Editorial"Ma bonne amie, puis-je entrer!... as-tue fini de collaborer avec monsieur?... ", plate 29 from the series Les Bas Bleus, published in Le Charivari.
EditorialLe dernier jour de la r?ception des tableaux. Saperlotte . . . Nous voici d?j? arriv?s et mon tableau n'est pas fini!. Dated: February 20, 1846. Medium: lithograph.
EditorialC'est la, que j'ai fini le cure. Dated: c. 1914/1919. Dimensions: overall: 37.5 x 53 cm (14 3/4 x 20 7/8 in.). Medium: pen and brown ink with brown wash over black crayon on wove paper.
Editorial"Ma bonne amie, puis-je entrer!... as-tue fini de collaborer avec monsieur?... ", plate 29 from the series Les Bas Bleus, published in Le Charivari.
Editorial"Ma bonne amie, puis-je entrer!... as-tue fini de collaborer avec monsieur?... ", plate 29 from the series Les Bas Bleus, published in Le Charivari.
EditorialC'est la, que j'ai fini le cure. Dated: c. 1914/1919. Dimensions: overall: 37.5 x 53 cm (14 3/4 x 20 7/8 in.). Medium: pen and brown ink with brown wash over black crayon on wove paper.
EditorialNine men from Antiquity. Painter: Tommaso Fini Masolino di Cristoforo da Panicale (1383-1447?) (after). Draughtsman: anonymous. Draughtsman: Barth?l?my d'Eyck. Draughtsman: Meester van de Annunciatie van Aix (rejected attribution). Draughtsman: Leonar...
EditorialMassolino da Panicale, Tommaso di Cristoforo Fini, called (1383-1440). Italian painter. Foundation of the Church of Santa Maria Maggiore in Rome, 1423-1428. Tempera on gold on panel. Farnese Collection. National Museum of Capodimonte. Naples. Italy.
EditorialMap of Gelderland and Cleves. The Mercator atlas of Europe. 1570-1572. Gelriae, Cliviae, fini timorumque locorum, verissima descriptio. Image taken from The Mercator atlas of Europe. Originally published/produced in 1570-1572. . Source: Maps.C.29.c.1...
EditorialLe dernier jour de la r?ception des tableaux. Saperlotte . . . Nous voici d?j? arriv?s et mon tableau n'est pas fini!. Dated: February 20, 1846. Medium: lithograph.
EditorialC'est la, que j'ai fini le cure. Dated: c. 1914/1919. Dimensions: overall: 37.5 x 53 cm (14 3/4 x 20 7/8 in.). Medium: pen and brown ink with brown wash over black crayon on wove paper.
EditorialLe dernier jour de la r?ception des tableaux. Saperlotte . . . Nous voici d?j? arriv?s et mon tableau n'est pas fini!. Dated: February 20, 1846. Medium: lithograph.
EditorialC'est la, que j'ai fini le cure. Dated: c. 1914/1919. Dimensions: overall: 37.5 x 53 cm (14 3/4 x 20 7/8 in.). Medium: pen and brown ink with brown wash over black crayon on wove paper.
Editorial"Ma bonne amie, puis-je entrer!... as-tue fini de collaborer avec monsieur?... ", plate 29 from the series Les Bas Bleus, published in Le Charivari.
EditorialMassolino da Panicale, Tommaso di Cristoforo Fini, called (1383-1440). Italian painter. Foundation of the Church of Santa Maria Maggiore in Rome, 1423-1428. Tempera on gold on panel. Farnese Collection. National Museum of Capodimonte. Naples. Italy.
EditorialMassolino da Panicale, Tommaso di Cristoforo Fini, called (1383-1440). Italian painter. Miracle of the Snow: Assumption of the Virgin, 1423-1428, Farnese Collection. National Museum of Capodimonte. Naples. Italy.