EditorialMadame Paul Escudier (Louise Lefevre). John Singer Sargent; American, 1856-1925. Date: 1882. Dimensions: 129.5 ? 91.4 cm (51 ? 36 in.). Oil on canvas. Origin: United States.
EditorialPoster for l' ?lectricine, Lucien Lefevre 1850 France, exhibited in the Salon des Independents in Paris in 1872 and 1873. A pupil of Jules Cheret. His posters are included in Les Ma?tres de l?Affiche, The Masters of the Poster.
EditorialMadame Paul Escudier (Louise Lefevre). John Singer Sargent; American, 1856-1925. Date: 1882. Dimensions: 129.5 ? 91.4 cm (51 ? 36 in.). Oil on canvas. Origin: United States.
EditorialValentin Lefevre (Copy Tintoretto, Jacopo Robusti) / 'Saint Roch Curing the Animals'. Second half of the XVII century. Pencil, Pencil ground, Grey-brown ink on paper.
EditorialValentin Lefevre (Copy after Titian (Tiziano Vecellio)) / 'The Virgin and Child in a Landscape, with St. John the Baptist and St. Paul'. Second half of the XVII century. Wash, Pencil, Pencil ground, Grey-brown ink on yellow paper.
EditorialValentin Lefevre (Drafstman) / 'The Assumption of the Virgin'. XVII century. Grey-brown wash, Pencil, Pencil ground, Grey-brown ink on white paper.
EditorialValentin Lefevre (Copy Tintoretto, Jacopo Robusti) / 'Saint Roch Curing the Animals'. Second half of the XVII century. Pencil, Pencil ground, Grey-brown ink on paper.
EditorialValentin Lefevre (Copy after Titian (Tiziano Vecellio)) / 'The Virgin and Child in a Landscape, with St. John the Baptist and St. Paul'. Second half of the XVII century. Wash, Pencil, Pencil ground, Grey-brown ink on yellow paper.
EditorialValentin Lefevre (Drafstman) / 'The Assumption of the Virgin'. XVII century. Grey-brown wash, Pencil, Pencil ground, Grey-brown ink on white paper.
EditorialMadame Paul Escudier (Louise Lefevre). John Singer Sargent; American, 1856-1925. Date: 1882. Dimensions: 129.5 ? 91.4 cm (51 ? 36 in.). Oil on canvas. Origin: United States.
EditorialThe Leander. Photographic Views of Sebastopol taken immediately after the retreat of the Russians, etc. J. Hogarth: London, 1856. Source: 1853.e.6.
EditorialThe Leander. Photographic Views of Sebastopol taken immediately after the retreat of the Russians, etc. J. Hogarth: London, 1856. Source: 1853.e.6.
EditorialNous n'avons pas le patience d'attendre que nous fussions seuls. Dated: published 1797. Medium: pen and black ink and brush and black ink with gray wash.
EditorialNous n'avons pas le patience d'attendre que nous fussions seuls. Dated: published 1797. Medium: pen and black ink and brush and black ink with gray wash.
EditorialPoster for l' ?lectricine, Lucien Lefevre 1850 France, exhibited in the Salon des Independents in Paris in 1872 and 1873. A pupil of Jules Cheret. His posters are included in Les Ma?tres de l?Affiche, The Masters of the Poster.
EditorialPoster for Cirage Jacquot et Cie. Lucien Lefevre 1850 Varennes, France, exhibited in the Salon des Independents in Paris in 1872 and 1873. A pupil of Jules Cheret. His posters are included in Les Ma?tres de l?Poster, The Masters of the Poster.
EditorialPoster for l' Absinthe Mugnier. Lucien Lefevre 1850 France, exhibited in the Salon des Independents in Paris in 1872 and 1873. A pupil of Jules Cheret. His posters are included in Les Ma?tres de l?Poster, The Masters of the Poster.
EditorialTHE PROPOSED PURCHASE OF PARLIAMENT HILL, HAMPSTEAD, AND THE ADJACENT FIELDS BY THE METROPOLITAN BOARD OF WORKS: INTERIOR OF THE MARQUEE, MR. SHAW-LEFEVRE SPEAKING. PARLIAMENT HILL AND THE GROUND WHICH IT IS PROPOSED TO PURCHASE (TOP RIGHT IMAGE).
EditorialCharles Lefevre rose, crimson hybrid variety raised by Monsieur Lacharme of Lyon in 1861. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's "Les Roses," Paris, J. Rothschild, 1873. Jamain was a ...