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Editorial SALA GOYA - FOTO A?OS 60.
Editorial FACHADA DE GOYA - SIGLO XVIII - FOTOGRAFIA EN BLANCO Y NEGRO - A?OS 50.
Editorial They Spin Finely, plate 44 from Los Caprichos. Francisco Jos? de Goya y Lucientes; Spanish, 1746-1828. Date: 1797-1799. Dimensions: 189 x 129 mm (image); 215 x 152 mm (plate); 301 x 207 mm (sheet). Etching and aquatint on ivory laid paper. Origin: Spain.
Editorial Spanish Scene (Sc?ne espagnole). Dated: 1863. Dimensions: plate: 25.4 x 16.9 cm (10 x 6 5/8 in.) sheet: 36.8 x 26.7 cm (14 1/2 x 10 1/2 in.). Medium: etching and drypoint on cream laid paper [proof].
Editorial No se puede saber por que (One Can't Tell Why). Dated: 1810/1820. Medium: etching, burnished lavis, drypoint and burin.
Editorial Don Bernardo de Iriarte (1735-1814).
Editorial Don Quichotte.
Editorial Ignacio Garcini y Queralt (1752-1825), Brigadier of Engineers.
Editorial Majas on a Balcony.
Editorial Narcisa Bara?ana de Goicoechea.
Editorial Sebasti?n Mart?nez y P?rez (1747-1800). Goya (Francisco de Goya y Lucientes).
Editorial Condesa de Altamira and Her Daughter, Mar?a Agustina.
Editorial The Entombment of Christ.
Editorial Portrait of a Man.
Editorial Francisco de Goya y Lucientes (1746-1828). Spanish painter. The Witches Sabbath or The Witches, 1797-1798. Lazaro Galdiano Museum. Madrid. Spain.
Editorial Francisco de Goya y Lucientes / 'Even thus he cannot make her out'. 1797 - 1799. Etching, Aquatint, Drypoint on ivory laid paper.
Editorial Mademoiselle V... in the Costume of an Espada.
Editorial Mar?a Luisa of Parma (1751-1819), Queen of Spain.
Editorial The Crucifixion.
Editorial Face of Mystery (In my dream I saw in the Sky a FACE OF MYSTERY), plate 1 from Homage to Goya. Odilon Redon; French, 1840-1916. Date: 1885. Dimensions: 290 ? 239 mm (image/chine); 453 ? 313 mm (sheet). Lithograph in black on light gray China paper laid...
Editorial They Say 'Yes' and Give Their Hand to the First Comer, plate two from Los Caprichos. Francisco Jos? de Goya y Lucientes; Spanish, 1746-1828. Date: 1797-1799. Dimensions: 179.5 x 123 mm (image); 215 x 153 mm (plate); 300 x 200 mm (sheet). Etching and aq...
Editorial Hospital fire.
Editorial Cruel Folly. Date/Period: 1815 - 1819. Print. Height: 245 mm (9.64 in); Width: 357 mm (14.05 in).
Editorial Francisco de Goya y Lucientes / 'Capricho 61. Volaverunt'. 1799. Etching, Aquatint, Drypoint on paper. SILVA MARIA TERESA CAYETANA. ALBA DUQUESA DE XIII.
Editorial Francisco de Goya y Lucientes / 'Mummy?s Boy'. 1797 - 1799. Etching, Burnished aquatint on ivory laid paper.
Editorial Francisco de Goya y Lucientes / 'The Sleep of Reason Produces Monsters'. 1797 - 1799. Etching, Aquatint on ivory laid paper.
Editorial Francisco de Goya y Lucientes / 'What madness!'. 1814 - 1815. Wash, Etching, Burin on ivory paper.
Editorial Francisco de Goya y Lucientes / 'Esta no lo es menos'. 1814 - 1815. Etching, Aquatint, Burnisher, Burin, Drypoint on ivory paper.
Editorial Francisco de Goya y Lucientes / 'And His House Catches Fire'. 1797 - 1799. Etching, Burnished aquatint on ivory laid paper.
Editorial Francisco de Goya y Lucientes / 'They make use of them (Disasters of War, 16)'. 1810 - 1814. Wash, Etching, Burnisher, Burin, Drypoint on ivory paper.
Editorial Francisco de Goya y Lucientes / 'Look how solemn they are!'. 1797 - 1799. Etching, Aquatint, Drypoint on ivory laid paper.
Editorial Francisco de Goya y Lucientes / 'Bury Them and Keep Quiet'. 1810 - 1814. Burnished wash, Etching, Burin, Drypoint on ivory paper.
Editorial Francisco de Goya y Lucientes / 'What courage!'. 1810 - 1814. Etching, Aquatint, Burnisher, Burin, Drypoint on ivory paper.
Editorial Francisco de Goya y Lucientes / 'The filiation'. 1797 - 1799. Etching, Aquatint on ivory laid paper.
Editorial Francisco de Goya y Lucientes / 'The healthy and the sick'. 1812 - 1814. Etching, Aquatint, Burnisher, Burin on ivory paper.
Editorial Francisco de Goya y Lucientes / 'Even worse (Disasters of War, 22)'. 1810. Wash, Etching, Burin on ivory paper.
Editorial Francisco de Goya y Lucientes / 'They already have a seat'. 1797 - 1799. Etching, Burnished aquatint on ivory laid paper.
Editorial Quien mas rendido? (Which of Them Is the More Overcome?). Dated: published 1799. Medium: etching, aquatint, and drypoint. francisco de goya. Goya (Francisco de Goya y Lucientes). SILVA MARIA TERESA CAYETANA. ALBA DUQUESA DE XIII.
Editorial FRANCISCO DE GOYA: "The celebrated Picador, Fernando del Toro, Draws the Fierce Beast ?".
Editorial Los caprichos: Estan Calientes. Dated: published 1799. Dimensions: plate: 21.5 x 15.4 cm (8 7/16 x 6 1/16 in.) sheet: 30.5 x 21.2 cm (12 x 8 3/8 in.). Medium: etching and burnished aquatint on laid paper.
Editorial A caza de dientes (Out Hunting for Teeth). Dated: published 1799. Medium: etching, burnished aquatint, and burin.
Editorial Por que? (Why?). Dated: published 1863. Medium: etching, lavis, drypoint, burin, and burnisher.
Editorial Otro modo de cazar a pie (Another Way of Hunting on Foot). Dated: in or before 1816. Medium: etching, burnished aquatint, drypoint and burin [first edition impression].
Editorial Plate 20 from the 'Tauromaquia': The agility and audacity of Juanito Api?ani in [the ring] at Madrid. Goya (Francisco de Goya y Lucientes).
Editorial Plate 37 from 'The Disasters of War' (Los Desastres de La Guerra): 'This is worse. ' (Esto es peor. ).
Editorial Plate 3 of the 'Tauromaquia': The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open.
Editorial Plate 11 from the 'Tauromaquia': The Cid campeador spearing another bull.
Editorial Plate 8 from the 'Disparates': The men in sacks.
Editorial Plate 9 from the 'Disparates': General folly.
Editorial Plate 12 from the 'Disparates': If Marion will dance, then she has to take the consequences.
Editorial Woman Reading to two Children. Date/Period: 1819 - 1822. Print. Height: 145 mm (5.70 in); Width: 165 mm (6.49 in).
Editorial Francisco de Goya y Lucientes / 'The kidnapping horse'. 1815 - 1819. Etching, Aquatint, Burnisher, Drypoint, Retroussage on ivory paper.
Editorial Francisco de Goya y Lucientes / 'Bravo toro'. 1825. Crayon lithography, Scraper on wove paper.
Editorial Francisco de Goya y Lucientes / 'Big Booby'. 1815 - 1819. Etching, Aquatint, Burnisher, Drypoint, Retroussage on ivory paper.
Editorial Francisco de Goya y Lucientes / 'Loyalty'. 1815 - 1819. Etching, Aquatint, Burnisher, Retroussage on ivory paper.
Editorial Francisco de Goya y Lucientes / 'Plaza partida'. 1825. Crayon lithography, Scraper on wove paper.
Editorial Francisco de Goya y Lucientes / 'The kidnapping horse'. 1815 - 1819. Etching, Aquatint, Burnisher, Drypoint on wove paper.
Editorial Plate 21 from ' Los Caprichos': How they pluck her! (?Qual la desca?onan! ).
Editorial James Monroe.
Editorial Plate 2 from 'Los Caprichos': They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega).
Editorial Plate10 from 'The Disasters of War' (Los Desastres de la Guerra): 'Nor [do these] either. ' (Tampoco. ).
Editorial Plate 72 from 'The Disasters of War' (Los Desastres de la Guerra): 'The Consequences. ' (Las resultas. ).
Editorial Plate 19 of the 'Tauromaquia': Another madness of his in the same ring.
Editorial Plate 52 from 'The Disasters of War' (Los Desastres de la Guerra): 'They do not arrive in time. ' (No llegan ? tiempo. ).
Editorial Plate 20 from 'Los Caprichos': There they go plucked (i. e. fleeced) (Ya van desplumados. ).
Editorial Plate 73 from 'Los Caprichos': It is better to be lazy (Mejor es holgar. ).
Editorial Plate 47 from 'Los Caprichos': A gift for the master (Obsequio ? el maestro). Goya (Francisco de Goya y Lucientes). LUCIFER.
Editorial Plate 11 from "The Disasters of War' (Los Desastres de la Guerra): 'Neither do these. ' (Ni por esas. ).
Editorial Plate 51 from 'The Disasters of War' (Los Desastres de la Guerra): 'Thanks to the millet. ' (Gracias ? la almorta. ).
Editorial Plate 55 from 'Los Caprichos': Until death' (Hasta la muerte. ). Goya (Francisco de Goya y Lucientes). OSUNA DUQUESA DE.
Editorial Plate 46 from ' Los Caprichos': Correction (Correccion. ).
Editorial Plate 22 from the 'Tauromaquia': Manly courage of the celebrated Pajuelera in [the ring] at Saragossa. Goya (Francisco de Goya y Lucientes). ESCAMILLA NICOLASA.
Editorial Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan. ).
Editorial Plate 20 from 'The Disasters of War' (Los Desastres de la Guerra): 'Get them well, and on to the next. ' (Curarlos y ? otra. ).
Editorial Plate 25 from 'The Disasters of War' (Los Desastres de la Guerra): 'These too. ' (Tambien estos. ).
Editorial Plate 17 from 'Los Caprichos': It is nicely stretched (Bien tirada est?. ).
Editorial Pllate 60 from 'Los Caprichos': Trials (Ensayos. ).
Editorial Plate 19 from 'The Disasters of War' (Los Desastres de la Guerra): 'There isn't time now. ' (Ya no hay tiempo. ).
Editorial Plate 10 from 'Los Caprichos': Love and death (El amor y la muerte).
Editorial Plate 26 from the 'Tauromaquia': A picador is unhorsed and falls under the bull.
Editorial Plate 49 from 'Los Caprichos': Hobgoblins (Duendecitos. ).
Editorial Plate 67 from 'The Disasters of War' (Los Desastres de la Guerra): 'This is not less so. ' (Esta no lo es menos. ).
Editorial Plate 23 from the 'Tauromaquia': Mariano Ceballos, alias the Indian, kills the bull from his horse. Goya (Francisco de Goya y Lucientes).
Editorial Plate 80 from 'The Disasters of War' (Los Desastres de la Guerra): 'Will she rise again? ' (Si resucitar?? ).
Editorial Plate 17 from 'The Disasters of War' (Los Desastres de la Guerra): 'They do not agree. ' (No se convienen. ).
Editorial Plate 77 from 'Los Caprichos': What one does to another (Unos ? otros. ).
Editorial Plate 7 from 'Los Caprichos': Even thus he cannot make her out (Ni asi la distingue. ).
Editorial Plate 33 from 'Los Caprichos': To the Count Palatine (Al Conde Palatino. ).
Editorial Plate 23 from 'The Disasters of War' (Los Desastres de la Guerra): 'The Same Elsewhere. ' (Lo mismo en otras partes. ).
Editorial Plate 41 from 'Los Caprichos': Neither more nor less (Ni mas ni menos. ).
Editorial Plate 4 of the 'Tauromaquia': They play another with the cape in an enclosure.
Editorial Plate C: The dogs let loose on the bull.
Editorial Plate 13 from 'Los Caprichos': They are Hot (Estan Calientes).
Editorial exotic flower.
Editorial Plate 30 from 'The Disasters of War' (Los Desastres de la Guerra): 'Ravages of War. ' (Estragos de la guerra. ).
Editorial Plate 14 from the 'Disparates': Carnival Folly.
Editorial Plate 71 from 'Los Caprichos': When day breaks we will be off (Si amanece; nos Vamos. ).
Editorial Plate 29 of the 'Tauromaquia': Pepe Illo making the pass of the 'recorte'.
Editorial Plate 25 from the 'Tauromaquia': They loose dogs on the bull.
Editorial Plate 3 from 'The Disasters of War' (Los Desastres de la Guerra): 'The same. (Lo mismo'. ).