze artist. Image taken from The Cryes of the City of London Drawne after the Life. Les cris de la ville de Londres...
EditorialKnives or cifers to grinde. The Cryes of the City of London Drawne after the L. P. Tempest: [London, 1688?]. A man sharpening knives on a wheel. Image taken from The Cryes of the City of London Drawne after the Life. Les cris de la ville de Londres L:...
EditorialStudy of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67.
EditorialLondra Benedeta Number III, 'Doctor Haselden, I Presume?', ca. 1930, Ink and graphite on paper, H. 12, W. 8 inches, Drawings, Walter Richard Sickert (British, Munich 1860?1942 Bathampton, Somerset).