EditorialPart two of the Via dolorosa. A. Arch of Pilate where Christ was shown by saying here is the man B. Capella out of the way as a sign that in this Way our Lord is meeting with his mother carrying the Cross, 2nd Station of Via Dolorosa in Jerusalem and E...
EditorialPlan and elevation of the Church of the Holy Cenacle 1, Cenacle and David's Grave in Jerusalem, Fig. 8, 13 u., 14, according to p. 18, Amico, Bernardino (inv.); Tempesta, Antonio (sc.), 1591, Bernardino Amico da Gallipoli: Trattato delle Piante & Immag...
EditorialTitelblatt zu 'Treaty of Plants, Column niche and coat of arms of the Medici, title page, 1620, Bernardino Amico da Gallipoli: Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa disegnate in Jerusalemme secondo le regole della Prospettiva...
EditorialMassacre of the Innocents, Amico Aspertini (Italian, 1474/1475 - 1552), Italy, about 1510 - 1520, Red and black chalk, with traces of brown ink, heightened with white heightening, 27.9 ? 42.7 cm (11 ? 16 13/16 in.).
EditorialDetail plan ... Upper and lower risers of the S. Crib ..., Floor plan and cross section of the Church of the Nativity in Bethlehem, Fig. 3, 3 u., 4, after p. 8, Amico, Bernardino (inv.); Tempesta, Antonio (sc.), 1591, Bernardino Amico da Gallipoli: Tra...
EditorialPlan and elevation of the Church made in the Casa d'Anna Pontifice ... Plan and elevation of the Church made in the House of Caiaphas Pontiff, House of High Priest Hannah in Jerusalem, House of Caiaphas in Jerusalem, Fig. 10, 16 u., 17, after p. 23, Am...
EditorialTrue discretion of the ancient City of Jerusalem, City of Jerusalem in ancient times after Bernardino Amico, Fig. 32, 45, after p. 56, Amico, Bernardino (inv.); Tempesta, Antonio (sc.), 1591, Bernardino Amico da Gallipoli: Trattato delle Piante & Immag...
EditorialDetail of the S. Sepolchro ..., Ground plan of the Holy Sepulcher and Angel Chapel in the Church of the Holy Sepulcher in Jerusalem, Fig. 21, 31, after p. 43, Amico, Bernardino (inv.); Tempesta, Antonio (sc.), 1591, Bernardino Amico da Gallipoli: Tratt...
EditorialRaise of the whole Body of the past Plant, Church of the Nativity in Bethlehem, Fig. 2, 2, according to p. 7, Amico, Bernardino (inv.); Tempesta, Antonio (sc.), 1591, Bernardino Amico da Gallipoli: Trattato delle Piante & Immagini de Sacri Edifizi di T...
EditorialPlan and elevation of the Church of the Holy Cenacle 2, Cenacle and David's Grave in Jerusalem, Fig. 9, 13 u., 14, after p. 21, Amico, Bernardino (inv.); Tempesta, Antonio (sc.), 1591, Bernardino Amico da Gallipoli: Trattato delle Piante & Immagini de ...
EditorialMap and elevation of the admirable ascent ... Temple of Solomon ..., Ascension chapel in Jerusalem with plan and final footprint of Christ, Dome of the Rock in Jerusalem with plan, Fig. 24, 34 u., 35, after p. 46, Amico, Bernardino (inv.); Tempesta, An...
EditorialThe real quote from Jerusalem as it is today, City of Jerusalem towards the end of the 16th century, Fig. 31, 44, after p. 55, Amico, Bernardino (inv.); Tempesta, Antonio (sc.), 1591, Bernardino Amico da Gallipoli: Trattato delle Piante & Immagini de S...
EditorialThe real plant of the SS. Sepolchro and Mount Calvary of Our Lord Giesu Christo, Floor plan of the Church of the Holy Sepulcher in Jerusalem, Fig. 15, according to p. 31, Amico, Bernardino (inv.); Tempesta, Antonio (sc.), 1591, Bernardino Amico da Gall...
EditorialNature's inexpressiveness of nature to a white marble they say that it is S. Girolamo, Elevation of the part of west of the S, Presepio, Elevata of the sepulchro of the beautiful Rachel, Statue of the Church Father Jerome near the Nativity in Bethlehem...
EditorialPalace of Pilate, where the first part of the Via dolorosa was born, that is the way of the cruce, Antonia Castle in Jerusalem, 1st Station of Via Dolorosa after Bernardino Amico, Fig. 11, 18, after p. 24, Amico, Bernardino (inv.); Tempesta, Antonio (s...
EditorialDifferent reliefs For more intelligence from the past plant ..., Holy Grave Aedicula in the Church of the Holy Sepulcher in Jerusalem, Fig. 22, 32, after p. 44, Amico, Bernardino (inv.); Tempesta, Antonio (sc.), 1591, Bernardino Amico da Gallipoli: Tra...
EditorialPlan and elevation of the Church where Giacomo and Gioanni were born, Pianta et Elevation of eight Palms Church of S. Iacoma ..., Church at the birthplace of James the Elder and Apostle John, St. James's Cathedral in Jerusalem, Fig. 25, 36 u., 37, acco...
EditorialItalian school. The rape of the Sabine Women. El rapto de las Sabinas. Oil on canvas (47 x 157 cm). Madrid El Prado. AMICO ASPERTINI . ROMULUS. REMUS. R?mulo y Remo.
EditorialHours of the Virgin. The Virgin kneels before Christ, with Joseph leaning on his staff, and three shepherds, two with lambs. Behind, a rocky landscape, with groups of figures; two angels with scrolls appear to the shepherds; the shepherds approach the ...
EditorialHours of the Virgin. The Virgin kneels before Christ, with Joseph leaning on his staff, and three shepherds, two with lambs. Behind, a rocky landscape, with groups of figures; two angels with scrolls appear to the shepherds; the shepherds approach the ...
EditorialHours of the Virgin. The Virgin kneels before Christ, with Joseph leaning on his staff, and three shepherds, two with lambs. Behind, a rocky landscape, with groups of figures; two angels with scrolls appear to the shepherds; the shepherds approach the ...
EditorialTeacher at his desk with pupils, beginning 16th. Perhaps Saint Cassian of Imola, legendary inventor of shorthand and, since 1952, patron of stenographers. Oil tempera on panel, 34 x 38 cm.
EditorialModel of the Chruch of the Holy Sepulcher. Wood inlaid with mother-of-pear. 17th-18th century. Gift of Morris Shalom, Paris, in memory of Sarah Shalom. The model was constructed according to plans presented in a book by Bernardino Amico, a priest who ...
EditorialSaint Sebastian. Dated: c. 1505. Dimensions: overall: 114.9 x 66 cm (45 1/4 x 26 in.) framed: 139.2 x 89.2 x 10.8 cm (54 13/16 x 35 1/8 x 4 1/4 in.). Medium: oil on panel.
EditorialThe Expulsion from Paradise, Engraving, sheet: 9 3/8 x 12 5/8 in. (23.8 x 32 cm), Prints, Amico Aspertini (Italian, Bologna ca. 1474?1552 Bologna) (after?).
EditorialCain in the center holding a mirror watching his sacrifice seated near Adam and Eve, in the background an angel expelling them from Paradise, ca. 1530?50, Engraving, sheet: 9 1/4 x 12 5/8 in. (23.5 x 32 cm), Prints, Giulio Bonasone (Italian, active Rom...
EditorialStudies after the Antique: The Fall of Pha?thon, Horses, Reclining Women with Children (recto); Studies after the Antique: An Altar or Urn, Lion Attacking a Horse (verso), 1474?1552, Black chalk, pen and brown ink (recto); pen and brown ink over traces...
EditorialMassacre of the Innocents; Amico Aspertini, Italian, 1474/1475 - 1552; Italy, Europe; about 1510 - 1520; Red and black chalk, with traces of brown ink, heightened with white heightening; 27.9 x 42.7 cm (11 x 16 13/16 in.).
EditorialAmico Aspertini (Italian, 1474/1475 - 1552). The Expulsion of Adam and Eve from Paradise, ca. 1540-1552. Engraving on laid paper. Plate: 234 mm x 320 mm (9.21 in. x 12.6 in.).
EditorialModel of the Chruch of the Holy Sepulcher. Wood inlaid with mother-of-pear. 17th-18th century. Gift of Morris Shalom, Paris, in memory of Sarah Shalom. The model was constructed according to plans presented in a book by Bernardino Amico, a priest who ...
EditorialTeacher at his desk with pupils, beginning 16th. Perhaps Saint Cassian of Imola, legendary inventor of shorthand and, since 1952, patron of stenographers. Oil tempera on panel, 34 x 38 cm.